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HISTORY

L'Affaire Lerouge , which has been called the first detective novel, was translated into English in 1873, under the title The Widow Lerouge . The plot summary for this film was taken primarily from the scenario by Joseph H. Trant included in the copyright descriptions for the film. Because all the reviews for the film indicate that Will S. Davis did the adaptation, it is possible that the Trant scenario was not followed when the film was shot. However, reviews of the film indicate that its plot was basically the same as that of the Trant ... More Less

L'Affaire Lerouge , which has been called the first detective novel, was translated into English in 1873, under the title The Widow Lerouge . The plot summary for this film was taken primarily from the scenario by Joseph H. Trant included in the copyright descriptions for the film. Because all the reviews for the film indicate that Will S. Davis did the adaptation, it is possible that the Trant scenario was not followed when the film was shot. However, reviews of the film indicate that its plot was basically the same as that of the Trant scenario. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Motog
13 Nov 15
p. 1050.
MPN
30 Oct 15
p. 78.
MPN
6 Nov 15
p. 85.
MPW
18 Dec 15
p. 2204, 2241-42.
Variety
29 Oct 15
p. 23.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
SOURCES
LITERARY
Based on the novel L'affaire Lerouge by Emile Gaboriau (Paris, 1866).
DETAILS
Release Date:
18 October 1915
Copyright Claimant:
William Fox
Copyright Date:
24 October 1915
Copyright Number:
LP6767
Physical Properties:
Silent
Black and White
Length(in reels):
5-6
Country:
United States
Passed by NBR:
No
SYNOPSIS

An investigation of the murder of Claudine Lerouge in a small French town, is conducted by detective Tabaret, who learns that years earlier, Claudine was paid by wealthy Richard Cameron to switch his wife's baby with that of his mistress, Madame Gerdy. Tabaret is shocked because he loves Madame Gerdy and her son Noel, who discovered the papers that revealed the switch. Cameron's son Albert is arrested because of circumstantial evidence by Magistrate Dubaron, who loves Albert's lover, Claire. Cameron tells Dubaron that he has always treated Albert icily because Madame Gerdy had another lover at the time of Albert's birth. Claire tells Dubaron that Albert was with her the night of the murder. When Cameron visits Noel and finds Madame Gerdy dying, she proves that the supposed lover was really her brother, calls Noel an assassin and dies. After Claudine's husband testifies that he prevented the switch of the babies, evidence leads to the suspicion that Noel killed Claudine so that he would gain Cameron's title and inheritance. Noel writes a confession and commits suicide. Later Albert and Claire ... +


An investigation of the murder of Claudine Lerouge in a small French town, is conducted by detective Tabaret, who learns that years earlier, Claudine was paid by wealthy Richard Cameron to switch his wife's baby with that of his mistress, Madame Gerdy. Tabaret is shocked because he loves Madame Gerdy and her son Noel, who discovered the papers that revealed the switch. Cameron's son Albert is arrested because of circumstantial evidence by Magistrate Dubaron, who loves Albert's lover, Claire. Cameron tells Dubaron that he has always treated Albert icily because Madame Gerdy had another lover at the time of Albert's birth. Claire tells Dubaron that Albert was with her the night of the murder. When Cameron visits Noel and finds Madame Gerdy dying, she proves that the supposed lover was really her brother, calls Noel an assassin and dies. After Claudine's husband testifies that he prevented the switch of the babies, evidence leads to the suspicion that Noel killed Claudine so that he would gain Cameron's title and inheritance. Noel writes a confession and commits suicide. Later Albert and Claire marry. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.