Reckless (1984)

R | 93 mins | Melodrama, Romance | 3 February 1984

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HISTORY

According to production notes in AMPAS library files, the thirty-five days of principal photography began during Nov 1982 in Weirton, WV, the town that had served as the primary location in The Deer Hunter (1978, see entry). A 7 Jul 1982 Var brief reported that the $4-million production was also scheduled to film in the OH cities of Steubenville and Mingo Junction.
       Reckless represented feature film debuts for director James Foley and actor Aidan Quinn. An item in the 3 Feb 1984 NYT mentioned that director Martin Scorsese cast Quinn as “Jesus” in the upcoming project The Last Temptation of Christ (1988, see entry), based on his performance in Foley’s film. Although The Last Temptaton of Christ was postponed and Quinn did not remain with the project, the newcomer was touted, at the time, as a potential successor to actors James Dean and Marlon Brando. However, as reported in a 10 Feb 1984 LAT article, Quinn was removed from the Reckless publicity campaign after a series of incidents indicating he was less than enthusiastic about the completed film, including an allegedly awkward television interview with Good Morning America (ABC network) that never aired. As the actor revealed to the LAT, “I’m not very good in the film, and I didn’t have any preconceptions about it being a hit. I’m just glad that I stuck with my instincts and avoided the hype machine.” The actor criticized the screenplay for not exploring his character’s vulnerability, but complimented Foley on making the most of the ...

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According to production notes in AMPAS library files, the thirty-five days of principal photography began during Nov 1982 in Weirton, WV, the town that had served as the primary location in The Deer Hunter (1978, see entry). A 7 Jul 1982 Var brief reported that the $4-million production was also scheduled to film in the OH cities of Steubenville and Mingo Junction.
       Reckless represented feature film debuts for director James Foley and actor Aidan Quinn. An item in the 3 Feb 1984 NYT mentioned that director Martin Scorsese cast Quinn as “Jesus” in the upcoming project The Last Temptation of Christ (1988, see entry), based on his performance in Foley’s film. Although The Last Temptaton of Christ was postponed and Quinn did not remain with the project, the newcomer was touted, at the time, as a potential successor to actors James Dean and Marlon Brando. However, as reported in a 10 Feb 1984 LAT article, Quinn was removed from the Reckless publicity campaign after a series of incidents indicating he was less than enthusiastic about the completed film, including an allegedly awkward television interview with Good Morning America (ABC network) that never aired. As the actor revealed to the LAT, “I’m not very good in the film, and I didn’t have any preconceptions about it being a hit. I’m just glad that I stuck with my instincts and avoided the hype machine.” The actor criticized the screenplay for not exploring his character’s vulnerability, but complimented Foley on making the most of the story’s limitations.
       Critical reaction tended to agree with Quinn’s assessment. The 3 Feb 1984 LAT review stated, “What makes Reckess so depressing is that it is so skillfully made--that so much effort and technical expertise has been wasted on such an exploitative and shallow undertaking.”
       End credits include the following acknowledgments: “Filmed in cooperation with Barkhurst Construction, Inc.; the Cities of Mingo Junction, Ohio, Steubenville, Ohio, Weirton, West Virginia; Holiday Inn of Weirton; Iannetti’s Tavern; Signs and Posters of Steubenville; Film Commissions of Ohio and West Virginia; The Tower Optical Company, Inc.; Tri-Area Amusement Company; Weirton Steel Division of National Steel Corporation.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Hollywood Reporter
25 Jan 1984
p. 3, 32
Los Angeles Times
3 Feb 1984
Section G, p. 13
Los Angeles Times
10 Feb 1984
Section G, 1, 8
New York Times
3 Feb 1984
Section C, p. 8
Variety
7 Jul 1982
---
Variety
25 Jan 1984
p. 21, 24
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Edgar J. Scherick Scott Rudin production
A James Foley film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
PRODUCERS
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Still photog
Chief lighting tech
Best boy
Key grip
Key grip
ART DIRECTORS
Prod des
FILM EDITORS
Asst film ed
SET DECORATORS
Head set dresser
Set dresser
Set dresser
Prop master
Asst prop master
Const coord
COSTUMES
Cost des
Costumer
MUSIC
Kenneth Karman
Mus ed
Mus supv
Mus rec by
SOUND
Supv sd ed
Sd ed
Sd mixer rec
Rerec mixer
Rerec mixer
Rerec mixer
VISUAL EFFECTS
Titles and opticals
MAKEUP
Hairstylist
Makeup artist
PRODUCTION MISC
Casting
Prod supv
Loc mgr
Prod coord
Prod accountant
Addl casting
Loc casting
Scr supv
Set prod asst
Asst to Mr. Foley
Post prod by
Equip for loc
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
STAND INS
Stunt coord
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
Processing by
SOURCES
SONGS
“Understanding Gravity,” performed by Thomas Newman/Children of 13, words and music by Thomas Newman; “The One Thing,” performed by INXS, words and music by Andrew Farriss and Michael Hutchence, courtesy of Atco Records, by arrangement with Warner Special Products; “One In A Million You,” performed by Larry Graham, words and music by Sam Dees, courtesy of Warner Bros. Records Inc., by arrangement with Warner Special Products; “Never Say Never,” performed by Romeo Void, words by Debora Iyall, music by Benjamin Bossi, Frank Zincavage, Peter Woods, and Larry Carter, courtesy of CBS Records; “Soul Mistake,” performed by INXS, words and music by Andrew Farriss and Michael Hutchence, courtesy of Atco Records, by arrangement with Warner Special Products; “Is That All There Is,” performed by Peggy Lee, written and produced by Jerry Leiber and Mike Stoller, arranged by Randy Newman, courtesy of Capitol Records, Inc.; “Kids In America,” performed by Kim Wilde, words and music by Ricky Wilde and Marty Wilde, courtesy of EMI America Records, a division of Capitol Records, Inc. and RAK Records Ltd.; “Stand Up And Cheer,” courtesy of Ohio University Marching Band; “To Look At You,” performed by INXS, words and music by Andrew Farriss and Michael Hutchence, courtesy of Atco Records, by arrangement with Warner Special Products; “Roll Me Away,” performed by Bob Seger and The Silver Bullet Band, words and music by Bob Seger, courtesy of Capitol Records, Inc.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
3 February 1984
Premiere Information:
Los Angeles and New York openings: 3 Feb 1984
Production Date:
Nov--Dec 1982
Copyright Info
Claimant
Date
Copyright Number
MGM/UA Entertainment Company
24 February 1984
PA207467
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Prints
Prints in Metrocolor®
Duration(in mins):
93
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
27157
SYNOPSIS

