True Heaven (1929)

55 mins | Melodrama | January 1929

Director:

James Tinling

Writer:

Dwight Cummins

Cinematographer:

Conrad Wells

Production Company:

Fox Film Corp.
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HISTORY

The 8 Dec 1928 Exhibitors Herald and Moving Picture World announced that the production starting date for False Colors, the film's working title, was 20 Oct ... More Less

The 8 Dec 1928 Exhibitors Herald and Moving Picture World announced that the production starting date for False Colors, the film's working title, was 20 Oct 1928. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald and Moving Picture World
8 Dec 1928
p. 50.
Film Daily
17 Feb 1929.
---
New York Times
11 Feb 1929
p. 26.
Variety
13 Feb 1929
p. 24.
DETAILS
Alternate Title:
False Colors
Release Date:
January 1929
Premiere Information:
release: 13 January or 20 January 1929
Production Date:
began 20 October 1928
Copyright Claimant:
Fox Film Corp.
Copyright Date:
22 January 1929
Copyright Number:
LP50
Physical Properties:
Silent with sound sequences
Sd eff by Movietone
Black and White
Sound, also silent
Also si; 5,563 ft.
Duration(in mins):
55
Length(in feet):
5,531
Length(in reels):
6
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Lieut. Philip Gresson, a British soldier in Belgium, falls in love with Judith, a cafe entertainer, who later saves his life. Sent to spy behind the German lines disguised as a German officer, he discovers that she is an enemy agent. Torn between love and duty, she turns him in. He is saved by the Armistice from being ... +


Lieut. Philip Gresson, a British soldier in Belgium, falls in love with Judith, a cafe entertainer, who later saves his life. Sent to spy behind the German lines disguised as a German officer, he discovers that she is an enemy agent. Torn between love and duty, she turns him in. He is saved by the Armistice from being shot. +

GENRE
Genre:
Sub-genre:
World War I


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.