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HISTORY

       The Hidden came to New Line Cinema through Heron Communication, which partnered with New Line to make the Nightmare on Elm Street film series, the 22 Oct 1987 HR reported. New Line believed the film had potential to be a hit and decided to make it.
       Jack Sholder, who directed Nightmare on Elm Street 2: Freddy’s Revenge (1985, see entry), read the script and was eager to direct. Sholder told the 16 Apr 2015 Fangoria magazine that writer Jim Koef initially wanted to direct The Hidden, but New Line would not agree to it, resulting in Koef's refusal to complete any future rewrites. Sholder rewrote several scenes to flesh out the characters.
       Principal photography began on 16 Mar 1987 in Los Angeles, CA, according to the 24 Mar 1987 HR production chart. The 14 Aug 1987 DV reported shooting had wrapped and the film was in post production.
       After the film tested well, New Line invested $5 million in an extensive nationwide advertising campaign, hoping to position it as an action-suspense-mystery thriller, as reported by the 30 Sep 1987 HR. To build good word-of-mouth, a nationwide sneak preview was planned for 16 Oct 1987.
       The Hidden opened on 1,045 screens on 30 Oct 1987, taking in $2.5 million in its first three days, according to the 3 Nov 1987 DV box-office report. After three weeks, the film has grossed at total of $7.7 million.
       In 1988, New Line-Heron Venture filed a lawsuit for copyright infringement regarding the television miniseries Something Is ...

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       The Hidden came to New Line Cinema through Heron Communication, which partnered with New Line to make the Nightmare on Elm Street film series, the 22 Oct 1987 HR reported. New Line believed the film had potential to be a hit and decided to make it.
       Jack Sholder, who directed Nightmare on Elm Street 2: Freddy’s Revenge (1985, see entry), read the script and was eager to direct. Sholder told the 16 Apr 2015 Fangoria magazine that writer Jim Koef initially wanted to direct The Hidden, but New Line would not agree to it, resulting in Koef's refusal to complete any future rewrites. Sholder rewrote several scenes to flesh out the characters.
       Principal photography began on 16 Mar 1987 in Los Angeles, CA, according to the 24 Mar 1987 HR production chart. The 14 Aug 1987 DV reported shooting had wrapped and the film was in post production.
       After the film tested well, New Line invested $5 million in an extensive nationwide advertising campaign, hoping to position it as an action-suspense-mystery thriller, as reported by the 30 Sep 1987 HR. To build good word-of-mouth, a nationwide sneak preview was planned for 16 Oct 1987.
       The Hidden opened on 1,045 screens on 30 Oct 1987, taking in $2.5 million in its first three days, according to the 3 Nov 1987 DV box-office report. After three weeks, the film has grossed at total of $7.7 million.
       In 1988, New Line-Heron Venture filed a lawsuit for copyright infringement regarding the television miniseries Something Is Out There, which had a similar storyline to The Hidden, the 24 Jun 1988 WSJ reported. The suit named miniseries writer Frank Lupo, production company Columbia Pictures, and the NBC, which aired the program. No further information was found regarding the lawsuit.
       End credits state: “Special thanks to: Adidas; B.F. Goodrich; Bill Bowen; Chrysler Corporation of America; Coors; Creative Film Promotions; Dick Fagen; Ferrari of North America; Fujitsu Ten; Galpin Ford Studio Rentals; Jimmy Z; L.A. Eyeworks; Levi; Maxwell House; No Jeans; Picture Vehicle Rentals; Ray Ban; Sansui Electronics; Shasta Beverages; The Coleman Company; Unique Product Placement; Unisys Corporation; Whelan Light Bars.”
