Full page view
HISTORY

According to the 4 November 1916 Motion Picture News, "The first play for Enid Bennett, the new Ince star engaged by Mr. Ince while in New York, was put into production last week under the direction of Charles Miller."
       The upcoming release was announced in the 27 January 1917 Motion Picture News as the U.S. screen debut of Australian actress Enid Bennett, whom producer Thomas H. Ince signed after seeing her in a New York City stage production. Filming took place at Ince-Triangle Studios in Culver City, CA, according to the 10 February 1917 Moving Picture World
       Princess of the Dark debuted at the Strand Theatre in New York City. The date of the invitational event was reported as 1 Feb 1917 in the next day’s New York Tribune, and as 31 Jan 1917 in the 3 Feb 1917 Moving Picture World. A general release was scheduled for 18 Feb 1917.
       Although Bennett’s performance was well-received, critics noted that the plotline was similar to that of another recent Triangle release, Nina, the Flower Girl (1917, see entry). A review in the 15 Feb 1917 Chicago Daily Tribune concluded that the story was “too sad to be classified as ‘entertainment’.” ...

More Less

According to the 4 November 1916 Motion Picture News, "The first play for Enid Bennett, the new Ince star engaged by Mr. Ince while in New York, was put into production last week under the direction of Charles Miller."
       The upcoming release was announced in the 27 January 1917 Motion Picture News as the U.S. screen debut of Australian actress Enid Bennett, whom producer Thomas H. Ince signed after seeing her in a New York City stage production. Filming took place at Ince-Triangle Studios in Culver City, CA, according to the 10 February 1917 Moving Picture World
       Princess of the Dark debuted at the Strand Theatre in New York City. The date of the invitational event was reported as 1 Feb 1917 in the next day’s New York Tribune, and as 31 Jan 1917 in the 3 Feb 1917 Moving Picture World. A general release was scheduled for 18 Feb 1917.
       Although Bennett’s performance was well-received, critics noted that the plotline was similar to that of another recent Triangle release, Nina, the Flower Girl (1917, see entry). A review in the 15 Feb 1917 Chicago Daily Tribune concluded that the story was “too sad to be classified as ‘entertainment’.”

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Daily Tribune
15 Feb 1917
p. 10
Exhibitors Trade Review
10 Feb 1917
p. 715
Motion Picture
Apr 1917
p. 151
Motion Picture News
4 Nov 1916
p. 2832
Motion Picture News
27 Jan 1917
p. 606
Motion Picture News
10 Feb 1917
p. 891
Motion Picture News
17 Feb 1917
p. 1089
Motography
17 Feb 1917
p. 374
Moving Picture World
3 Feb 1917
p. 673
Moving Picture World
10 Feb 1917
p. 851
Moving Picture World
24 Feb 1917
p. 1250
Moving Picture World
21 Apr 1917
p. 395
NYDM
10 Feb 1917
p. 26
New York Tribune
2 Feb 1917
p. 13
Variety
9 Feb 1917
p. 28
Wid's Daily
8 Feb 1917
p. 91
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
PHOTOGRAPHY
MUSIC
Victor L. Schertzinger
Mus accompaniment: incidental mus by
DETAILS
Release Date:
18 February 1917
Premiere Information:
New York premiere: 31 Jan or 1 Feb 1917
Production Date:
began late October 1916
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In a squalid West Virginia mining town, James Herron, a consumptive, lives with his daughter Fay, who has been blind since birth, but has a wonderful imagination. In Fay's mind, the secret cavern where she plays with hunchback "Crip" Halloran is a fairyland and her disfigured companion is Prince Charming. One day, John Rockwell, the son of a wealthy mine owner, arrives in town to look after his father’s property. By chance, he meets Fay and becomes enchanted with her charm and idealism. He is admitted to the magic kingdom and gradually dethrones Crip, much to the latter's distress. Motivated by his love for Fay and his pity for her misfortune, John arranges for an operation to restore her sight. Her eyes now opened to the harsh reality that she had idealized, Fay shrinks from the misshapen Crip and declares John her Prince Charming. The brokenhearted hunchback takes his life in the cavern. Fay and John later discover his body when visit their old ...

More Less

In a squalid West Virginia mining town, James Herron, a consumptive, lives with his daughter Fay, who has been blind since birth, but has a wonderful imagination. In Fay's mind, the secret cavern where she plays with hunchback "Crip" Halloran is a fairyland and her disfigured companion is Prince Charming. One day, John Rockwell, the son of a wealthy mine owner, arrives in town to look after his father’s property. By chance, he meets Fay and becomes enchanted with her charm and idealism. He is admitted to the magic kingdom and gradually dethrones Crip, much to the latter's distress. Motivated by his love for Fay and his pity for her misfortune, John arranges for an operation to restore her sight. Her eyes now opened to the harsh reality that she had idealized, Fay shrinks from the misshapen Crip and declares John her Prince Charming. The brokenhearted hunchback takes his life in the cavern. Fay and John later discover his body when visit their old haunt.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.