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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
28 Mar 1925
p. 52.
Film Daily
22 Mar 1925.
---
New York Times
18 Mar 1925
p. 19.
Variety
18 Mar 1925
p. 40.
DETAILS
Release Date:
30 March 1925
Copyright Claimant:
Famous Players-Lasky Corp.
Copyright Date:
3 April 1925
Copyright Number:
LP21320
Physical Properties:
Silent
Black and White
Length(in feet):
7,080
Length(in reels):
8
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Billy Brent meets and falls in love with Fifi in France during the Great War, but they are parted by the fighting and go their separate ways. By 1925, Billy is the manager of a clothing store in a staid midwestern town, greatly dissatisfied with the old-fashioned merchandising ideas of the store's owner, Angus McGregor. Taking advantage of McGregor's absence, Billy invites a famous dressmaker from Paris to put on a fashion show in the store, only to discover when she arrives that the designer is none other than his lost love, Fifi. McGregor returns in time to witness the fashion show, which proceeds despite the protests of local reformers and is a great success. Fifi and Billy end up at the ... +


Billy Brent meets and falls in love with Fifi in France during the Great War, but they are parted by the fighting and go their separate ways. By 1925, Billy is the manager of a clothing store in a staid midwestern town, greatly dissatisfied with the old-fashioned merchandising ideas of the store's owner, Angus McGregor. Taking advantage of McGregor's absence, Billy invites a famous dressmaker from Paris to put on a fashion show in the store, only to discover when she arrives that the designer is none other than his lost love, Fifi. McGregor returns in time to witness the fashion show, which proceeds despite the protests of local reformers and is a great success. Fifi and Billy end up at the altar. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.