The Nth Commandment (1923)

89 mins | Drama | 18 March 1923

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HISTORY

The scenario was based on the 1914 short story, "The Nth Commandment" by Fannie Hurst. Its acquisition by William Randolph Hearst’s Cosmopolitan Productions was reported by the 19 June 1920 Motion Picture News. More than two years later, the 4 November 1922 Exhibitors Trade Review announced that the screen version had been assigned to director Frank Borzage.
       The 2 December 1922 Motion Picture News indicated that principal photography had begun more than four weeks earlier at the Thomas H. Ince Studio in Culver City, CA. During that period, the 18 November 1922 Film Daily revealed that Borzage’s contract with Cosmopolitan had expired, but he continued the project under a “special agreement.” The May 1923 Motion Picture revealed that lead actors Colleen Moore and James Morrison were distant relatives, whose ancestors could be traced to the same county in Ireland. Moore, born Kathleen Morrison, had no prior acquaintance with her co-star.
       The Nth Commandment was released on 18 March 1923. An article in the 10 March 1923 Exhibitors Herald noted that it was one of the last Cosmopolitan productions released by Paramount Pictures, as Hearst had recently signed a new distribution deal with Goldwyn Pictures Corp.
       Although the 31 March 1923 Motion Picture News initially reported that the film was to open at the Rialto Theatre in New York City on 1 April 1923, a review in the 12 April 1923 Variety revealed that it was postponed until the following Sunday. The 21 April 1923 Exhibitors Herald reported gross receipts ...

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The scenario was based on the 1914 short story, "The Nth Commandment" by Fannie Hurst. Its acquisition by William Randolph Hearst’s Cosmopolitan Productions was reported by the 19 June 1920 Motion Picture News. More than two years later, the 4 November 1922 Exhibitors Trade Review announced that the screen version had been assigned to director Frank Borzage.
       The 2 December 1922 Motion Picture News indicated that principal photography had begun more than four weeks earlier at the Thomas H. Ince Studio in Culver City, CA. During that period, the 18 November 1922 Film Daily revealed that Borzage’s contract with Cosmopolitan had expired, but he continued the project under a “special agreement.” The May 1923 Motion Picture revealed that lead actors Colleen Moore and James Morrison were distant relatives, whose ancestors could be traced to the same county in Ireland. Moore, born Kathleen Morrison, had no prior acquaintance with her co-star.
       The Nth Commandment was released on 18 March 1923. An article in the 10 March 1923 Exhibitors Herald noted that it was one of the last Cosmopolitan productions released by Paramount Pictures, as Hearst had recently signed a new distribution deal with Goldwyn Pictures Corp.
       Although the 31 March 1923 Motion Picture News initially reported that the film was to open at the Rialto Theatre in New York City on 1 April 1923, a review in the 12 April 1923 Variety revealed that it was postponed until the following Sunday. The 21 April 1923 Exhibitors Herald reported gross receipts of $5,612.21 for the opening day. A San Francisco, CA, debut preceded on 7 April 1923 at the California Theatre.
       According to the International Federation of Film Archives (FIAF) Treasures from the Film Archives database, portions of this film are extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Billboard
21 Apr 1923
p. 79
Exhibitors Herald
16 Dec 1922
---
Exhibitors Herald
10 Mar 1923
p. 25
Exhibitors Herald
21 Apr 1923
p. 34
Film Daily
18 Nov 1922
p. 2
Exhibitors Trade Review
4 Nov 1922
p. 1459
Motion Picture
May 1923
p. 82
Motion Picture News
19 Jun 1920
p. 4966
Motion Picture News
2 Dec 1922
p. 2834
Motion Picture News
31 Mar 1923
p. 1545, 1579
MPN Booking Guide
Oct 1923
p. 40
Moving Picture World
30 Dec 1922
p. 890
Moving Picture World
7 Apr 1923
p. 667
Moving Picture World
21 Apr 1923
p. 849
Variety
12 Apr 1923
p. 30
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the short story, "The Nth Commandment" by Fannie Hurst ( The Saturday Evening Post, 5 Dec 1914).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
18 March 1923
Premiere Information:
San Francisco opening: 7 Apr 1923; New York opening: 8 Apr 1923
Production Date:
Nov--Dec 1922
Copyright Info
Claimant
Date
Copyright Number
Cosmopolitan Productions
3 April 1923
LP18845
Physical Properties:
Silent
Black and White
Duration(in mins):
89
Length(in feet):
7,339
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Flattered by the attentions of dapper song plugger Jimmie Fitzgibbons, department store clerk Sarah Juke is nearly lured away from her true love, Harry Smith. After they marry, Harry develops tuberculosis, forcing Sarah to return to work. A doctor advises Harry to move to a milder climate, but Sarah's appeals to an aid society bring no solution. Jimmie, now a successful songwriter, hopes to win Sarah away from Harry, but instead loses $300 to her in wagers, then is rebuffed when he tries to make love to her. Claiming that she earned the money as a dancer, Sarah pays Harry’s way to California, following soon after with their ...

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Flattered by the attentions of dapper song plugger Jimmie Fitzgibbons, department store clerk Sarah Juke is nearly lured away from her true love, Harry Smith. After they marry, Harry develops tuberculosis, forcing Sarah to return to work. A doctor advises Harry to move to a milder climate, but Sarah's appeals to an aid society bring no solution. Jimmie, now a successful songwriter, hopes to win Sarah away from Harry, but instead loses $300 to her in wagers, then is rebuffed when he tries to make love to her. Claiming that she earned the money as a dancer, Sarah pays Harry’s way to California, following soon after with their child.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.