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The Trial of Billy Jack opens with three title cards displaying the dates and numbers of the dead and wounded from three American university clashes between protesting students and law enforcement. The incidents noted occurred at South Carolina State in Feb 1968, Jackson State in May 1970 and Southern University in Nov 1972. Following the listing for the three actual incidents, there is a title card listing the number of dead and wounded at the fictional Freedom School clash featured in the film. The most prominent of the real life student-National Guard clashes, which occurred at Kent State University in May 1970, is mentioned frequently in the film but was not noted in the opening title cards. The following written prologue appears before the closing credits, reading, in part: "Some may feel this picture is too violent... but the real massacres which inspired this fictionalized version were a thousand-fold more violent for those innocent people who were its victims... (P)lease channel your energy toward those officials who either ordered, condoned, or failed to take action against those events... All we are saying is... give peace a chance."
       According to a 6 Jan 1972 HR article, Taylor-Laughlin Enterprises Investment Corp.'s The Trial of Billy Jack, a sequel to the 1971 surprise box office hit, Billy Jack (see above), was to be filmed in the Midwest, but, as noted in the onscreen credits, the picture was shot on location in Arizona and in the Coronado National Forest. Although all contemporary news items, HR production charts and reviews acknowledge that Laughlin was the director of ...

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The Trial of Billy Jack opens with three title cards displaying the dates and numbers of the dead and wounded from three American university clashes between protesting students and law enforcement. The incidents noted occurred at South Carolina State in Feb 1968, Jackson State in May 1970 and Southern University in Nov 1972. Following the listing for the three actual incidents, there is a title card listing the number of dead and wounded at the fictional Freedom School clash featured in the film. The most prominent of the real life student-National Guard clashes, which occurred at Kent State University in May 1970, is mentioned frequently in the film but was not noted in the opening title cards. The following written prologue appears before the closing credits, reading, in part: "Some may feel this picture is too violent... but the real massacres which inspired this fictionalized version were a thousand-fold more violent for those innocent people who were its victims... (P)lease channel your energy toward those officials who either ordered, condoned, or failed to take action against those events... All we are saying is... give peace a chance."
       According to a 6 Jan 1972 HR article, Taylor-Laughlin Enterprises Investment Corp.'s The Trial of Billy Jack, a sequel to the 1971 surprise box office hit, Billy Jack (see above), was to be filmed in the Midwest, but, as noted in the onscreen credits, the picture was shot on location in Arizona and in the Coronado National Forest. Although all contemporary news items, HR production charts and reviews acknowledge that Laughlin was the director of The Trial of Billy Jack, some pre-production news items reported that he would be using the pseudonym of T. C. Frank, the name under which he was credited on Billy Jack. However, Laughlin’s onscreen directing credit for The Trial of Billy Jack lists another pseudonym, Frank Laughlin, which was the name of Delores Taylor and Tom Laughlin’s son. Frank and Teresa Christina were pseudonyms used by Laughlin and Taylor for their onscreen writing credit on both The Trial of Billy Jack and Billy Jack.
       A 1 Feb 1974 HR item related that The Trial of Billy Jack marked the feature film debut of Kathy Cronkite, the daughter of distinguished television anchorman, Walter Cronkite. The film also marked the first onscreen credit for Sacheen Littlefeather, a Native American actress who became internationally famous when she walked onstage at the 27 Mar 1973 Academy Awards ceremony after Marlon Brando's name was announced as the winner of the Oscar for Best Actor for his performance in The Godfather. For additional information on the incident, please consult the entry for The Godfather below.
       A 29 Jul 1974 Box article stated that a screening of a rough cut of the film had garnered positive results from the audience. According to the item, Laughlin appeared after the screening and thanked Warner Bros. for loaning him the money to make the film, even though Warner Bros. and Laughlin had clashed repeatedly over the distribution of Billy Jack. A 1 Nov 1974 DV item noted that Warner Bros. would be taking over the subrun distribution of The Trial of Billy Jack, with Taylor-Laughlin Distribution handling the thirteen November opening across 1,000 theaters. A 10 Oct 1974 HR item noted that Laughlin and Taylor initially had intended to open the film in as many as 1,300 theaters, in the hope of duplicating Laughlin's successful single-handed publicity campaign for the re-release of Billy Jack.
