The Dead
(1987)
PG | 84 mins | Comedy-drama | 17 December 1987
Director:
John HustonWriter:
Tony HustonProducers:
Wieland Schulz-Keil, Chris SievernichCinematographer:
Fred MurphyEditor:
Roberto SilviProduction Designer:
Stephen GrimesProduction Companies:
Liffey Films, Inc., Zenith ProductionsOpening credits end with the following acknowledgment: “For Maricela,” a dedication to director John Huston’s longtime companion, Maricela Hernandez.
Principal photography began on 19 Jan 1987, as announced in the 20 Feb 1987 DV. The Dead was eighty-year-old director John Huston’s last feature film before his death on 28 Aug 1987. According to the 14 Dec 1987 New Yorker, his emphysema required that he direct from a wheelchair equipped with an oxygen bottle, often watching the actors on a video monitor outside the set. Because Huston was uninsurable, his friend, director Karel Reisz, volunteered to be an “insurance stand-in,” the 22 Feb 1987 LAT reported. The $5.5-million production was originally scheduled to be shot at the Ardmore Studios in Dublin, Ireland, but because of Huston’s frailty, the interiors were filmed on a soundstage in Valencia, CA, in Jan, Feb, and Mar 1987, as stated in production notes in AMPAS library files. A second unit filmed exteriors in Ireland in Mar and Apr 1987. The actors were all Irish or of Irish descent. According to the 19 Nov 1986 Var, actress Siobhan McKenna was set to star in the film, but she died two months before production began.
Danny Huston, John Huston’s youngest son, was originally chosen to head the second unit in Ireland and direct a documentary on the making of the film, the 29 Dec 1986 DV reported. However, he was not involved in the film, and the eventual documentary, titled John Huston & the Dubliners, was directed by Lilyan Sievernich, wife of producer Chris Sievernich, as noted in the 26 Apr 1987 ...
Opening credits end with the following acknowledgment: “For Maricela,” a dedication to director John Huston’s longtime companion, Maricela Hernandez.
Principal photography began on 19 Jan 1987, as announced in the 20 Feb 1987 DV. The Dead was eighty-year-old director John Huston’s last feature film before his death on 28 Aug 1987. According to the 14 Dec 1987 New Yorker, his emphysema required that he direct from a wheelchair equipped with an oxygen bottle, often watching the actors on a video monitor outside the set. Because Huston was uninsurable, his friend, director Karel Reisz, volunteered to be an “insurance stand-in,” the 22 Feb 1987 LAT reported. The $5.5-million production was originally scheduled to be shot at the Ardmore Studios in Dublin, Ireland, but because of Huston’s frailty, the interiors were filmed on a soundstage in Valencia, CA, in Jan, Feb, and Mar 1987, as stated in production notes in AMPAS library files. A second unit filmed exteriors in Ireland in Mar and Apr 1987. The actors were all Irish or of Irish descent. According to the 19 Nov 1986 Var, actress Siobhan McKenna was set to star in the film, but she died two months before production began.
Danny Huston, John Huston’s youngest son, was originally chosen to head the second unit in Ireland and direct a documentary on the making of the film, the 29 Dec 1986 DV reported. However, he was not involved in the film, and the eventual documentary, titled John Huston & the Dubliners, was directed by Lilyan Sievernich, wife of producer Chris Sievernich, as noted in the 26 Apr 1987 Var.
The character billed in the film as “Mr. Brown” was named “Mr. Browne” in James Joyce’s short story, “The Dead,” the final story of his 1914 collection, Dubliners. Another character, “Mr. Grace,” was added by screenwriter Tony Huston, John Houston’s son, to read a fourteenth-century Gaelic poem, translated by Irish dramatist Augusta, Lady Gregory, according to the 17 Dec 1987 LAT. Tony Huston inserted the lament into the story to foreshadow the film’s last scene. At the dinner table, “Aunt Kate” remembers an English tenor named “Parkinson,” but singer “Bartell D’Arcy” claims he never heard of him; D’Arcy was portrayed by Frank Patterson, “Ireland’s greatest tenor,” according to the 15 Mar 1987 Star and Tribune (Minneapolis).
Reviews were positive, but conceded that the literary film was “not for everyone.” Vestron Pictures president/executive producer William J. Quigley told the 2 Sep 1987 HR it was a “specialized film”” that they would be handling with care. The Feb 1988 Box reported that the picture earned $74,756 from its first weekend in six theaters.
End credits state: “This film was made by Liffey Films, Inc. on location in Valencia, California and Dublin Ireland.” End credits include the following acknowledgments: “The producers wish to thank: Michael Backes, Adrian Barr-Smith, Steven Gerse, Tamara Hermann, James Hickey, Dan Ireland, Peter Lucas, Carole Myer, M. J. Peckos, Hans Preiner, David Rose, Mark Wyman.”
