I Never Sang for My Father (1970)

GP | 90 mins | Melodrama | 18 October 1970

Director:

Gilbert Cates

Producer:

Gilbert Cates

Cinematographers:

George Stoetzel, Morris Hartzband

Editor:

Angelo Ross

Production Designer:

Hank Aldrich

Production Company:

Jamel Productions
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HISTORY

The 18 Dec 1968 Var announced that Columbia Pictures had bought the film rights to Robert Anderson’s play, I Never Sang for My Father. Gilbert Cates, who produced the Broadway play, would both produce and direct the movie. Principal photography was set to begin in May 1969 in New York City.
The working title was Strangers, according to the 21 May 1969 Var. Stage actress Dorothy Stickney, playing “Margaret Garrison,” was making her first film appearance since MGM’s A Catered Affair in 1956 (see entry).
 Cates told the 7 Dec 1970 LAT he purposely did not bring any of the principal actors—Alan Webb, Hal Holbrook, Lillian Gish, and Teresa Wright—with him from the stage to the film. “When an actor plays on Broadway he gives a performance that’s outsize, which is something I believe he’s not fully able to conquer when he does it on film,” he said. “I wanted to start from scratch. I didn’t want any, ‘We did it this way on the stage’ or ‘Why did you take out that line?’ from the cast.” Cates had originally approached Melvyn Douglas for the stage play, but the actor hated the character of “Tom Garrison” so much that he could not play him every night, but could tolerate him once in the film version. Dorothy Stickney had also turned down the role in the play.
In its review, the 19 Oct 1970 DV pointed out that the play ran for only 124 performances on Broadway in 1968 and lost most ...

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The 18 Dec 1968 Var announced that Columbia Pictures had bought the film rights to Robert Anderson’s play, I Never Sang for My Father. Gilbert Cates, who produced the Broadway play, would both produce and direct the movie. Principal photography was set to begin in May 1969 in New York City.
The working title was Strangers, according to the 21 May 1969 Var. Stage actress Dorothy Stickney, playing “Margaret Garrison,” was making her first film appearance since MGM’s A Catered Affair in 1956 (see entry).
 Cates told the 7 Dec 1970 LAT he purposely did not bring any of the principal actors—Alan Webb, Hal Holbrook, Lillian Gish, and Teresa Wright—with him from the stage to the film. “When an actor plays on Broadway he gives a performance that’s outsize, which is something I believe he’s not fully able to conquer when he does it on film,” he said. “I wanted to start from scratch. I didn’t want any, ‘We did it this way on the stage’ or ‘Why did you take out that line?’ from the cast.” Cates had originally approached Melvyn Douglas for the stage play, but the actor hated the character of “Tom Garrison” so much that he could not play him every night, but could tolerate him once in the film version. Dorothy Stickney had also turned down the role in the play.
In its review, the 19 Oct 1970 DV pointed out that the play ran for only 124 performances on Broadway in 1968 and lost most of its investment, which meant “the public was trying to tell [the producers] something.” The critic deemed that “opening up the play for the screen results in just another intimate N.Y.-filmed stage-rutted melodrama.”
Melvyn Douglas and Gene Hackman were nominated for Academy Awards for Best Actor and Best Supporting Actor, respectively. Robert Woodruff Anderson was nominated for Best Adapted Screenplay.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 Oct 1970
p. 3
Los Angeles Times
7 Dec 1970
View, p. 1, 28
Variety
18 Dec 1968
p. 59
Variety
21 May 1969
p. 30
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
1st & 2nd asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Dir of photog
Cam op
Cam op
1st asst cam
2d asst cam
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Asst film ed
SET DECORATOR
Master scenic artist
COSTUMES
Ward mistress
MUSIC
SOUND
Sd rec
Sd re-rec
Boom op
Eff ed
MAKEUP
Makeup
Hairdresser
PRODUCTION MISC
Prod mgr
Prod supv
Scr supv
Unit mgr
Asst to the prod
Asst to the prod
Prod secy
Gaffer
Key grip
Stills
Original art
Main titles
SOURCES
LITERARY
Based on the play I Never Sang for My Father by Robert Anderson (New York, 25 Jan 1968).
LITERARY SOURCE AUTHOR
SONGS
"Strangers," words and music by Barry Mann and Cynthia Weil, sung by Roy Clark.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Strangers
Release Date:
18 October 1970
Premiere Information:
New York opening: 18 Oct 1970
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Jamel Productions
1 October 1970
LP38185
Physical Properties:
Sound
Color
Technicolor
Duration(in mins):
90
MPAA Rating:
GP
Country:
United States
Language:
English
SYNOPSIS

Widowed Gene Garrison, a 40-year-old New York college professor, reluctantly tells his aging parents, Tom and Margaret, that he plans to marry Peggy, a divorced physician and mother, and move to California. Although Gene's mother is understanding, his father warns Gene that his departure will kill her. Before the marriage takes place, however, Margaret dies of a heart attack. At the funeral the professor's sister Alice, disowned by Tom for marrying a Jew, urges Gene to live his life without reference to his father's wishes. Gene introduces the old man to his fiancée, urging him to come with them to California. When Tom bitterly rejects his proposal, Gene leaves his father to die ...

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Widowed Gene Garrison, a 40-year-old New York college professor, reluctantly tells his aging parents, Tom and Margaret, that he plans to marry Peggy, a divorced physician and mother, and move to California. Although Gene's mother is understanding, his father warns Gene that his departure will kill her. Before the marriage takes place, however, Margaret dies of a heart attack. At the funeral the professor's sister Alice, disowned by Tom for marrying a Jew, urges Gene to live his life without reference to his father's wishes. Gene introduces the old man to his fiancée, urging him to come with them to California. When Tom bitterly rejects his proposal, Gene leaves his father to die alone.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.