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HISTORY

The scenario was based on the short story, "Quarantined Rivals," by George Randolph Chester, initially published in the Jan 1906 edition of McClure's Magazine. A news brief in the 23 Jan 1926 Motion Picture News noted that Sam Sax of Gotham Productions purchased the screen rights from the author’s estate through the Edward Small Play Co.
       Ten months later, the 27 Nov 1926 Motion Picture News reported that Sax had recently arrived in Hollywood, CA, to begin work on the film. Principal photography was underway as of 13 Jan 1927 at Universal Studios in Universal City, CA, as stated in that day’s edition of LAT. While Virginia Lee Corbin was announced as the lead actress in the 28 Jan 1927 Motion Picture News, items in the 11 Feb 1927 and 18 Feb 1927 issues later noted that she withdrew from the project due to an illness and was replaced by Kathleen Collins. Also joining the company were “Frivolous Al” Boasberg, loaned from Film Booking Offices of America (FBO) to provide humorous intertitles, and “Italian ingenue” Josephine Borio, whose performance earned her a new contract with Gotham (6 Feb 1927 LAT). Cast member Viora Daniels was mentioned in the 25 Feb 1927 Motion Picture News as “Veora Daniels,” and in other sources as “Viora Daniel.” The close of production was reported in the 26 Feb 1927 Exhibitors Herald.
       Quarantined Rivals was released on 25 Mar 1927, followed by a late Mar 1927 showing in New York City at Wurlitzer Hall. ...

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The scenario was based on the short story, "Quarantined Rivals," by George Randolph Chester, initially published in the Jan 1906 edition of McClure's Magazine. A news brief in the 23 Jan 1926 Motion Picture News noted that Sam Sax of Gotham Productions purchased the screen rights from the author’s estate through the Edward Small Play Co.
       Ten months later, the 27 Nov 1926 Motion Picture News reported that Sax had recently arrived in Hollywood, CA, to begin work on the film. Principal photography was underway as of 13 Jan 1927 at Universal Studios in Universal City, CA, as stated in that day’s edition of LAT. While Virginia Lee Corbin was announced as the lead actress in the 28 Jan 1927 Motion Picture News, items in the 11 Feb 1927 and 18 Feb 1927 issues later noted that she withdrew from the project due to an illness and was replaced by Kathleen Collins. Also joining the company were “Frivolous Al” Boasberg, loaned from Film Booking Offices of America (FBO) to provide humorous intertitles, and “Italian ingenue” Josephine Borio, whose performance earned her a new contract with Gotham (6 Feb 1927 LAT). Cast member Viora Daniels was mentioned in the 25 Feb 1927 Motion Picture News as “Veora Daniels,” and in other sources as “Viora Daniel.” The close of production was reported in the 26 Feb 1927 Exhibitors Herald.
       Quarantined Rivals was released on 25 Mar 1927, followed by a late Mar 1927 showing in New York City at Wurlitzer Hall. The picture was declared a “notable success” in the 17 Jun 1927 LAT.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
26 Feb 1927
p. 52
Film Daily
10 Apr 1927
p. 6
Los Angeles Times
13 Jan 1927
p. 26
Los Angeles Times
6 Feb 1927
pp. 68-69
Los Angeles Times
17 Jun 1927
p. 26
Motion Picture News
23 Jan 1926
p. 382
Motion Picture News
27 Nov 1926
p. 2040
Motion Picture News
28 Jan 1927
p. 301
Motion Picture News
11 Feb 1927
p. 504
Motion Picture News
18 Feb 1927
p. 579
Motion Picture News
25 Feb 1927
p. 710
Motion Picture News
8 Apr 1927
p. 1273
Motion Picture News
29 Apr 1927
p. 1603
Variety
30 May 1927
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Sam Sax
Pres
Supv
WRITERS
Cont
Titles
PHOTOGRAPHY
Cinematog Cam
FILM EDITOR
Film ed
PRODUCTION MISC
Prod mgr
Prod mgr
SOURCES
LITERARY
Based on the short story, "Quarantined Rivals" by George Randolph Chester in McClure's Magazine (Jan 1906).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
25 March 1927
Production Date:
Jan--Feb 1927
Copyright Info
Claimant
Date
Copyright Number
Gotham Productions
15 March 1927
LP23838
Physical Properties:
Silent
Black and White
Length(in feet):
6,806
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Elsie Peyton is ardently admired by Bruce Farney, whom she and her father both favor, and by Bob Howard, her mother's preference. The domineering Mrs. Peyton sees to it that Bruce, a football player, is discouraged from taking Elsie to the game. At a barber shop, Bruce is subjected to the flirtations of Minette the manicurist, in an attempt to arouse the jealousy of the barber. At the game, Bruce is disillusioned to see Elsie with Bob and follows them in his car. Meanwhile, Mrs. Peyton calls Minette to the house for a manicure. Bruce arrives soon after and is ordered out, but he is unable to leave as the house is placed under a two-week quarantine for smallpox. Hilarious complications ensue as the two rivals are forced to room together, but by a clever trick, Bruce marries Elsie in spite of the quarantine, which proves to have been ...

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Elsie Peyton is ardently admired by Bruce Farney, whom she and her father both favor, and by Bob Howard, her mother's preference. The domineering Mrs. Peyton sees to it that Bruce, a football player, is discouraged from taking Elsie to the game. At a barber shop, Bruce is subjected to the flirtations of Minette the manicurist, in an attempt to arouse the jealousy of the barber. At the game, Bruce is disillusioned to see Elsie with Bob and follows them in his car. Meanwhile, Mrs. Peyton calls Minette to the house for a manicure. Bruce arrives soon after and is ordered out, but he is unable to leave as the house is placed under a two-week quarantine for smallpox. Hilarious complications ensue as the two rivals are forced to room together, but by a clever trick, Bruce marries Elsie in spite of the quarantine, which proves to have been unnecessary.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.