Get to Know Your Rabbit (1972)

R | 91, 93 or 100 mins | Comedy | June 1972

Director:

Brian De Palma

Cinematographer:

John Alonzo

Production Designer:

William Malley

Production Companies:

Warner Bros., Inc., Acrobatic Muffin Works, West, Inc., Smothers, Inc.
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HISTORY

Get to Know Your Rabbit uses several experimental film techniques such as split screens, fantasy sequences and surreal or absurd situations. When “Paul Turnbull” recounts his slide into alcoholism, it is shown in a fast-motion, black-and-white sequence. The last scene of the film shows Katharine Ross sitting in the back seat of a bus, a reference to the final shot of her 1967 film The Graduate (see below).
       Famed magician Harry Blackstone, Jr. served as the film’s technical advisor. According to press notes, he taught Tom Smothers many of the routines made famous by his father, Harry Blackstone, Sr. Despite his extensive television experience, Get to Know Your Rabbit marked Blackstone’s only foray into films. In addition to his legendary film career, Orson Welles, who plays the magic teacher “Mr. Delasandro,” was a semi-professional magician who frequently performed magic shows.
       Get to Know Your Rabbit was shot in 1970 but did not receive its first theatrical screening until Jun 1972. According to the LAT review, “Nobody told the director his film was being press-screened or that it was opening.” Director Brian De Palma related in a contemporary interview that Smothers disliked the film and after disappearing for two days of shooting, refused to return for retakes. In addition, De Palma stated that Warner Bros. was unhappy with the finished film and so hired Peter Nelson, credited onscreen as executive producer, who re-edited the footage, directed a new sequence and re-instated previously excised material. The director described the original ending to the film as follows: As “Donald Beeman” performs on The Tonight Show , he realizes his magic show ... More Less

Get to Know Your Rabbit uses several experimental film techniques such as split screens, fantasy sequences and surreal or absurd situations. When “Paul Turnbull” recounts his slide into alcoholism, it is shown in a fast-motion, black-and-white sequence. The last scene of the film shows Katharine Ross sitting in the back seat of a bus, a reference to the final shot of her 1967 film The Graduate (see below).
       Famed magician Harry Blackstone, Jr. served as the film’s technical advisor. According to press notes, he taught Tom Smothers many of the routines made famous by his father, Harry Blackstone, Sr. Despite his extensive television experience, Get to Know Your Rabbit marked Blackstone’s only foray into films. In addition to his legendary film career, Orson Welles, who plays the magic teacher “Mr. Delasandro,” was a semi-professional magician who frequently performed magic shows.
       Get to Know Your Rabbit was shot in 1970 but did not receive its first theatrical screening until Jun 1972. According to the LAT review, “Nobody told the director his film was being press-screened or that it was opening.” Director Brian De Palma related in a contemporary interview that Smothers disliked the film and after disappearing for two days of shooting, refused to return for retakes. In addition, De Palma stated that Warner Bros. was unhappy with the finished film and so hired Peter Nelson, credited onscreen as executive producer, who re-edited the footage, directed a new sequence and re-instated previously excised material. The director described the original ending to the film as follows: As “Donald Beeman” performs on The Tonight Show , he realizes his magic show has become a commodity and so performs a trick that appears to the audience as if he has actually sawed a rabbit in half. With this apparent failure, Don is finally free from everyone’s expectations and desires.
       The picture marked Smothers’ feature film debut. Along with his brother Tom, Smothers starred in The Smothers Brothers Comedy Hour on CBS from Feb 1967 to Apr 1969. An innovative, cutting-edge variety show, the series generated controversy by satirizing politics and religion, referencing sex and drugs, and showcasing blacklisted musicians. After the network cancelled the series, the Smothers launched an eventually successful breach-of-contract lawsuit. They split up for a time around 1971, then launched several new, ultimately failed, variety shows, reviving The Smothers Brothers Comedy Hour briefly in 1988 and 1989. A modern source adds Paul Bradley to the cast. Jordan Crittenden received a nomination for a 1973 Writers Guild of America award for Best Comedy Written Directly for the Screen. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
19 Jun 1972.
---
Daily Variety
28 May 1970.
---
Hollywood Reporter
2 Oct 1970
p. 10.
Hollywood Reporter
19 Oct 1970.
---
Hollywood Reporter
20 Nov 1970
p. 12.
Hollywood Reporter
7 Jun 1972.
---
Los Angeles Herald Examiner
7 Jun 1972.
---
Los Angeles Times
7 Jun 1972.
---
New York Times
21 Sep 1973.
---
Newsweek
19 Jun 1972.
---
Variety
21 Jun 1972
p. 18.
CAST
NAME
CREDITED AS
CREDIT
Murray Pollack
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
A Bernardt-Gaer Production
A Bernhardt-Gaer Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
2d asst dir
PRODUCERS
Exec prod
Prod
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Cam op
Key grip
Dolly grip
Best boy
Best boy
Gaffer
Stills
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Film ed
Asst film ed
SET DECORATORS
Set dec
Const coord
Prop master
Asst prop master
Lead man
COSTUMES
Ward
Ladies ward
MUSIC
Orig mus
Orig mus
SOUND
Boom op
Cable man
MAKEUP
Supv hair stylist
PRODUCTION MISC
Prod mgr
Prestidigitator adv
Scr supv
Casting dir
Asst casting dir
Extra casting
Prod's secy
Unit pub
Craft service
Loc permits
Locs
Transportation capt
Cinemobile driver
STAND INS
Stunts and stunt double
DETAILS
Release Date:
June 1972
Premiere Information:
Los Angeles opening: 7 June 1972
Production Date:
early October--late November 1970
Copyright Claimants:
Warner Bros., Inc. Smothers, Inc. Acrobatic Muffin Works, West, Inc.
Copyright Dates:
7 June 1972 7 June 1972 7 June 1972
Copyright Numbers:
LP41680 LP41680 LP41680
Physical Properties:
Sound
Color
Technicolor
Lenses/Prints
Photographic equipment by Panavision
Duration(in mins):
91, 93 or 100
MPAA Rating:
R
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