       The Trial of Billy Jack met with mostly lackluster reviews, with most criticizing the film's lengthy running time and scattered storyline. The film nevertheless performed well at the box office, although earning only about half the gross of its predecessor. On 7 May 1975, DV reported that a re-release of The Trial of Billy Jack was unsuccessful, partially due to a public backlash against an “anticritic campaign” launched by Laughlin and Taylor that purported to encourage filmgoers to trust their own tastes, regardless of critical appraisal. In a 21 Apr 1976 HR article, Laughlin accused Warner Bros. International of enforcing a "blackout" on the film in European markets. Laughlin listed markets in Italy, France, Germany, England, Spain, Portugal and Sweden as countries where the film was banned. The actor-director indicated that he had no evidence, but suspected a conspiracy by government agencies due to the film's controversial nature.
       Laughlin and Taylor reprised their 1971 roles as "Billy Jack" and "Jean Roberts." Their daughter, Theresa Laughlin, who was billed in the earlier film as Theresa Kelly, reprised her role as "Carol." Vicor Izay, Lynn Baker and Susan Sosa also reprised their roles from Billy Jack. For additional information on the other films featuring the Billy Jack character, please consult the entry above for Billy Jack.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
29 Jul 1974
---
Box Office
25 Nov 1974
p. 4738
Daily Variety
21 Sep 1972
---
Daily Variety
19 Jan 1973
---
Daily Variety
27 Nov 1973
---
Daily Variety
1 Nov 1974
---
Daily Variety
11 Nov 1974
---
Daily Variety
7 May 1975
p. 1, 12
Daily Variety
21 Apr 1976
---
Hollywood Reporter
6 Jan 1972
---
Hollywood Reporter
19 Jan 1973
---
Hollywood Reporter
26 Oct 1973
p. 15
Hollywood Reporter
15 Nov 1973
---
Hollywood Reporter
11 Dec 1973
---
Hollywood Reporter
1 Feb 1974
---
Hollywood Reporter
15 Mar 1974
p. 21
Hollywood Reporter
11 Nov 1974
p. 3
Hollywood Reporter
21 Apr 1976
---
Los Angeles Herald Examiner
13 Nov 1974
---
Los Angeles Times
13 Nov 1974
Section IV, p. 1, 21
Motion Picture Herald Product Digest
27 Nov 1974
p. 50
New York Times
14 Nov 1974
p. 58
Newsweek
2 Dec 1974
p. 104
Time
16 Dec 1974
p. 6
Variety
13 Nov 1974
p. 18
Variety
6 Sep 1978
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
1st asst dir
2d asst dir
2d asst dir
PRODUCERS
Prod
Assoc prod
Assoc prod
Exec prod
Exec prod
PHOTOGRAPHY
Dir of photog
Rexford L. Metz
Aerial photog
Asst cam
Francis C. Redmond
Asst cam
Key grip
Best boy
2d asst cam
Stillman
Dolly grip
Crane grip
Dolly grip
Best boy
Tyler mount asst cam
ART DIRECTOR
FILM EDITORS
Film ed
Film ed
Film ed
Film ed
Asst film ed
Asst film ed
SET DECORATORS
Prop master
Asst prop man
Leadman
COSTUMES
Cost des
Men`s ward
Ladies ward
MUSIC
Robert N. Tracy
Mus ed
SOUND
Sd eff ed
Sd mixer
VISUAL EFFECTS
Spec eff
Titles and opt
Spec eff
MAKEUP
Hairstylist
PRODUCTION MISC
Scr supv
Photo pilot, helicopter
Photo pilot, helicopter
Karate advisor
Spec prod coord
Post prod coord
Prod asst
Prod asst
Dial coach
Asst to exec prod
Asst to the assoc prod
Prod secy
Controller
Secy to exec prod
Crane driver
Craft service
Prod services
Cinemobile
First aid
Transportation gaffer
Driver
Helicopter pilot
Helicopter pilot
Helicopter pilot
Pub coord
Loc auditor
Fuel truck driver
Helicopter mechanic
STAND INS
Stunts
Stunts
SOURCES
SONGS
Theme from the Trial of Billy Jack : "How I Need You," music by Elmer Bernstein, lyrics by Delores Taylor, sung by Michelle Wilson; "Shed a tear," composed and sung by Teresa Laughlin; "Give Peace a Chance," composed by John Lennon & Paul McCartney, published by Maclen Music, Inc.; "Golden Lady," composed and sung by Lynn Baker; "Dreaming and Hoping," composed and sung by Teresa Laughlin.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
November 1974
Premiere Information:
New York and Los Angeles openings: 13 Nov 1974
World premiere in Phoenix: 9 November 1974
Production Date:
22 Oct 1973--mid Mar 1974 in Arizona
Copyright Info
Claimant
Date
Copyright Number
Billy Jack Enterprises, Inc.
