Open Season
(1974)
R | 95 or 103 mins | Drama | 25 September 1974
Directors:
Peter Collinson, Juan EstelrichWriters:
David Osborn, Liz Charles-WilliamsProducer:
José S. VicuñaCinematographer:
Fernando ArribasEditor:
Alan PattilloProduction Designer:
Gil ParrondoProduction Companies:
Impala, S.A., Arpa, S.A.
According to “Official Screen Credits for Academy Awards” from AMPAS library production files, the original script by David Osborn and Liz Charles-Williams was purchased 31 Oct 1973. An 8 Nov 1973 Var report that referred to the film by its working title, The Shoot, announced that filming was underway in Spain with a $1.5 million budget financed by producer José S. Vicuña’s Spanish company, Impala S.A., as well as by the Swiss studio, Arpa S.A. Var stated that principal photography was scheduled to continue until Christmas, and the film made its last appearance on HR production charts on 28 Dec 1973. While Columbia Pictures had acquired the domestic rights to the film for release in the U.S. and Canada before it went into production, Warner Bros. was reportedly in charge of distribution in Spain. As noted in a 10 Apr 1974 Var article, Impala made an exclusive deal with Warner Bros. in the late 1960s when the company expanded to include distribution. The 8 Nov 1973 Var stated that the picture was slated for release in Mar 1974, but according to contemporary reviews, the film did not open until 25 Sep 1974 in Los Angeles, CA. The 21 Aug 1974 Var review noted that the film was also shot in part in Michigan, although the end credits state that the picture was “Made at”: “Estudios Roma, Madrid; Pinewood Studios, England; Orthophonic Recording, Rome.”
While the picture was regarded by critics as an attempt at “an anti-war allegory,” as stated in the 25 Sep 1974 LAT review, ...
According to “Official Screen Credits for Academy Awards” from AMPAS library production files, the original script by David Osborn and Liz Charles-Williams was purchased 31 Oct 1973. An 8 Nov 1973 Var report that referred to the film by its working title, The Shoot, announced that filming was underway in Spain with a $1.5 million budget financed by producer José S. Vicuña’s Spanish company, Impala S.A., as well as by the Swiss studio, Arpa S.A. Var stated that principal photography was scheduled to continue until Christmas, and the film made its last appearance on HR production charts on 28 Dec 1973. While Columbia Pictures had acquired the domestic rights to the film for release in the U.S. and Canada before it went into production, Warner Bros. was reportedly in charge of distribution in Spain. As noted in a 10 Apr 1974 Var article, Impala made an exclusive deal with Warner Bros. in the late 1960s when the company expanded to include distribution. The 8 Nov 1973 Var stated that the picture was slated for release in Mar 1974, but according to contemporary reviews, the film did not open until 25 Sep 1974 in Los Angeles, CA. The 21 Aug 1974 Var review noted that the film was also shot in part in Michigan, although the end credits state that the picture was “Made at”: “Estudios Roma, Madrid; Pinewood Studios, England; Orthophonic Recording, Rome.”
While the picture was regarded by critics as an attempt at “an anti-war allegory,” as stated in the 25 Sep 1974 LAT review, it was widely condemned for indulging in sado-masochistic fantasy without establishing sympathetic characters. However, the 20 Aug 1974 HR review hailed the actors, called the script “cleverly paced” and noted that the photography was “remarkable.”
The film was released on video with the title Recon Game.
Actress Lorraine Clewes’s name is misspelled “Lorreaine Clewes” in the end credits. Props technician Mateos-Luna-Mengibar's name is misspelled "Menjibar."