In Los Angeles, marketing analyst Donald Beeman works frantically while his boss, Paul Turnbull, deflects all the drudgery to him. Overwhelmed and underappreciated, Donald suddenly decides that he has had enough and strides out of the building. In his swank apartment with his pretty fiancée Paula, Donald is surprised by the appearance at the door of Mr. Weber, who says he is a piano tuner. When Donald explains that he has no piano, Weber inspects the apartment, then cooks him breakfast in bed as an apology for the interruption. Serving him the meal, Weber announces that he has realized that he does not need pianos and will seek more customers without them. Donald then mentions to Paula that he is quitting his job, and she threatens to leave him. While Donald attends the first lesson for his chosen new career, that of a tap-dancing magician, Turnbull pulls him out of the classroom to reveal that he has Donald’s mother and father outside in a cupboard. Turnbull hopes they will convince Donald to return to the office, but when Donald greets them warmly and says that he hopes to spend more time with them, Turnbull immediately ushers them onto a train home. Days later, Donald finds Paula distraught over his career change, but seduces her easily. They are awakened by a phone call from Turnbull, who announces that he will not accept Donald’s resignation. After Paula declares that she will not make love to him until he gives up his scheme, she tests him by throwing herself at him, then declares she is leaving him. Donald gives up his apartment and, newly outfitted with seedy clothes and a cheap hotel ... +


In Los Angeles, marketing analyst Donald Beeman works frantically while his boss, Paul Turnbull, deflects all the drudgery to him. Overwhelmed and underappreciated, Donald suddenly decides that he has had enough and strides out of the building. In his swank apartment with his pretty fiancée Paula, Donald is surprised by the appearance at the door of Mr. Weber, who says he is a piano tuner. When Donald explains that he has no piano, Weber inspects the apartment, then cooks him breakfast in bed as an apology for the interruption. Serving him the meal, Weber announces that he has realized that he does not need pianos and will seek more customers without them. Donald then mentions to Paula that he is quitting his job, and she threatens to leave him. While Donald attends the first lesson for his chosen new career, that of a tap-dancing magician, Turnbull pulls him out of the classroom to reveal that he has Donald’s mother and father outside in a cupboard. Turnbull hopes they will convince Donald to return to the office, but when Donald greets them warmly and says that he hopes to spend more time with them, Turnbull immediately ushers them onto a train home. Days later, Donald finds Paula distraught over his career change, but seduces her easily. They are awakened by a phone call from Turnbull, who announces that he will not accept Donald’s resignation. After Paula declares that she will not make love to him until he gives up his scheme, she tests him by throwing herself at him, then declares she is leaving him. Donald gives up his apartment and, newly outfitted with seedy clothes and a cheap hotel room, practices his act tirelessly. One night, a bra salesman named Vic bursts into Donald’s room looking for a party and convinces Donald to go along with him. Finally they locate the party, a hugely crowded but nearly silent room in which Donald meets Susan, who does not seem to mind when Vic calls her a “cheap broad.” The three go to Vic’s showroom, where he has Susan try on his bras but is furious when she prefers Donald to Vic’s inventory. Donald brings Susan home and the next morning sees her off on a cruise ship. At the dock is his magic teacher, Mr. Delasandro, who is impressed by Donald’s sincere desire to learn, but cautions him not to overwork his rabbit. With private lessons, Donald learns his craft over the next few weeks, and soon earns a contract for what Mr. Delasandro reverently refers to as “a tour through America’s second-rate bars.” His first job is in Elgin, Illinois. In the bus station Donald sees Turnbull, now a drunken vagrant, who explains how he sunk into disrepair after Donald left. Donald offers to make Turnbull his manager and thrills the former executive by fashioning an office space in his hotel room. On tour, Donald finds the dingy towns and near-empty bars exhilarating and writes to Turnbull that he is finally living life at gut level. Donald’s words inspire Turnbull to concoct a classified ad for Tap Dancing Magician, Inc., “a seventeen-day drop out plan for tired executives.” Within weeks, business is booming out of Donald’s hotel room. Meanwhile, Donald travels from strip club to dive bar. At one club, a terrific-looking girl watches adoringly and joins him onstage as a volunteer for his escape sack trick. When the act fails, however, they fall to the ground together in the sack and her date rushes the stage in a jealous rage. Donald brings the girl to his hotel, where they talk all night and then make love. Upon his return to Los Angeles, he finds his hotel room transformed into a busy office suite, and quickly returns to tour again. At one stop, he watches as a pilot with a fear of flying is coaxed out of a tree by a policeman and stewardess. Over the months, he continually returns to the girl’s town and falls into bed with her each time. When he goes home once again, Turnbull’s company, now called TDM, is a gigantic corporation occupying an entire skyrise building. Donald’s photographs adorn the walls, and similarly dressed magicians crowd the halls, being trained and graduated in assembly-line fashion. In Turnbull’s palatial office, Donald finds his former boss hiding in a closet, overwhelmed by his success. To ease Turnbull’s mind, Donald reluctantly agrees to stay on for a few days to help out. Soon, Donald once again is engulfed by business concerns, and Turnbull is too busy to speak to him. Donald wanders his office, perusing the costumes and props encased in glass. Breaking open the cases, he takes out the escape sack and steps inside it. Soon after, he is back on tour, traveling with the girl, their baby, and several new rabbits. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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