Yolanda and the Thief
(1945)
108-109 mins | Romantic comedy, Fantasy, Musical | December 1945
Director:
Vincente MinnelliWriter:
Irving BrecherProducer:
Arthur FreedCinematographer:
Charles RosherEditor:
George WhiteProduction Designers:
Cedric Gibbons, Jack Martin SmithProduction Company:
Metro-Goldwyn-Mayer Corp.HR news items in Jul 1943 indicate that M-G-M bought the film rights to Ludwig Bemelmans and Jacques Thery's short story for $23,000, and that lyricist and librettist E. Y. Harburg was originally set to produce the film. A Mar 1944 HR news item notes that Bemelmans worked on the screenplay. Bemelmans wrote several childrens books and short stories in the 1930s, and his most popular book, Madeline, was published in 1939.
Contemporary news items in HR and M-G-M News provide the following information about the production: Lucille Ball was set for a leading role in Mar 1944 but was reassigned to a starring role in Early to Wed (see above) before production on the film began. Victor Moore was originally cast in the part played by Frank Morgan, and Hume Cronyn was originally set for the part played by Leon Ames. Puppeteer and actor Remo Bufano, who played a puppeteer in the film, created the marionette shot for the film's opening sequence.
Modern sources provide the following information about the production: Writer Joseph Schrank wrote an early draft of the screenplay, which was based on a screen treatment written by Bemelmans and Thery. Schrank's screenplay was rejected by producer and lyricist Arthur Freed, and George Wells was assigned to write a new screenplay. Wells's screenplay was also rejected, and Robert Nathan was the next writer assigned to the film. The final draft of the screenplay was written by Irving Brecher, with help from Bemelmans. Brecher initially resisted the assignment but agreed to accept it when M-G-M promised him a four-year ...
HR news items in Jul 1943 indicate that M-G-M bought the film rights to Ludwig Bemelmans and Jacques Thery's short story for $23,000, and that lyricist and librettist E. Y. Harburg was originally set to produce the film. A Mar 1944 HR news item notes that Bemelmans worked on the screenplay. Bemelmans wrote several childrens books and short stories in the 1930s, and his most popular book, Madeline, was published in 1939.
Contemporary news items in HR and M-G-M News provide the following information about the production: Lucille Ball was set for a leading role in Mar 1944 but was reassigned to a starring role in Early to Wed (see above) before production on the film began. Victor Moore was originally cast in the part played by Frank Morgan, and Hume Cronyn was originally set for the part played by Leon Ames. Puppeteer and actor Remo Bufano, who played a puppeteer in the film, created the marionette shot for the film's opening sequence.
Modern sources provide the following information about the production: Writer Joseph Schrank wrote an early draft of the screenplay, which was based on a screen treatment written by Bemelmans and Thery. Schrank's screenplay was rejected by producer and lyricist Arthur Freed, and George Wells was assigned to write a new screenplay. Wells's screenplay was also rejected, and Robert Nathan was the next writer assigned to the film. The final draft of the screenplay was written by Irving Brecher, with help from Bemelmans. Brecher initially resisted the assignment but agreed to accept it when M-G-M promised him a four-year contract at a salary of $2,000 a week. In collaboration with composer Harry Warren, Freed completed the score of Yolanda and the Thief in three weeks. The film was completed at a cost of nearly $2,500,000 and lost more than $1,500,000 in its initial release.
In the country of Patria, heiress Yolanda Aquaviva is celebrating her birthday and last day at the convent where she grew up. The Mother Superior explains that since she comes of age that day, she must leave the sheltered world she knows and prepare to spread kindness throughout the "other" world, where she is worth about seventy-two million dollars. Yolanda takes the train to her estate in the idyllic town of Esperando, and on the same train are Johnny Parkson Riggs and Victor Budlow Trout, embezzlers on the run from the police. As soon as they discover that Yolanda is an heiress, Johnny hatches a plan to steal her money, though Victor warns him not to because she is too beautiful and he will fall in love. Once they reach town, Johnny follows Yolanda to her gigantic estate, where Yolanda's flighty aunt Amarilla hands over control of the grounds, overwhelming her. Johnny hides in the garden just as Yolanda comes out to pray for her guardian angel to help her find her way. Another man, Mr. Candle, also strolls by, though Yolanda does not see either of them. The next day, Johnny telephones Yolanda and pretends to be "Mr. Brown," her guardian angel. He arranges for her to meet him "in human form," and makes Yolanda agree to be perfectly obedient to him. When he meets her and sees how innocent she is, Johnny feels somewhat guilty, but that night he has a nightmare in which Yolanda entices him into marriage, and this vision strengthens his resolve to swindle her. The next day he visits her and convinces her to sign a paper granting him power of attorney, and ...
In the country of Patria, heiress Yolanda Aquaviva is celebrating her birthday and last day at the convent where she grew up. The Mother Superior explains that since she comes of age that day, she must leave the sheltered world she knows and prepare to spread kindness throughout the "other" world, where she is worth about seventy-two million dollars. Yolanda takes the train to her estate in the idyllic town of Esperando, and on the same train are Johnny Parkson Riggs and Victor Budlow Trout, embezzlers on the run from the police. As soon as they discover that Yolanda is an heiress, Johnny hatches a plan to steal her money, though Victor warns him not to because she is too beautiful and he will fall in love. Once they reach town, Johnny follows Yolanda to her gigantic estate, where Yolanda's flighty aunt Amarilla hands over control of the grounds, overwhelming her. Johnny hides in the garden just as Yolanda comes out to pray for her guardian angel to help her find her way. Another man, Mr. Candle, also strolls by, though Yolanda does not see either of them. The next day, Johnny telephones Yolanda and pretends to be "Mr. Brown," her guardian angel. He arranges for her to meet him "in human form," and makes Yolanda agree to be perfectly obedient to him. When he meets her and sees how innocent she is, Johnny feels somewhat guilty, but that night he has a nightmare in which Yolanda entices him into marriage, and this vision strengthens his resolve to swindle her. The next day he visits her and convinces her to sign a paper granting him power of attorney, and to give him one million dollars in bonds. He throws the bag with the money out the window, hitting Victor on the head and knocking him out. Candle, who is walking by, takes the bag. In a nightclub soon after, Johnny and Victor see Candle walk by with the bag, and convince him to flip a coin for it. Johnny wins and gets the money but does not trust Candle, who indeed immediately tells Aunt Amarilla that Johnny has power of attorney over Yolanda. Aunt Amarilla assumes this means that the two are to be married, and though Yolanda is scared that her guardian angel might hear this rumor and abandon her, she realizes she does have feelings for him. Johnny and Victor try to leave town right away, but they are stopped by the police and escorted back to Aunt Amarilla's costume ball, where everyone stares at Johnny, assuming he is the future Mr. Aquaviva. When Yolanda finds Johnny and asks him about the hierarchy of angels, Candle overhears, and soon after Johnny leads her in a dance into the garden. He then sadly tells her has to leave, causing Yolanda to kiss him and run away. That night, he writes her a letter explaining everything, professing his love and returning her money. On the train out of town the next day, the police tell Johnny and Victor that as soon as they leave Esperando, they will be arrested. Just then, Candle appears next to them and reveals that he is the real guardian angel, and that he has arranged everything so that Johnny can marry Yolanda. At the wedding, Candle hands Johnny a photograph of Yolanda and him and four children, and though Candle disappears, Johnny promises Yolanda that he will guard and protect her now.
TOP SEARCHES
Mr. Smith Goes to Washington
According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>
Gone with the Wind
[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>
Casablanca
In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>
It's a Wonderful Life
Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>