The Dead (1987)

PG | 84 mins | Comedy-drama | 17 December 1987

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HISTORY

Opening credits end with the following acknowledgment: “For Maricela,” a dedication to director John Huston’s longtime companion, Maricela Hernandez.
       Principal photography began on 19 Jan 1987, as announced in the 20 Feb 1987 DV. The Dead was eighty-year-old director John Huston’s last feature film before his death on 28 Aug 1987. According to the 14 Dec 1987 New Yorker, his emphysema required that he direct from a wheelchair equipped with an oxygen bottle, often watching the actors on a video monitor outside the set. Because Huston was uninsurable, his friend, director Karel Reisz, volunteered to be an “insurance stand-in,” the 22 Feb 1987 LAT reported. The $5.5-million production was originally scheduled to be shot at the Ardmore Studios in Dublin, Ireland, but because of Huston’s frailty, the interiors were filmed on a soundstage in Valencia, CA, in Jan, Feb, and Mar 1987, as stated in production notes in AMPAS library files. A second unit filmed exteriors in Ireland in Mar and Apr 1987. The actors were all Irish or of Irish descent. According to the 19 Nov 1986 Var, actress Siobhan McKenna was set to star in the film, but she died two months before production began.
       Danny Huston, John Huston’s youngest son, was originally chosen to head the second unit in Ireland and direct a documentary on the making of the film, the 29 Dec 1986 DV reported. However, he was not involved in the film, and the eventual documentary, titled John Huston & the Dubliners, was directed by Lilyan Sievernich, wife of producer Chris Sievernich, as noted in the 26 Apr 1987 ...

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Opening credits end with the following acknowledgment: “For Maricela,” a dedication to director John Huston’s longtime companion, Maricela Hernandez.
       Principal photography began on 19 Jan 1987, as announced in the 20 Feb 1987 DV. The Dead was eighty-year-old director John Huston’s last feature film before his death on 28 Aug 1987. According to the 14 Dec 1987 New Yorker, his emphysema required that he direct from a wheelchair equipped with an oxygen bottle, often watching the actors on a video monitor outside the set. Because Huston was uninsurable, his friend, director Karel Reisz, volunteered to be an “insurance stand-in,” the 22 Feb 1987 LAT reported. The $5.5-million production was originally scheduled to be shot at the Ardmore Studios in Dublin, Ireland, but because of Huston’s frailty, the interiors were filmed on a soundstage in Valencia, CA, in Jan, Feb, and Mar 1987, as stated in production notes in AMPAS library files. A second unit filmed exteriors in Ireland in Mar and Apr 1987. The actors were all Irish or of Irish descent. According to the 19 Nov 1986 Var, actress Siobhan McKenna was set to star in the film, but she died two months before production began.
       Danny Huston, John Huston’s youngest son, was originally chosen to head the second unit in Ireland and direct a documentary on the making of the film, the 29 Dec 1986 DV reported. However, he was not involved in the film, and the eventual documentary, titled John Huston & the Dubliners, was directed by Lilyan Sievernich, wife of producer Chris Sievernich, as noted in the 26 Apr 1987 Var.
       The character billed in the film as “Mr. Brown” was named “Mr. Browne” in James Joyce’s short story, “The Dead,” the final story of his 1914 collection, Dubliners. Another character, “Mr. Grace,” was added by screenwriter Tony Huston, John Houston’s son, to read a fourteenth-century Gaelic poem, translated by Irish dramatist Augusta, Lady Gregory, according to the 17 Dec 1987 LAT. Tony Huston inserted the lament into the story to foreshadow the film’s last scene. At the dinner table, “Aunt Kate” remembers an English tenor named “Parkinson,” but singer “Bartell D’Arcy” claims he never heard of him; D’Arcy was portrayed by Frank Patterson, “Ireland’s greatest tenor,” according to the 15 Mar 1987 Star and Tribune (Minneapolis).