The Shoot
Hal Wolkowski leaves his mute and orphaned grandson, Petey, at the Halloween party of his neighbor, Helen, before heading out for several days on a trip. As Helen calls her guests to the table, her husband, Ken, and his friends, Greg and Arty, joke about their upcoming hunting excursion to upstate Michigan. Sometime later, the three Vietnam veterans drive a station wagon into the woods and eye beautiful women as they stop for food and ammunition. Delighted by the opportunity to resume a game from their past hunting trips, the men decide to stalk an attractive couple, Nancy Stillman and Marty, who are having an adulterous rendezvous. Driving alongside the couple’s car in their station wagon, the hunters signal for Marty to pull over and hold the lovers at gunpoint. After taking Marty’s wallet and forcing the couple into the station wagon, Ken and Greg drive the hostages to a remote campground as Arty takes command of Marty’s car and pushes it into a pond. Although Marty attempts to escape by boat, the men corner him in a boathouse and sink his vessel. The couple is escorted by raft to an island lodge that Ken, Greg and Arty built themselves. Ken chains Nancy to a kitchen table and orders her to cook and clean while Marty is instructed to act as a servant. At dinner, the men force Marty to drink, and when he inquires the price of their ransom, the hunters claim that Marty and Nancy are “guests.” Later, when Marty and Nancy are alone, Nancy suggests that she pursue a friendship with Ken to spark compassion ...
Hal Wolkowski leaves his mute and orphaned grandson, Petey, at the Halloween party of his neighbor, Helen, before heading out for several days on a trip. As Helen calls her guests to the table, her husband, Ken, and his friends, Greg and Arty, joke about their upcoming hunting excursion to upstate Michigan. Sometime later, the three Vietnam veterans drive a station wagon into the woods and eye beautiful women as they stop for food and ammunition. Delighted by the opportunity to resume a game from their past hunting trips, the men decide to stalk an attractive couple, Nancy Stillman and Marty, who are having an adulterous rendezvous. Driving alongside the couple’s car in their station wagon, the hunters signal for Marty to pull over and hold the lovers at gunpoint. After taking Marty’s wallet and forcing the couple into the station wagon, Ken and Greg drive the hostages to a remote campground as Arty takes command of Marty’s car and pushes it into a pond. Although Marty attempts to escape by boat, the men corner him in a boathouse and sink his vessel. The couple is escorted by raft to an island lodge that Ken, Greg and Arty built themselves. Ken chains Nancy to a kitchen table and orders her to cook and clean while Marty is instructed to act as a servant. At dinner, the men force Marty to drink, and when he inquires the price of their ransom, the hunters claim that Marty and Nancy are “guests.” Later, when Marty and Nancy are alone, Nancy suggests that she pursue a friendship with Ken to spark compassion for their release, but the next evening the hunters become intoxicated and molest Nancy while relegating Marty to the kitchen. The following morning, Marty provokes a fight with Nancy, accusing her of active participation in her sexual exploitation, and the men set the couple free with a bag of supplies and a compass. Nancy realizes that Ken, Arty and Greg intend to hunt them as the men scare the couple off with gunshots and promise to permit them a half hour head start. The couple runs to the river and finds a raft, but as Marty starts the engine and gets away, Nancy falls overboard and is left behind. As the hunters steer their own raft and follow Marty to a nearby riverbank, Marty jumps on Ken and takes control of his rifle. During a gunfight with Arty and Greg, Marty is shot dead and Nancy returns to the lodge to steal a weapon. When Greg and Arty arrive home, they notice the front door is open and prepare for an attack. However, after a brief gunfight, Nancy runs out of bullets and begs for her life. As Greg prepares to execute her, a mysterious shooter fires, killing Greg and wounding Arty in the arm. Although Nancy attempts to escape, she is killed by Ken, who is surprised to learn from Arty about the unexplained gunman. Ken returns to the lodge to seek out his new adversary while Arty goes to the riverbank and swims away, apologizing to his friend for leaving. Meanwhile, Ken hears movement and fires, but is shocked to discover that he has only shot at Greg’s body, which is hanging from a rafter. Back at the river, Arty is shot dead by the mysterious gunman. Inside the lodge, a reel-to-reel tape recorder plays a message for Ken; a man’s voice describes himself as the father of Alisha, a young woman who committed suicide after she was raped by Ken and bore his child. The man explains that he changed his name and sought to track Ken down as the child grew. He eventually followed Ken and his friends to the lodge a year ago, where he witnessed the hunter’s game. Vowing to put an end to the mens’ murderous contest, the man warns Ken that he has only one minute to live. Just then, Hal Wolkowski appears, admonishing Ken that his “license to kill ran out after the war” as he shoots him dead. Sometime later, Wolkowski collects young Petey from Ken’s home.
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