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HISTORY

The picture was based on 1918 the musical play, Getting Together by J. Hartley Manners, Major Ian Hay Beith, and Percival Knight, and produced under the auspices of the British-Canadian Recruiting Mission. According to the 6 Jul 1918 Moving Picture World, the play’s producers believed that a film version would reach a wider audience. They offered the property to Vitagraph Co. of America founder J. Stuart Blackton, who had recently started his own production company. The Mission also supplied Blackton with war footage, military personnel, and “locations and effects rarely available to the film producer.”
       Seven weeks later, an advertisement in the 31 Aug 1918 Exhibitors Herald and Motography announced the upcoming picture by its release title, The Common Cause. Described as “an entirely different war story with ‘a laugh, a thrill and a sob,’” the production was intended to increase recruitment for the war effort and build comradery among England’s allies. Interior scenes were filmed at Vitagraph’s Brooklyn, NY, studios while exteriors were shot at “Vitagraph Village.” The producer was referred to as “Commodore Blackton,” although it was not specified whether the title was official or honorary. Featured among the cast were members of the American, French, and British military, as well as Blackton’s son and daughter, Charles Stuart and Violet. The 28 Sep 1918 Moving Picture World noted that Colonel J. S. Dennis of the British-Canadian Recruiting Mission, along with several other British and American officers, visited the studio during production. Sets included an elegant ballroom and a French Village. Principal photography was completed the ...

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The picture was based on 1918 the musical play, Getting Together by J. Hartley Manners, Major Ian Hay Beith, and Percival Knight, and produced under the auspices of the British-Canadian Recruiting Mission. According to the 6 Jul 1918 Moving Picture World, the play’s producers believed that a film version would reach a wider audience. They offered the property to Vitagraph Co. of America founder J. Stuart Blackton, who had recently started his own production company. The Mission also supplied Blackton with war footage, military personnel, and “locations and effects rarely available to the film producer.”
       Seven weeks later, an advertisement in the 31 Aug 1918 Exhibitors Herald and Motography announced the upcoming picture by its release title, The Common Cause. Described as “an entirely different war story with ‘a laugh, a thrill and a sob,’” the production was intended to increase recruitment for the war effort and build comradery among England’s allies. Interior scenes were filmed at Vitagraph’s Brooklyn, NY, studios while exteriors were shot at “Vitagraph Village.” The producer was referred to as “Commodore Blackton,” although it was not specified whether the title was official or honorary. Featured among the cast were members of the American, French, and British military, as well as Blackton’s son and daughter, Charles Stuart and Violet. The 28 Sep 1918 Moving Picture World noted that Colonel J. S. Dennis of the British-Canadian Recruiting Mission, along with several other British and American officers, visited the studio during production. Sets included an elegant ballroom and a French Village. Principal photography was completed the following month, as stated in the 19 Oct 1918 Motion Picture News. The epic production inspired Blackton to dedicate his company exclusively to “special” productions.
       An article in the 16 Nov 1918 Motion Picture News attributed the film’s musical score to Manuel Klein, former conductor at the Hippodrome Theatre in New York City. Klein debuted his composition during a screening at Vitagraph’s home office, also located in New York City at 1600 Broadway.
       The Common Cause opened on 5 Jan 1919, nearly two months after the war ended.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald and Motography
31 Aug 1918
p. 14, 38
Exhibitors Trade Review
24 Aug 1918
p. 957
Exhibitors Trade Review
31 Aug 1918
p. 1106
Exhibitors Trade Review
7 Dec 1918
pp. 5-12
Motion Picture News
15 Dec 1917
p. 1604, 1645, 1682
Motion Picture News
19 Oct 1918
p. 2574
Motion Picture News
16 Nov 1918
p. 2695
Motion Picture News
14 Dec 1918
p. 3610
Motion Picture News
4 Jan 1919
p. 112
Moving Picture World
6 Jul 1918
p. 80
Moving Picture World
31 Aug 1918
p. 1269
Moving Picture World
28 Sep 1918
p. 1864
Motion Picture News
26 Oct 1918
p. 2669
Moving Picture World
14 Dec 1918
p. 1193, 1249
Moving Picture World
28 Dec 1918
p. 1560
Wid's Daily
8 Dec 1918
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
A Vitagraph Special Release
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the musical play, Getting Together; book by J. Hartley Manners, Ian Hay (pseud. of Ian Hay Beith) and Percival Knight; songs by Gitz Rice (New York, 18 Mar 1918).
LITERARY SOURCE AUTHORS
+
LITERARY SOURCE AUTHORS
+
DETAILS
Release Date:
5 January 1919
Production Date:
ended Oct 1918
Copyright Info
Claimant
Date
Copyright Number
Blackton Productions, Inc.
25 November 1918
LP13084
Physical Properties:
Silent
Black and White
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Helene Palmer and her husband, Orrin, have grown apart, and she becomes infatuated with bachelor Edward Wadsworth. With the outbreak of World War I, Orrin and Edward enlist, while Helene works as a Red Cross nurse in a small French town. Edward is wounded on a dangerous scouting mission near the town and Orrin carries him to safety. The enemy invades during the night, and Orrin rescues Helene as she is about to be overpowered by a German officer. The dying Edward, morally strengthened by his experience as a soldier, encourages the couple to reunite. Soon after, peace is ...

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Helene Palmer and her husband, Orrin, have grown apart, and she becomes infatuated with bachelor Edward Wadsworth. With the outbreak of World War I, Orrin and Edward enlist, while Helene works as a Red Cross nurse in a small French town. Edward is wounded on a dangerous scouting mission near the town and Orrin carries him to safety. The enemy invades during the night, and Orrin rescues Helene as she is about to be overpowered by a German officer. The dying Edward, morally strengthened by his experience as a soldier, encourages the couple to reunite. Soon after, peace is declared.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.