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HISTORY

B. P. Fineman Productions rented space at the former Vidor Studio/Vidor Village at 7250 Santa Monica Boulevard in Hollywood, CA, to film Don't Marry for Money, according to the May 1923 Story World and Photodramatist. Joseph Singleton was listed as one of the actors, but he did not appear in final ... More Less

B. P. Fineman Productions rented space at the former Vidor Studio/Vidor Village at 7250 Santa Monica Boulevard in Hollywood, CA, to film Don't Marry for Money, according to the May 1923 Story World and Photodramatist. Joseph Singleton was listed as one of the actors, but he did not appear in final credits. More Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Story World and Photodramatist
May 1923
p. 90.
DETAILS
Release Date:
25 August 1923
Premiere Information:
New York premiere: ca19 August 1923
Copyright Claimant:
Weber & North Productions
Copyright Date:
30 August 1923
Copyright Number:
LP19363
Physical Properties:
Silent
Black and White
Length(in feet):
5,563
Length(in reels):
6
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Marion Whitney marries millionaire Peter Smith and finds that life is not sufficiently romantic. She has a flirtation with Crane Martin, who makes a living by compromising wives of wealthy men, then blackmailing them. Clever Peter quietly exposes Martin's trickery to Marion, and she returns to her trusting ... +


Marion Whitney marries millionaire Peter Smith and finds that life is not sufficiently romantic. She has a flirtation with Crane Martin, who makes a living by compromising wives of wealthy men, then blackmailing them. Clever Peter quietly exposes Martin's trickery to Marion, and she returns to her trusting husband. +

GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Flirtation, Millionaires, Blackmail
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.