       Reviews were positive, but conceded that the literary film was “not for everyone.” Vestron Pictures president/executive producer William J. Quigley told the 2 Sep 1987 HR it was a “specialized film”” that they would be handling with care. The Feb 1988 Box reported that the picture earned $74,756 from its first weekend in six theaters.
       End credits state: “This film was made by Liffey Films, Inc. on location in Valencia, California and Dublin Ireland.” End credits include the following acknowledgments: “The producers wish to thank: Michael Backes, Adrian Barr-Smith, Steven Gerse, Tamara Hermann, James Hickey, Dan Ireland, Peter Lucas, Carole Myer, M. J. Peckos, Hans Preiner, David Rose, Mark Wyman.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
Feb 1988
---
Daily Variety
15 Dec 1986
p. 3
Daily Variety
16 Dec 1986
p. 29
Daily Variety
29 Dec 1986
p. 3
Daily Variety
30 Jan 1987
p. 3
Daily Variety
20 Feb 1987
p. 22
Daily Variety
15 Apr 1987
p. 3
Daily Variety
31 Aug 1987
p. 3, 8
Hollywood Reporter
30 Dec 1986
---
Hollywood Reporter
31 Aug 1987
p. 3, 11
Hollywood Reporter
1 Sep 1987
---
Hollywood Reporter
2 Sep 1987
---
Los Angeles Times
22 Feb 1987
Calendar, p. 1
Los Angeles Times
17 Dec 1987
Calendar, p. 1
Minneapolis Star and Tribune
15 Mar 1987
Section F, p. 3
New York Times
17 Nov 1986
Section B, p. 8
New York Times
17 Dec 1987
p. 19
New Yorker
14 Dec 1987
p. 144, 147
Variety
19 Nov 1986
p. 110
Variety
26 Apr 1987
p. 18
Variety
2 Sep 1987
p. 14
Variety
9 Sep 1987
p. 31
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
Vestron Pictures/Zenith Present
A Wieland Schulz-Keil Chris Sievernich Production
In a John Huston Film
^IThe Dead^R was produced in association with Vestron Pictures, Stamford, Connecticut,
Zenith and Channel 4 London, and with Delta Film, Berlin
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
1st asst dir, Ireland (2d unit)
2d asst dir, Ireland (2d unit)
3d asst dir, Ireland (2d unit)
Trainee asst dir, Ireland (2d unit)
Trainee asst dir, Ireland (2d unit)
Trainee asst dir, Ireland (2d unit)
Trainee asst dir, Ireland (2d unit)
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
1st cam asst
2d cam asst
Gaffer
Best boy, elec
Elec
Key grip
Best boy, grip
Still photog
Cam, Ireland (landscapes)
Cam asst, Ireland (landscapes)
Focus, Ireland (2d unit)
Clapper loader, Ireland (2d unit)
Cam grip, Ireland (2d unit)
Gaffer, Ireland (2d unit)
Generator op, Ireland (2d unit)
Elec, Ireland (2d unit)
Elec, Ireland (2d unit)
ART DIRECTORS
Prod des
In collaboration with
Asst art dir
Art dir, Ireland (2d unit)
FILM EDITORS
Post-prod supv
Negative cutting
SET DECORATORS
Set dec
Prop master
Prop asst
Const coord
Carpenter foreman
Prop maker foreman
Paint foreman
Key set painter
Carpenter
Carpenter
Carpenter
Prop maker
Prop maker
Prop maker
Prop maker
Sign painter
Set painter
Plaster foreman
Plasterer
Prop buyer, Ireland (2d unit)
Props, Ireland (2d unit)
Rigger, Ireland (2d unit)
Rigger, Ireland (2d unit)
Const mgr, Ireland (2d unit)
Carpenter, Ireland (2d unit)
Painter, Ireland (2d unit)
Painter, Ireland (2d unit)
COSTUMES
Ward des
Cost supv
Men's costumer
Men's costumer
Ladies' costumer
Ladies' costumer
Ladies' cutter-fitter
Ladies' cutter-fitter
Head tailor
In-house costumer
In-house costumer
Ward mistress, Ireland (2d unit)
Cost provided and manufactured by
MUSIC
Mus rec eng
Mus rec eng
Mus ed
Solo harp
Mus rec at
Mus rec at
SOUND
Sd mixer
1st boom op
2d boom op
Supv sd ed
Foley ed
Asst sd ed