On 6 January 1904, spinster sisters Kate and Julia Morkan and their unmarried niece, Mary Jane, host their annual Feast of Epiphany dinner party at their townhouse in Dublin, Ireland. Horse-drawn carriages arrive with guests on the snowy night. First to enter are three of Mary Jane’s music students, Miss Furlong, Miss O'Callaghan, and Miss Higgins, followed by young bachelors, Joseph Kerrigan and Raymond Bergin. Miss Furlong formally introduces them to Kate and her frail older sister, Julia. Kate’s favorite nephew, Gabriel Conroy, and his wife, Gretta, arrive, followed by a drunken Freddy Malins. Gabriel promptly escorts Freddy to the restroom to sober him up. To Kate’s consternation, Dan Brown, the group’s only Protestant, also arrives in a light state of inebriation. Before dinner, the guests dance, and Bartell D’Arcy, a “celebrated tenor,” waltzes with Gretta, as Gabriel exchanges glances with a young stranger, Molly Ivors. Meanwhile, Mrs. Malins finds her son Freddy drinking with Dan Brown, and berates him for not meeting her earlier, as she has just arrived from Scotland, where she lives with her daughter. As fellow guest, Mr. Grace, recites a Gaelic poem, a lament of lost love, Gretta’s eyes grow misty. Afterward, Kate introduces Gabriel to Molly Ivors. Dancing together, Molly, an Irish nationalist, chides Gabriel for writing at an English newspaper and not learning Gaelic. He declares that he is sick of Ireland. Julia entertains her guests by singing an operatic piece from her “concert days.” Despite her warbling voice, Freddy drunkenly gushes over her performance. Kate complains that the Pope ended her sister’s singing career in the church choir when he replaced women with boys. Molly Ivors is called away for a ...
On 6 January 1904, spinster sisters Kate and Julia Morkan and their unmarried niece, Mary Jane, host their annual Feast of Epiphany dinner party at their townhouse in Dublin, Ireland. Horse-drawn carriages arrive with guests on the snowy night. First to enter are three of Mary Jane’s music students, Miss Furlong, Miss O'Callaghan, and Miss Higgins, followed by young bachelors, Joseph Kerrigan and Raymond Bergin. Miss Furlong formally introduces them to Kate and her frail older sister, Julia. Kate’s favorite nephew, Gabriel Conroy, and his wife, Gretta, arrive, followed by a drunken Freddy Malins. Gabriel promptly escorts Freddy to the restroom to sober him up. To Kate’s consternation, Dan Brown, the group’s only Protestant, also arrives in a light state of inebriation. Before dinner, the guests dance, and Bartell D’Arcy, a “celebrated tenor,” waltzes with Gretta, as Gabriel exchanges glances with a young stranger, Molly Ivors. Meanwhile, Mrs. Malins finds her son Freddy drinking with Dan Brown, and berates him for not meeting her earlier, as she has just arrived from Scotland, where she lives with her daughter. As fellow guest, Mr. Grace, recites a Gaelic poem, a lament of lost love, Gretta’s eyes grow misty. Afterward, Kate introduces Gabriel to Molly Ivors. Dancing together, Molly, an Irish nationalist, chides Gabriel for writing at an English newspaper and not learning Gaelic. He declares that he is sick of Ireland. Julia entertains her guests by singing an operatic piece from her “concert days.” Despite her warbling voice, Freddy drunkenly gushes over her performance. Kate complains that the Pope ended her sister’s singing career in the church choir when he replaced women with boys. Molly Ivors is called away for a union meeting, as the guests are called to the table, where a sumptuous feast awaits. Conversation topics range from opera to morality, and Freddy reliably utters the wrong things. Despite his nerves, Gabriel gives a rousing dinner speech praising his aunts’ Irish hospitality. Later, as the party ends and guests begin to leave, Mrs. Malins asks Gabriel to look after Freddy when she returns to Scotland. Gabriel awakens Dan Brown in the coatroom and puts him in a carriage with the Malins. The remaining guests become still as D'Arcy sings “The Lass Of Aughrim,” and Gabriel watches his wife, Gretta, standing transfixed on the stairs. She is pensive in the carriage on the way to their hotel, dismissing Gabriel’s attempt to cheer her. In their room, Gretta rebuffs his urge to make love. When Gabriel asks about her behavior on the staircase, Gretta explains that she was reminded of a boy named Michael Furey who once sang “The Lass of Aughrim” in a pure tenor, on one of their country walks in County Galway. Gretta believes she is partly responsible for Michael’s death from consumption at age seventeen: On the snowy night she was to leave for a Dublin convent, the boy left his sick bed and stood outside her window to say goodbye, and died a week later. After Gretta cries herself to asleep, Gabriel is overcome with jealousy. Watching the snowfall outside, he thinks of his foolish party speech, and his Aunt Julia’s haggard appearance as she sang. He knows she will soon be dead, and imagines his aunt’s body laid out, himself dressed in black as he searches for the right words to recite. Gabriel realizes that his wife’s love for him is not as strong as he once thought, and wishes in turn that he felt a love as powerful as what Michael Furey seemed to feel for Gretta.
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