Other Women's Clothes (1922)

Drama | 19 February 1922

Director:

Hugo Ballin

Writer:

Hugo Ballin

Producer:

Hugo Ballin

Cinematographer:

James Diamond

Production Company:

Hugo Ballin Productions
Full page view
HISTORY

The 24 Dec 1921 Moving Picture World reported that producer-director-writer Hugo Ballin had "nearly completed" Luxury Tax, the working title of what became Other Women's Clothes, at the Jackson ... More Less

The 24 Dec 1921 Moving Picture World reported that producer-director-writer Hugo Ballin had "nearly completed" Luxury Tax, the working title of what became Other Women's Clothes, at the Jackson studios. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Moving Picture World
24 Dec 1921
p. 937.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the short story "The Luxury Tax" by Ethel Donoher (publication undetermined).
AUTHOR
DETAILS
Alternate Title:
Luxury Tax
Release Date:
19 February 1922
Production Date:
ended late December 1921 or early January 1922
Copyright Claimant:
Hugo Ballin Productions
Copyright Date:
24 April 1922
Copyright Number:
LP17786
Physical Properties:
Silent
Black and White
Length(in feet):
5,600
Length(in reels):
6
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Model Jacqueline Lee meets Barker Garrison, a wealthy bachelor. Scheming to give her a life of luxury, he invents an old lady who leaves her fortune to Jacqueline. At a party given by Jacqueline, Garrison's intoxicated friend Rupert Lewis--who knows of the scheme--confesses his love for Jacqueline; rejected, he proposes a toast to "the old lady in Rio de Janeiro ... Barker Garrison"; and discovering the truth, Jacqueline disappears. Meanwhile, Garrison travels over Europe in search of her, and later, in New York, while motoring, he sees a girl fall beneath the wheels of a car and finds her to be Jacqueline. When she recovers, he learns that she has become a famous actress under an assumed name. Perceiving that he loves her, she promises never to leave ... +


Model Jacqueline Lee meets Barker Garrison, a wealthy bachelor. Scheming to give her a life of luxury, he invents an old lady who leaves her fortune to Jacqueline. At a party given by Jacqueline, Garrison's intoxicated friend Rupert Lewis--who knows of the scheme--confesses his love for Jacqueline; rejected, he proposes a toast to "the old lady in Rio de Janeiro ... Barker Garrison"; and discovering the truth, Jacqueline disappears. Meanwhile, Garrison travels over Europe in search of her, and later, in New York, while motoring, he sees a girl fall beneath the wheels of a car and finds her to be Jacqueline. When she recovers, he learns that she has become a famous actress under an assumed name. Perceiving that he loves her, she promises never to leave him. +

GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

CASABLANCA

During World War II, Casablanca, Morocco is a waiting point for throngs of desperate refugees fleeing Nazi-occupied Europe. Exit visas, which are necessary to leave the country, are at ... >>

CITIZEN KANE

Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word “Rosebud.” While watching a newsreel summarizing the years during which Kane ... >>

REAR WINDOW

Laid up with a broken leg during the height of summer, renowned New York magazine photographer L. B. “Jeff” Jeffries enters his last week of home confinement, bored and ... >>

RAGING BULL

In 1941, at a boxing match in Cleveland, Ohio, pandemonium breaks out when Jake La Motta, an up-and-coming young boxer, loses a decision to Jimmy Reeves, suffering his first ... >>

CITY LIGHTS

At an outdoor dedication ceremony, a tramp is discovered sleeping in the arms of a statue as it is being unveiled before a crowd. He is chased into ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.