Dial, Rerec mixer
Mus, Rerec mixer
Eff, Rerec mixer
VISUAL EFFECTS
Spec eff
Spec eff supv, Ireland (2d unit)
Titles and opt eff
DANCE
Choreog
MAKEUP
Hair des
Hair stylist
Hair stylist
Makeup des
Makeup artist
Hairdresser, Ireland (2d unit)
PRODUCTION MISC
Casting
Prod accountant
Scr supv
Prod coord
Prod secy
Asst to Mr. Huston
Office asst
Asst accountant
Extra casting
Piano coach
Literary adv, James Joyce estate
Pub, Clein & Feldman
Pub
Transportation coord
Driver
Craft service
Laborer
Const driver, Ireland (2d unit)
Unit driver, Ireland (2d unit)
Prod secy, Ireland (2d unit)
Film accountant, Ireland (2d unit)
Film accountant, Ireland (2d unit)
Film accountant, Ireland (2d unit)
Dir, Documentary crew
Cam, Documentary crew
Sd, Documentary crew
Sd, Documentary crew
Sd, Documentary crew
Payroll services
COLOR PERSONNEL
Timer
Col by
SOURCES
LITERARY
Based on the short story The Dead from the collection Dubliners by James Joyce (London, 1914).
LITERARY SOURCE AUTHOR
SONGS
The song "The Lass Of Aughrim" was performed by Frank Patterson ©1987 Zenith Productions Ltd./Liffey Films Ltd. ["Arrayed For The Bridal," from I Puritani di Scozia, 1835, words by George Linley, music by Vincenzo Bellini, performed by Cathleen Delaney.]
SONGWRITER/COMPOSER
DETAILS
Release Date:
17 December 1987
Premiere Information:
Venice Film Festival premiere: 3 Sep 1987; New York opening: 17 Dec 1987; Los Angeles opening: 18 Dec 1987
Production Date:
19 Jan - Apr 1987
Copyright Info
Claimant
Date
Copyright Number
Zenith Productions, Ltd., Liffey Films, Inc.
8 July 1988
PA373585
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
84
Length(in feet):
7,642
MPAA Rating:
PG
Countries:
Germany, United Kingdom, United States
Language:
English
SYNOPSIS

On 6 January 1904, spinster sisters Kate and Julia Morkan and their unmarried niece, Mary Jane, host their annual Feast of Epiphany dinner party at their townhouse in Dublin, Ireland. Horse-drawn carriages arrive with guests on the snowy night. First to enter are three of Mary Jane’s music students, Miss Furlong, Miss O'Callaghan, and Miss Higgins, followed by young bachelors, Joseph Kerrigan and Raymond Bergin. Miss Furlong formally introduces them to Kate and her frail older sister, Julia. Kate’s favorite nephew, Gabriel Conroy, and his wife, Gretta, arrive, followed by a drunken Freddy Malins. Gabriel promptly escorts Freddy to the restroom to sober him up. To Kate’s consternation, Dan Brown, the group’s only Protestant, also arrives in a light state of inebriation. Before dinner, the guests dance, and Bartell D’Arcy, a “celebrated tenor,” waltzes with Gretta, as Gabriel exchanges glances with a young stranger, Molly Ivors. Meanwhile, Mrs. Malins finds her son Freddy drinking with Dan Brown, and berates him for not meeting her earlier, as she has just arrived from Scotland, where she lives with her daughter. As fellow guest, Mr. Grace, recites a Gaelic poem, a lament of lost love, Gretta’s eyes grow misty. Afterward, Kate introduces Gabriel to Molly Ivors. Dancing together, Molly, an Irish nationalist, chides Gabriel for writing at an English newspaper and not learning Gaelic. He declares that he is sick of Ireland. Julia entertains her guests by singing an operatic piece from her “concert days.” Despite her warbling voice, Freddy drunkenly gushes over her performance. Kate complains that the Pope ended her sister’s singing career in the church choir when he replaced women with boys. Molly Ivors is called away for a ...

