I Was a Teenage Frankenstein (1957)

72 or 74 mins | Horror | 28 November 1957

Director:

Herbert L. Strock

Producer:

Herman Cohen

Cinematographer:

Lothrop Worth

Editor:

Jerry Young

Production Designer:

Leslie Thomas

Production Company:

Santa Rosa Productions
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HISTORY

The main title on the print viewed, which was a British-release version, was Teenage Frankenstein, the film's title in Britain. The print was slightly shorter than the U.S. version due to cuts made by the British censorship board. There is a slight difference in the order of the opening and ending cast credits. The film was a follow-up to Herman Cohen's production I Was a Teenage Werewolf (see below) released earlier in the same year by American International Pictures (AIP). A modern source states that screenwriter "Kenneth Langtry" was a pseudonym for producer Cohen and Aben Kandel. The last 80 seconds of the black and white film--the monster's electrocution--are in Eastman Color by Pathé Lab.
       In a 10 Jun 2003 LAT article, Milt Moritz, a former AIP executive, stated that, early in the summer of 1957, a Texas theater chain advised AIP that they had open dates around Thanksgiving for a double bill. As was common practice at AIP, Moritz and other executives then thought up catchy titles and poster designs and sold the chain the double bill of I Was a Teenage Frankenstein and Blood of Dracula (see above), which were then put into production. Moritz added, "The two pictures together cost $90,000 and we had them in the theaters in time for Thanksgiving."
       For additional information about other films based on the character of Baron Frankenstein, created by Mary Shelley , please see the entry for the 1931 Universal Pictures film Frankenstein in AFI Catalog of Feature Films, 1931-40. ...

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The main title on the print viewed, which was a British-release version, was Teenage Frankenstein, the film's title in Britain. The print was slightly shorter than the U.S. version due to cuts made by the British censorship board. There is a slight difference in the order of the opening and ending cast credits. The film was a follow-up to Herman Cohen's production I Was a Teenage Werewolf (see below) released earlier in the same year by American International Pictures (AIP). A modern source states that screenwriter "Kenneth Langtry" was a pseudonym for producer Cohen and Aben Kandel. The last 80 seconds of the black and white film--the monster's electrocution--are in Eastman Color by Pathé Lab.
       In a 10 Jun 2003 LAT article, Milt Moritz, a former AIP executive, stated that, early in the summer of 1957, a Texas theater chain advised AIP that they had open dates around Thanksgiving for a double bill. As was common practice at AIP, Moritz and other executives then thought up catchy titles and poster designs and sold the chain the double bill of I Was a Teenage Frankenstein and Blood of Dracula (see above), which were then put into production. Moritz added, "The two pictures together cost $90,000 and we had them in the theaters in time for Thanksgiving."
       For additional information about other films based on the character of Baron Frankenstein, created by Mary Shelley , please see the entry for the 1931 Universal Pictures film Frankenstein in AFI Catalog of Feature Films, 1931-40.

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PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
General (mod):
Literary note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
28 Dec 1957
---
Daily Variety
20 Dec 1957
p. 3
Film Daily
31 Dec 1957
p. 6
Hollywood Reporter
27 Sep 1957
p. 3
Hollywood Reporter
4 Oct 1957
p. 13
Hollywood Reporter
20 Dec 1957
p. 3
Los Angeles Times
10 Jun 2003
---
Motion Picture Herald Product Digest
25 Jan 1958
p. 690
New York Times
30 Jan 1958
p. 19
Variety
1 Jan 1958
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITER
Orig story and scr
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Ed supv
SET DECORATORS
Set dec
Prop master
COSTUMES
MUSIC
Mus comp and cond
Mus ed
SOUND
Sd eff ed
MAKEUP
Makeup created by
PRODUCTION MISC
Prod mgr
Scr supv
Prod secy
DETAILS
Alternate Title:
Teenage Frankenstein
Release Date:
28 November 1957
Production Date:
began 3 Oct 1957 at Ziv Studios
Copyright Info
Claimant
Date
Copyright Number
Santa Rosa Productions
27 November 1957
LP9438
Physical Properties:
Sound
Ryder Sound Services
Black & white with color sequences
Duration(in mins):
72 or 74
Length(in feet):
6,655
Length(in reels):
8
Country:
United States
Language:
English
PCA No:
18838
SYNOPSIS