In the steel mill town of Everton, high school senior Johnny Rourke enjoys being a daredevil on his motorcycle and has a reputation as a loner. At a deserted observation platform overlooking the industrial town, Johnny routinely performs a dangerous stunt in which he hurls an empty beer can over the rocky ledge using the screeching back tire of his motorcycle. In preparation for career day at Roosevelt High, Johnny writes that his only goal is to leave Everton. Tracey Prescott, a pretty blonde cheerleader, dates Randy Daniels, an ambitious student who is in line for a management job at the steel mill after graduation, but the rebellious Johnny intrigues her. Both Randy and Johnny are star players on the Roosevelt Raiders football team, and during a game, Johnny makes a crucial tackle that allows Randy to score a winning touchdown. In a random drawing, Johnny and Tracey Prescott are paired for the annual Tin-Can-Can dance. On the night of the event, they act indifferently toward each other, until they dance wildly to a pop song. As Randy becomes jealous and tries to pull Tracey away, Johnny confronts his teammate. Coach Phil Barton intervenes before a fight erupts, and Johnny walks out. Tracey follows and rides with him on his motorcycle to the observation platform. Unfamiliar with the site, she is amazed at the view, but the steep drop unnerves her. Johnny says being scared keeps him awake. Tracey claims that, unlike Johnny, she is not interested in leaving town. The next day, Tracey argues with Randy about his jealous behavior at the dance. ...