13 November 1974
LP44048
Physical Properties:
Sound
Color
Metrocolor
Widescreen/ratio
Panavision
Duration(in mins):
170
MPAA Rating:
PG
Country:
United States
Language:
English
SYNOPSIS

After a recent outbreak of violence between the Arizona National Guard and students at the progressive Freedom School, a reservation learning center, the head of the school, Jean Roberts, meets with reporters at the hospital where she is recovering from her injuries. Revealing that three students died and two remain in critical condition, Jean compares the shootings to those at Kent State and other university campuses and wonders if the center can survive. Later, a female reporter asks Jean if the trouble at the school began four-and-a-half years earlier with the trial of Billy Jack, a half-Native American, Vietnam veteran and self-appointed protector of Jean and the students. Jean recalls portions of the trial and its aftermath: On trial for the murder of a man who abused his daughter and of the son of the town’s wealthiest citizen, Stuart Posner, who had raped Jean, Billy describes his personal philosophy that a man can only maintain his integrity by following his conscious. When questioned about his seeming disdain for authority, Billy reveals that his Vietnam experience and President Nixon’s lie about investigating the massacre at My Lai made him deeply cynical about government and those in power. After Billy is sentenced to five-to-fifteen years for involuntary manslaughter, the students are determined to build up the school he fought for and, over the next several months, renovate a large, abandoned military academy. There they continue Jean’s methods of using meditation and body awareness exercises, along with arts and crafts to augment traditional curriculum. With the larger premises they also start a radio-television station and a newspaper that they use to expose local and ...

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After a recent outbreak of violence between the Arizona National Guard and students at the progressive Freedom School, a reservation learning center, the head of the school, Jean Roberts, meets with reporters at the hospital where she is recovering from her injuries. Revealing that three students died and two remain in critical condition, Jean compares the shootings to those at Kent State and other university campuses and wonders if the center can survive. Later, a female reporter asks Jean if the trouble at the school began four-and-a-half years earlier with the trial of Billy Jack, a half-Native American, Vietnam veteran and self-appointed protector of Jean and the students. Jean recalls portions of the trial and its aftermath: On trial for the murder of a man who abused his daughter and of the son of the town’s wealthiest citizen, Stuart Posner, who had raped Jean, Billy describes his personal philosophy that a man can only maintain his integrity by following his conscious. When questioned about his seeming disdain for authority, Billy reveals that his Vietnam experience and President Nixon’s lie about investigating the massacre at My Lai made him deeply cynical about government and those in power. After Billy is sentenced to five-to-fifteen years for involuntary manslaughter, the students are determined to build up the school he fought for and, over the next several months, renovate a large, abandoned military academy. There they continue Jean’s methods of using meditation and body awareness exercises, along with arts and crafts to augment traditional curriculum. With the larger premises they also start a radio-television station and a newspaper that they use to expose local and statewide government corruption. After a student expose suggests that Posner receives government favoritism because of his large political donations, Jean suspects that the school is bugged by the FBI after they investigate the school. Meanwhile, Billy refuses to see visitors while in prison, but writes to Jean every day. After nearly five years, Billy is released on the day the school hosts the first international seminar on child abuse. One of the school’s cherished students, Carol, has taken on the care of a young boy, Danny, who lost an arm from abuse and after being passed along to a multitude of foster homes, is considered unreachable. After receiving a warm welcome at the new school, Billy is surprised to discover that Jean and many students have undertaken Hapkido, the Korean form of karate, and befriends the master Bong Soo Han. Some days later, when several native students do not report back from a ski trip in the nearby mountains, Blue Elk, a tribal representative, declares that the white law will not go out of their way to help them. Later, Billy joins Jean and a helicopter rescue team, who locate the students after they have strayed onto Posner’s private property. When one of the students, who is in critical condition is transported to the town hospital, only the intervention of Doc, a physician friendly to Jean and the students, prevents the boy from being sent untreated to a distant native hospital. Later, at the trial of student Little Bear, who is charged with trespassing, Native American activist Patsy Littlejohn declares that the Indians do not recognize the jurisdiction or validity of the court for members of the reservation, but Little Bear is sentenced to ten days in jail and one year probation. Over the next several weeks, Billy notices that tensions between the townspeople, the natives and the students escalate, and is compelled to intervene when the police goad students in town. Soon after, at a tribal meeting to