After Professor Frankenstein, a visiting lecturer from England, is severely criticized by his medical college colleagues for his theories regarding body organ transplants, he states that one day he will be proven correct. Upon returning to the laboratory in his house, Frankenstein persuades physicist Dr. Karlton to assist him in assembling a living human being from parts and organs obtained from young cadavers. Frankenstein admits that his ancestor created a monster, but that he intends to produce a perfectly normal human being. While the scientists talk, two cars crash outside the house and the ensuing fire kills the vehicles' teenage occupants. Frankenstein and Karlton recover the body of a teenage youth, his head crushed and face burned beyond recognition, and take it to their laboratory. During his lecture tours in other cities, Frankenstein has assembled a collection of body parts and tells Karlton that now they will now be able to begin the experiment. At a party, Frankenstein asks Margaret, who has been his nursing assistant, to help with a new project. To convince Margaret to move into the house and thus prevent any interruptions to his work, Frankenstein offers to marry her. The next day, Frankenstein and Karlton begin to dismantle the boy’s body, disposing of useless limbs by passing them, via a chute, to an alligator located beneath the laboratory. Later, after several members of a high school track team are killed in an air crash and their partial remains are buried in a local cemetery, the scientists dig up the boys' strong limbs for their experimental subject. With the new limbs attached, Karlton reactivates the body with high-voltage electricity. Although the boy’s head is swathed in ...

More Less

After Professor Frankenstein, a visiting lecturer from England, is severely criticized by his medical college colleagues for his theories regarding body organ transplants, he states that one day he will be proven correct. Upon returning to the laboratory in his house, Frankenstein persuades physicist Dr. Karlton to assist him in assembling a living human being from parts and organs obtained from young cadavers. Frankenstein admits that his ancestor created a monster, but that he intends to produce a perfectly normal human being. While the scientists talk, two cars crash outside the house and the ensuing fire kills the vehicles' teenage occupants. Frankenstein and Karlton recover the body of a teenage youth, his head crushed and face burned beyond recognition, and take it to their laboratory. During his lecture tours in other cities, Frankenstein has assembled a collection of body parts and tells Karlton that now they will now be able to begin the experiment. At a party, Frankenstein asks Margaret, who has been his nursing assistant, to help with a new project. To convince Margaret to move into the house and thus prevent any interruptions to his work, Frankenstein offers to marry her. The next day, Frankenstein and Karlton begin to dismantle the boy’s body, disposing of useless limbs by passing them, via a chute, to an alligator located beneath the laboratory. Later, after several members of a high school track team are killed in an air crash and their partial remains are buried in a local cemetery, the scientists dig up the boys' strong limbs for their experimental subject. With the new limbs attached, Karlton reactivates the body with high-voltage electricity. Although the boy’s head is swathed in bandages and he has only one eye, Frankenstein succeeds in getting his creation to communicate with him. Meanwhile, Margaret, who is unaware of the nature of the experiment, becomes upset by her fiancé's obsession with work and, feeling neglected, tells Frankenstein that she wants to plan their wedding. Angered, Frankenstein slaps her, then apologizes, explaining that his work will soon be finished and they will marry. Later that day, after the scientists leave the house, Margaret makes an impression of the lock on the laboratory door and has a key made. When she unlocks the door, she is horrified by the monster and runs out. Days pass as the megalomaniacal Frankenstein coaches the boy in speech and in total obedience, while Karlton gives him electrical treatments and special vitamins. When the youth becomes restless and wants to go outside to be with people, Frankenstein removes the bandages and shows him his hideously disfigured face in a mirror, but promises to give him a new face eventually. After Frankenstein leaves the laboratory, the boy manages to escape and wanders the streets until he sees, through an apartment building window, a provocative young woman combing her hair. When she spots him, she screams and the monster breaks in, smothers her to death, then runs back to the laboratory. The next day, when Frankenstein reads a newspaper account of the killing, he confronts the boy, who admits his guilt and, fearing that Frankenstein will destroy him, promises to obey him. After Frankenstein becomes enraged when Margaret invites a jeweler to the house to show them engagement and wedding rings, she tells him she knows about the monster. Although the professor appears to assuage Margaret, he later informs the boy that, while he is ready to give him a new face, a certain woman is endangering his plan by threatening to go to the police, and therefore must be stopped. When the professor asks Margaret to help give the boy an injection, he suddenly leaves her alone, and the boy kills her and tosses her body to the alligator. At night, Frankenstein and the boy drive to a parking spot where the boy selects the face he would like to have from among the necking teenage couples. After Frankenstein grafts the chosen face onto the monster, Karlton returns from a trip and Frankenstein proudly shows him his work. Karlton becomes concerned about how the professor accomplished the transformation and about Margaret’s absence. Frankenstein, worried that the monster might be recognized locally, explains to Karlton that he intends to take the boy to England where he will present his creation to fellow scientists. After Karlton points out that the boy will need to have a passport and immigration papers, Frankenstein calmly tells him that he intends to disassemble the boy, preserve the parts and ship them in crates to his laboratory in London. Although Karlton finally realizes that Frankenstein is completely mad and refuses to cooperate further, the professor attempts to strap the struggling boy to the operating table. After Karlton runs out, the boy overpowers Frankenstein, strangles him and feeds him to the alligator. When Karlton returns, accompanied by two patrol officers with guns drawn, the boy falls against an electrical panel and is killed while resisting arrest.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.