Come September (1961)
112 mins | Comedy | 9 August 1961
Director:
Robert MulliganWriters:
Stanley Shapiro, Maurice RichlinProducer:
Robert ArthurCinematographer:
William H. DanielsEditor:
Russell F. SchoengarthProduction Designer:
Henry BumsteadProduction Companies:
7 Pictures Corp., Raoul Walsh EnterprisesUniversal Pictures’ plans to produce Come September, an original screenplay by Stanley Shapiro and Maurice Richlin, were announced in the 4 Nov 1959 Var. Shapiro and Richlin’s collaborations included recent comedies Pillow Talk and Operation Petticoat (1959, see entries).
Pillow Talk star Rock Hudson was cast in the lead role of “Robert Lawrence Talbot.” Although an 18 May 1960 DV item suggested Tony Curtis might take his place, Hudson remained with the picture, which he also produced through his newly formed company, 7 Pictures Corp. As stated in a 19 Aug 1960 DV brief, the project was Hudson’s first “independent venture,” set to be released by Universal-International.
As noted in an 8 Jun 1960 LAT item, director Robert Mulligan offered Laurence Olivier a co-starring role. Comedian Shelley Berman was also considered for a role, although his concert touring dates posed a potential scheduling conflict. On 15 Jul 1960, DV announced that Mulligan would travel to Rome, Italy, for a location scout the following day.
Principal photography began 7 Sep 1960, as noted in a 9 Sep 1960 DV production chart. Location filming took place in the coastal town of Portofino, Italy, where cloudy weather caused production delays, according to a 27 Nov 1960 NYT article. Soundstage work was scheduled to follow at Cinecitta Studios in Rome.
The 27 Nov 1960 NYT noted that Leo Coleman worked as a choreographer on the picture.
In mid-Jul 1961, Trans World Airlines (TWA) launched its new program of in-flight film screenings with the “world premiere” of ...
Universal Pictures’ plans to produce Come September, an original screenplay by Stanley Shapiro and Maurice Richlin, were announced in the 4 Nov 1959 Var. Shapiro and Richlin’s collaborations included recent comedies Pillow Talk and Operation Petticoat (1959, see entries).
Pillow Talk star Rock Hudson was cast in the lead role of “Robert Lawrence Talbot.” Although an 18 May 1960 DV item suggested Tony Curtis might take his place, Hudson remained with the picture, which he also produced through his newly formed company, 7 Pictures Corp. As stated in a 19 Aug 1960 DV brief, the project was Hudson’s first “independent venture,” set to be released by Universal-International.
As noted in an 8 Jun 1960 LAT item, director Robert Mulligan offered Laurence Olivier a co-starring role. Comedian Shelley Berman was also considered for a role, although his concert touring dates posed a potential scheduling conflict. On 15 Jul 1960, DV announced that Mulligan would travel to Rome, Italy, for a location scout the following day.
Principal photography began 7 Sep 1960, as noted in a 9 Sep 1960 DV production chart. Location filming took place in the coastal town of Portofino, Italy, where cloudy weather caused production delays, according to a 27 Nov 1960 NYT article. Soundstage work was scheduled to follow at Cinecitta Studios in Rome.
The 27 Nov 1960 NYT noted that Leo Coleman worked as a choreographer on the picture.
In mid-Jul 1961, Trans World Airlines (TWA) launched its new program of in-flight film screenings with the “world premiere” of Come September, as stated in the 23 Jul 1961 LAT. The film was shown twice on a five-hour flight from Los Angeles, CA, to Seattle, WA, and back. Guests were fed dinner and returned to Los Angeles at the end of the evening.
The 27 Jun 1961 DV review lamented that the picture failed to fulfill its potential but predicted it would be a commercial success regardless. The 24 Oct 1961 DV listed Come September as the ninth highest-grossing picture in Los Angeles, CA, in 1961, taking in “a sizzling $608,956.”
Items in the 20 Jul 1960 NYT and 27 Jun 1961 DV incorrectly identified the film as singer Bobby Darin’s cinematic debut. Darin had previously appeared in Pepe (1961, see entry). On set, he met and fell in love with co-star Sandra Dee, and the two quickly married in early Dec 1960. Their experience on Come September was depicted in the Bobby Darin biography Beyond the Sea (2004, see entry).
For the past six years American millionaire Robert Talbot has been spending September with his one-month-a-year mistress, Lisa Fellini, at his villa in Portofino, Italy. This year he arrives unannounced in July, however, and discovers that his major-domo, Maurice, has been making a tidy profit eleven months of the year by converting the villa into an elegant hotel--La Dolce Vista. Outraged, Robert demands that the guests--six American teenaged girls and a chaperon--leave immediately. Before the eviction can be accomplished, however, the chaperon slips on a champagne cork and injures her back; and Robert is stuck with his "guests." Another setback occurs when four American college boys pitch a tent just outside the villa and begin courting the girls. Apprehensive lest he be liable for arrest on a morals charge, Robert, accompanied by Lisa, sets himself up as both guardian and chaperon of the girls. His primary concern is keeping the most amorous of the boys, Tony, from seducing young Sandy Stevens. When Lisa learns that Robert has warned Sandy that men don't marry girls who "give away free samples," she indignantly storms out of the villa and returns to Rome to rejoin her stuffy British fiancé, Spencer. Robert follows but, despite a marriage proposal, he is unable to stop the infuriated Lisa. After a chat with Sandy, however, Lisa has a change of heart and races, in her wedding gown, to catch Robert. Following their marriage, they return to the villa for their honeymoon. They are appalled to discover that it is once more Hotel La Dolce Vista. This time Robert is confronted with a different problem--his "guests" are nine vacationing ...
For the past six years American millionaire Robert Talbot has been spending September with his one-month-a-year mistress, Lisa Fellini, at his villa in Portofino, Italy. This year he arrives unannounced in July, however, and discovers that his major-domo, Maurice, has been making a tidy profit eleven months of the year by converting the villa into an elegant hotel--La Dolce Vista. Outraged, Robert demands that the guests--six American teenaged girls and a chaperon--leave immediately. Before the eviction can be accomplished, however, the chaperon slips on a champagne cork and injures her back; and Robert is stuck with his "guests." Another setback occurs when four American college boys pitch a tent just outside the villa and begin courting the girls. Apprehensive lest he be liable for arrest on a morals charge, Robert, accompanied by Lisa, sets himself up as both guardian and chaperon of the girls. His primary concern is keeping the most amorous of the boys, Tony, from seducing young Sandy Stevens. When Lisa learns that Robert has warned Sandy that men don't marry girls who "give away free samples," she indignantly storms out of the villa and returns to Rome to rejoin her stuffy British fiancé, Spencer. Robert follows but, despite a marriage proposal, he is unable to stop the infuriated Lisa. After a chat with Sandy, however, Lisa has a change of heart and races, in her wedding gown, to catch Robert. Following their marriage, they return to the villa for their honeymoon. They are appalled to discover that it is once more Hotel La Dolce Vista. This time Robert is confronted with a different problem--his "guests" are nine vacationing nuns!
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