Full page view
HISTORY

Universal reported that it bought the rights to eight best-sellers, including Jacques Futrelle's Elusive Isabel, "to be used as the basis for Universal Broadway Features."
       As pointed out in the 5 February 1916 Motion Picture News, Elusive Isabel marked the "reappearance as a Universal star" for Florence Lawrence, generally acknowledged to be the first movie industry-created celebrity whose name was used to sell her pictures. She began her film career in 1907. Universal at this point planned the film to be part of its Red Feather line, which had replaced its Broadway Features. The item stated that director Stuart Paton had blown up a building and taken his company of actors to Washington, D.C., "where Miss Lawrence and her supporting cast spent a week." While they were still at Universal's Fort Lee, NJ, studios, one series of interior scenes was filmed over a twenty-four-hour period, from one morning to the next," at which point the set was dismantled.
       The 5 February 1916 Moving Picture World and April 1916 Picture-Play Magazine listed Curtis Benton and Paul Crampton among the cast, but their presence in the film is undetermined.
       According to the 6 May 1916 Moving Picture World, Elusive Isabel was filmed in eight reels, but edited down to five, "retaining in more condensed scope the many and various sensations that were embodied in the original length. In producing these exciting episodes many novel methods have been employed, and a play of uncommon originality is developed." The 20 May 1916 Moving Picture World coverage of the story also described it as being in ...

More Less

Universal reported that it bought the rights to eight best-sellers, including Jacques Futrelle's Elusive Isabel, "to be used as the basis for Universal Broadway Features."
       As pointed out in the 5 February 1916 Motion Picture News, Elusive Isabel marked the "reappearance as a Universal star" for Florence Lawrence, generally acknowledged to be the first movie industry-created celebrity whose name was used to sell her pictures. She began her film career in 1907. Universal at this point planned the film to be part of its Red Feather line, which had replaced its Broadway Features. The item stated that director Stuart Paton had blown up a building and taken his company of actors to Washington, D.C., "where Miss Lawrence and her supporting cast spent a week." While they were still at Universal's Fort Lee, NJ, studios, one series of interior scenes was filmed over a twenty-four-hour period, from one morning to the next," at which point the set was dismantled.
       The 5 February 1916 Moving Picture World and April 1916 Picture-Play Magazine listed Curtis Benton and Paul Crampton among the cast, but their presence in the film is undetermined.
       According to the 6 May 1916 Moving Picture World, Elusive Isabel was filmed in eight reels, but edited down to five, "retaining in more condensed scope the many and various sensations that were embodied in the original length. In producing these exciting episodes many novel methods have been employed, and a play of uncommon originality is developed." The 20 May 1916 Moving Picture World coverage of the story also described it as being in "five parts," and Motography listed it as being 5,000 feet. However, Motion Picture News reviewer Peter Milne, in the 20 May 1916 edition, twice called the film a six-reeler. So did New York Clipper, which added, "The picture needs editing badly, and, on the whole, is a rather mediocre production." Wid's found the story "messy, jumpy," and commented, "It is certainly not worth six reels....I would say that Miss Lawrence's return to the films will probably fail to create a terrible commotion."
       Declaring that Universal hadn't provided her with the proper photoplay, Miss Lawrence resigned after finishing Elusive Isabel, according to the 22 April 1916 Moving Picture World. "Florry Lorry is said to have developed a temperamental streak, but as she had no written or verbal contract with the Universal, President [Carl] Laemmle had no means of making her stay at the big new Fort Lee studios." (She did return to the company the following year.)
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Billboard
6 May 1916
p. 68
Motion Picture News
16 Oct 1915
p. 86
Motion Picture News
5 Feb 1916
p. 705
Motion Picture News
20 May 1916
p. 3104
Motography
27 May 1916
p. 1235
Moving Picture World
5 Feb 1916
p. 764
Moving Picture World
22 Apr 1916
p. 631
Moving Picture World
6 May 1916
p. 992
Moving Picture World
13 May 1916
p. 1179
Moving Picture World
20 May 1916
p. 1404
Moving Picture World
22 Jun 1916
p. 667
New York Clipper
20 May 1916
p. 37
Picture-Play Magazine
Apr 1916
p. 152
Variety
5 May 1916
p. 26
Wid's
4 May 1916
p. 547
DETAILS
Release Date:
1 May 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Bluebird Photoplays, Inc.
24 April 1916
LP8147
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Led by Prince D'Abruzzi and aide Isabel Thorne, the Latin nations have formulated a plan that will allow them to dominate the world, thanks in part to Isabel's unbalance brother Luigi's invention, a bomb that can be exploded from miles away. Representatives have come to the United States to put the finishing touches on the plan, while the United States Secret Service, tipped off to the conspiracy, hopes to stop them. Agent Hamilton Grimm follows the plotters, concentrating on Isabel. They meet and fall in love, but Isabel puts politics ahead of passion and continues to work for D'Abruzzi. Finally, Hamilton catches the conspirators and Isabel is deported to Europe. Hamilton decides to go along, so he can continue to romance Isabel, but this time without the distraction of world ...

More Less

Led by Prince D'Abruzzi and aide Isabel Thorne, the Latin nations have formulated a plan that will allow them to dominate the world, thanks in part to Isabel's unbalance brother Luigi's invention, a bomb that can be exploded from miles away. Representatives have come to the United States to put the finishing touches on the plan, while the United States Secret Service, tipped off to the conspiracy, hopes to stop them. Agent Hamilton Grimm follows the plotters, concentrating on Isabel. They meet and fall in love, but Isabel puts politics ahead of passion and continues to work for D'Abruzzi. Finally, Hamilton catches the conspirators and Isabel is deported to Europe. Hamilton decides to go along, so he can continue to romance Isabel, but this time without the distraction of world affairs.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.