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In the steel mill town of Everton, high school senior Johnny Rourke enjoys being a daredevil on his motorcycle and has a reputation as a loner. At a deserted observation platform overlooking the industrial town, Johnny routinely performs a dangerous stunt in which he hurls an empty beer can over the rocky ledge using the screeching back tire of his motorcycle. In preparation for career day at Roosevelt High, Johnny writes that his only goal is to leave Everton. Tracey Prescott, a pretty blonde cheerleader, dates Randy Daniels, an ambitious student who is in line for a management job at the steel mill after graduation, but the rebellious Johnny intrigues her. Both Randy and Johnny are star players on the Roosevelt Raiders football team, and during a game, Johnny makes a crucial tackle that allows Randy to score a winning touchdown. In a random drawing, Johnny and Tracey Prescott are paired for the annual Tin-Can-Can dance. On the night of the event, they act indifferently toward each other, until they dance wildly to a pop song. As Randy becomes jealous and tries to pull Tracey away, Johnny confronts his teammate. Coach Phil Barton intervenes before a fight erupts, and Johnny walks out. Tracey follows and rides with him on his motorcycle to the observation platform. Unfamiliar with the site, she is amazed at the view, but the steep drop unnerves her. Johnny says being scared keeps him awake. Tracey claims that, unlike Johnny, she is not interested in leaving town. The next day, Tracey argues with Randy about his jealous behavior at the dance. Meanwhile, Johnny is summoned to the steel mill to pick up his father, John Rourke, Sr., who is drunk on the job again. Peter Daniels, Rourke’s supervisor and Randy’s father, tries to be sympathetic, but warns Johnny that he cannot continue to cover for his father. When asked why he is late to football practice, Johnny defies Coach Barton and is kicked off the team. Arriving home, Johnny is further upset to see his drunken father canoodling with a woman. The two fight after Johnny reminds his father that his wife left because he treated her so poorly. While his father screams at him and throws his belongings outside, Johnny storms out. Meanwhile, Tracey tells her mother that she is weary of being the perfect daughter. When Tracey drives away in the car, Johnny notices and follows on his motorcycle, until she makes a sharp turn and inadvertently causes him to crash. Johnny initially loses his temper, but enjoys teasing Tracey and brings her along as he breaks into the school at night to borrow tools to repair his motorcycle. While there, he looks up his school file and finds a report linking his anti-social behavior to abandonment by his mother. Worried that he is not living up to his “bad-boy” reputation, Johnny plays a rock song on the school loudspeaker system and vandalizes classrooms and offices. Tracey joins in, and the two enjoy a playful fight in the gymnasium. After removing their clothes and jumping into the swimming pool, the two have sex in the basement utility room. Later that night, Johnny visits Tracey at home, knowing that her parents are out of town. She asks him to leave, but he refuses. She admits she “wants” him, and they make love in her parents’ bedroom. During the encounter, Johnny gives her his St. Christopher medal necklace. In the morning, the Prescotts arrive home early and Tracey’s younger brother, David, helps Johnny escape before Tracey’s parents find him. After a school bonfire rally that night, Johnny and Tracey rendezvous at the observation platform. Johnny wants them to leave town together and becomes aggressive when Tracey appears resistant. She runs away, and later Johnny watches as she kisses Randy. Still estranged from his father, Johnny sneaks into the school at night to take a shower and sleep on the basement floor. Tracey appears to have reconciled with Randy, but is still preoccupied with thoughts of Johnny and continues to wear his necklace. Later, Peter Daniels summons Johnny to the steel mill when John Rourke is killed in an industrial accident. Johnny cleans out his father’s locker and finds newspaper clippings of his football achievements. Back at the house, Johnny rummages through other memorabilia his father saved, including photographs of his mother, before setting the items on fire and watching them burn. He leaves as the house is engulfed in flames. Driving inside the school building on his motorcycle, Johnny arrives during career day presentations and pulls Tracey aside. Leading her to an empty classroom, he declares that he must leave town immediately. As he pleads with her to come with him, Randy confronts Johnny. The two fight while Tracey runs to get help. A crowd of students arrives to stop the brawl. When Johnny starts up his motorcycle in the hallway and declares his love to Tracey, she jumps on the back and rides out of town with him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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