discuss a pending Congressional bill on native self-determination, Patsy and Blue Elk clash over how best to represent the reservation. When the bill is voted down and tribal land leases are terminated, a confrontation arises between the natives and a group of white townspeople, including Posner, over hunting on native land. When the group, who are partying after killing several deer, are challenged on their right to hunt on Native land by an armed group of natives led by Blue Elk, a wealthy businessman insists that he has purchased the land in question. After Billy gets the man to admit that he was a contributor to a secret fund supporting the state’s governor and notices that the lieutenant governor is in the party, he advises Blue Elk to withdraw his threat to sue the group. Blue Elk agrees with a stipulation that he record the hunt and Billy photographs the group and later publishes the photos of them with deer carcasses in the Freedom School’s paper. While Billy goes on a retreat to undergo a search for spiritual guidance and knowledge with a village elder, at the school, Carol and Jean must battle to keep Danny from being taken by State authorities who question the school’s methods and effectiveness. Later, after the students discover proof that the school is bugged, the radio transmitter is blown up while the school radio is conducting an interview with the governor. The governor responds by placing the town under martial law, relieving the anxious townspeople but offending the students, some of whom advocate responding with violence. Frustrated, several students go in search of Billy for advice, but are turned away by native sentries who explain that Billy is communing with his spirit guide. After Billy goes into the Cave of the Dead and learns that he must control his instinct to use violence, he returns to the valley where he tells the students that violence will only provoke the law to come down hard on the school. Hoping to diffuse rising tensions in town, the students decide to meet the National Guard with a welcome parade and bevy of games and competitions open to everyone. That night, determined to incite the students, a townsman, Jason, leads several other men in tormenting Carol and others when their school bus stalls on a dark, back road until Billy comes to their rescue. A few days later, the night before an Indian Rights Seminar, while Carol shows Jean her recent success with Danny, several townsmen attack and drown Little Bear, making it appear to be an accident. After the seminar, Blue Elk is lured by Jason and several of his friends into a possible mediation of the land situation, but instead the men beat him when he refuses to make a deal with them. They then drag Blue Elk into a party attended by affluent townspeople, who make no attempt to help Blue Elk when he is further tortured. Having heard about the attack, Billy and Han sneak into the building, but Jean intercepts them and demands that they refrain from violence. Billy agrees, then asks the party-goers if he may take the unconscious Blue Elk for help, but Posner refuses. Despite Jean’s plea, Billy and Han then attack Posner’s men and knock several unconscious before Posner draws a pistol and shoots Han. Infuriated, Billy attacks and kills Posner with one blow. Later, as the wounded Han is taken away, Sheriff Cole, a long-time friend and supporter of Jean and the school, tells Billy he must arrest him, but Billy fears he will be attacked once he is in custody. Upon hearing of the governor’s order to arrest Billy, the students riot at the school and help Billy evade arrest by hiding him. The next day as Billy and Jean watch from the school roof, the National Guard move onto the property, refusing to leave until Billy is under arrest. Fearful of violence against the students, Billy voluntarily surrenders to Cole with the promise that the Guard will then withdraw. Told he must go with State troopers instead of Cole, Billy agrees, but as he is driven away, Jean and the students are shocked when another Guard unit arrives. Under orders, the troopers drive to an isolated spot where they give Billy a pistol and encourage him to flee. The plan backfires when Billy escapes in a volley of shots from the troopers. Wounded, Billy seeks help from Blue Elk and the tribe’s medicine men. The next day, because tension at the Freedom School is unbearable, Jean demands the angry students consider that any violent action could destroy the good the school has done, including helping those like Danny. At dusk, as the Guard receives word that radicals from all over the state are arriving at the school, officers tell their men that snipers have been spotted on the school rooftops. Just as a student throws a rock that strikes a soldier, elsewhere, another soldier fires a warning shot. A plainclothes policeman, who believes the snipers have taken action, then opens fire, prompting a wild volley of shots into the crowd of students. In the frenzy, Danny is killed, while Carol, Jean and several others are wounded. In the present, a teary Jean laments that the townspeople supported the Guard's action and blamed the students. After Billy's spirit guide tells him that he still must learn to control his instincts, a recovering Billy encourages Jean not to give up on the school or the students. Jean reluctantly joins Billy and the recovering Carol at the Freedom School where they receive a heartfelt welcome and thanks as well as the students' vow to carry on with the Freedom School.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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