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HISTORY

The 28 Oct 1922 Exhibitors Trade Review announced that "work has just started" on Coronation, the working title of Jazzmania.
       Jazzmania was restored by Martin Scorsese's The Film Foundation with support from the George Eastman ... More Less

The 28 Oct 1922 Exhibitors Trade Review announced that "work has just started" on Coronation, the working title of Jazzmania.
       Jazzmania was restored by Martin Scorsese's The Film Foundation with support from the George Eastman House. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
28 Oct 1922
p. 1412.
DETAILS
Alternate Title:
Coronation
Release Date:
12 February 1923
Production Date:
began late Oct 1922
Copyright Claimant:
Tiffany Productions
Copyright Date:
6 March 1923
Copyright Number:
LP18762
Physical Properties:
Silent
Black and White
Length(in feet):
8,765
Length(in reels):
8
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Queen Ninon of the Balkan country Jazzmania refuses to marry Prince Otto, who starts a revolution in retaliation. Persuaded by American newspaperman Sonny Daimler to abdicate and leave the country, she flies to Monte Carlo, where she meets Jerry Langdon, and then on to the United States. Ninon's love for jazz occupies her for a time, but she returns to her troubled country, quiets the revolution, establishes a republic, and marries Jerry ... +


Queen Ninon of the Balkan country Jazzmania refuses to marry Prince Otto, who starts a revolution in retaliation. Persuaded by American newspaperman Sonny Daimler to abdicate and leave the country, she flies to Monte Carlo, where she meets Jerry Langdon, and then on to the United States. Ninon's love for jazz occupies her for a time, but she returns to her troubled country, quiets the revolution, establishes a republic, and marries Jerry Langdon. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.