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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
27 Jun 1925
p. 58.
Film Daily
5 Jul 1925.
---
New York Times
15 Jun 1925
p. 10.
Variety
17 Jun 1925
p. 35.
DETAILS
Release Date:
6 July 1925
Premiere Information:
New York opening: 14 June 1925
Copyright Claimant:
Famous Players-Lasky Corp.
Copyright Date:
11 July 1925
Copyright Number:
LP21646
Physical Properties:
Silent
Black and White
Length(in feet):
5,959
Length(in reels):
6
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Maria Maretti, a manicurist in the beauty shop of a large metropolitan hotel, is engaged to Antonio Luca, an electrician who operates a small radio repair business. At the hotel, Maria meets James Morgan, a wealthy guest who, when Maria will not go out with him, sends her ten dollars for theater tickets. Over Antonio's objections, Maria does not return the money; instead she and Antonio go to a play. After the performance, Antonio is too niggardly to hire a taxi; and while he is chasing his hat down a windy street, Maria accepts a ride with Morgan. Later, she and Antonio fight, and she goes to Morgan for consolation, belatedly discovering that he is married. Maria reunites Morgan with his wife, then gladly returns to the penitent ... +


Maria Maretti, a manicurist in the beauty shop of a large metropolitan hotel, is engaged to Antonio Luca, an electrician who operates a small radio repair business. At the hotel, Maria meets James Morgan, a wealthy guest who, when Maria will not go out with him, sends her ten dollars for theater tickets. Over Antonio's objections, Maria does not return the money; instead she and Antonio go to a play. After the performance, Antonio is too niggardly to hire a taxi; and while he is chasing his hat down a windy street, Maria accepts a ride with Morgan. Later, she and Antonio fight, and she goes to Morgan for consolation, belatedly discovering that he is married. Maria reunites Morgan with his wife, then gladly returns to the penitent Antonio. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.