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On 6 January 1904, spinster sisters Kate and Julia Morkan and their unmarried niece, Mary Jane, host their annual Feast of Epiphany dinner party at their townhouse in Dublin, Ireland. Horse-drawn carriages arrive with guests on the snowy night. First to enter are three of Mary Jane’s music students, Miss Furlong, Miss O'Callaghan, and Miss Higgins, followed by young bachelors, Joseph Kerrigan and Raymond Bergin. Miss Furlong formally introduces them to Kate and her frail older sister, Julia. Kate’s favorite nephew, Gabriel Conroy, and his wife, Gretta, arrive, followed by a drunken Freddy Malins. Gabriel promptly escorts Freddy to the restroom to sober him up. To Kate’s consternation, Dan Brown, the group’s only Protestant, also arrives in a light state of inebriation. Before dinner, the guests dance, and Bartell D’Arcy, a “celebrated tenor,” waltzes with Gretta, as Gabriel exchanges glances with a young stranger, Molly Ivors. Meanwhile, Mrs. Malins finds her son Freddy drinking with Dan Brown, and berates him for not meeting her earlier, as she has just arrived from Scotland, where she lives with her daughter. As fellow guest, Mr. Grace, recites a Gaelic poem, a lament of lost love, Gretta’s eyes grow misty. Afterward, Kate introduces Gabriel to Molly Ivors. Dancing together, Molly, an Irish nationalist, chides Gabriel for writing at an English newspaper and not learning Gaelic. He declares that he is sick of Ireland. Julia entertains her guests by singing an operatic piece from her “concert days.” Despite her warbling voice, Freddy drunkenly gushes over her performance. Kate complains that the Pope ended her sister’s singing career in the church choir when he replaced women with boys. Molly Ivors is called away for a union meeting, as the guests are called to the table, where a sumptuous feast awaits. Conversation topics range from opera to morality, and Freddy reliably utters the wrong things. Despite his nerves, Gabriel gives a rousing dinner speech praising his aunts’ Irish hospitality. Later, as the party ends and guests begin to leave, Mrs. Malins asks Gabriel to look after Freddy when she returns to Scotland. Gabriel awakens Dan Brown in the coatroom and puts him in a carriage with the Malins. The remaining guests become still as D'Arcy sings “The Lass Of Aughrim,” and Gabriel watches his wife, Gretta, standing transfixed on the stairs. She is pensive in the carriage on the way to their hotel, dismissing Gabriel’s attempt to cheer her. In their room, Gretta rebuffs his urge to make love. When Gabriel asks about her behavior on the staircase, Gretta explains that she was reminded of a boy named Michael Furey who once sang “The Lass of Aughrim” in a pure tenor, on one of their country walks in County Galway. Gretta believes she is partly responsible for Michael’s death from consumption at age seventeen: On the snowy night she was to leave for a Dublin convent, the boy left his sick bed and stood outside her window to say goodbye, and died a week later. After Gretta cries herself to asleep, Gabriel is overcome with jealousy. Watching the snowfall outside, he thinks of his foolish party speech, and his Aunt Julia’s haggard appearance as she sang. He knows she will soon be dead, and imagines his aunt’s body laid out, himself dressed in black as he searches for the right words to recite. Gabriel realizes that his wife’s love for him is not as strong as he once thought, and wishes in turn that he felt a love as powerful as what Michael Furey seemed to feel for Gretta.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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