      Although “Bob Hunt” is credited onscreen as the writer, that is a pseudonym for novelist Jim Kouf. In his biography for NBC Universal, Kouf acknowledges that he wrote the film under that name.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
14 Aug 1987
---
Daily Variety
22 Oct 1987
p. 3, 14
Daily Variety
3 Nov 1987
---
Fangoria
16 Apr 2015
---
Hollywood Reporter
24 Mar 1987
---
Hollywood Reporter
30 Sep 1987
---
Hollywood Reporter
22 Oct 1987
---
Hollywood Reporter
27 Oct 1987
p. 3, 80
Los Angeles Times
30 Oct 1987
p. 24
New York Times
30 Oct 1987
p. 19
Variety
28 Oct 1987
p. 14
WSJ
24 Jun 1988
---
CAST
NAME
CREDITED AS
CREDIT
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
New Line Cinema and Heron Communications, Inc. present
A Robert Shaye Production
in association with Mega Entertainment and Michael Meltzer
A Film by Jack Sholder
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
1st asst dir, 2d unit
2d asst dir, 2d unit
2d 2d asst dir, 2d unit
PRODUCERS
Exec prod
Exec prod
Exec prod
Exec prod
WRITER
Wrt
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
2d cam op
Addl 1st asst cam
Addl 2d asst cam
Still photog
Gaffer
Best boy elec
Key grip/Cam dolly
Best boy grip
2d dolly grip
Spec car, grip and lighting rigs by
Dir of photog, 2d unit
Cam op, 2d unit
1st asst cam, 2d unit
1st asst cam, 2d unit
2d asst cam, 2d unit
2d asst cam, 2d unit
Key grip, 2d unit
Best boy grip, 2d unit
Grip, 2d unit
Grip/Elec, 2d unit
Video playback
ART DIRECTORS
Prod des
Prod des
Art dept coord
Art dept prod asst
Storyboard artist
FILM EDITORS
Assoc ed
Asst ed
Negative cutter
SET DECORATORS
Set dresser
Set dresser
Leadman
Asst leadman
Set const by
Set const coord
Lead carpenter
Spec eff carpenter
Carpenter
Carpenter
Lead scenic artist
Swing gang
Swing gang
Swing gang
Swing gang
Mannequinn asst
Mannequinn asst
Mannequinn asst
Prop master
Asst prop master
Asst props
Set dresser, 2d unit
Asst props, 2d unit
COSTUMES
Cost des
Key ward
1st asst ward
Costumer, 2d unit
SOUND
Sd mixer
Boom op
Re-rec mixer
Re-rec mixer
ADR mixer
Foley mixer
Sd transfers by
Post prod sd
Supv sd ed
ADR ed
Sd ed
Sd ed
Foley artist
Foley artist
Foley artist
VISUAL EFFECTS
Spec eff coord
Spec eff
Spec eff
Spec eff
Spec visual eff
Visual eff supv
Anim
Anim
Opt supv
Opt compositing
Titles and opticals
Title des
DANCE
Choreog for Ms. Christian
MAKEUP
Makeup eff
Makeup artist
Hair des
Asst makeup/Hair
Makeup/Hair, 2d unit
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
Makeup eff crew, Kevin Yagher Productions
PRODUCTION MISC
Casting
Scr supv
Transportation coord
Transportation capt
Mechanic/Driver
Driver
Driver
Driver
Driver
Driver
Driver
Craft service
Craft service
Prod supv
Prod accountant
Asst accountant
Prod secy
Post-prod supv
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Scr supv, 2d unit
Driver, 2d unit
Driver, 2d unit
Driver, 2d unit
Driver, 2d unit
Driver, 2d unit
Driver, 2d unit
Prod asst, 2d unit
Prod asst, 2d unit
Prod asst, 2d unit
Craft service, 2d unit
Trainer and owner of Jake
Animals supplied by
Asst trainer
Set nurse
Asst to Mr. Sholder
Security liason
STAND INS
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt coord
Stand-in
Stand-in
Stand-in
Stand-in
COLOR PERSONNEL
Col by
Col timer
SOURCES
SONGS
“Hidden,” performed by The Truth, written by Mark Tanner, Jeff Kleven and The Truth, published by New Line Music/Almo Music, produced by Roy Thomas Baker; “Black Girl White Girl,” performed by The Lords of the New Church, written by Bator James, published by Illegal Songs, Inc., administered by Atlantic Music Corp. (BMI), produced by The Lords of the New Church; “Is There Anybody In There?,” performed by Hunters & Collectors, written by Hunters & Collectors, published by Human Frailty/I.R.S. Music, Inc., administered by Atlantic Music Corp (BMI), produced by Gavin MacKillip and Hunters & Collectors; “Say Good Bye,” performed by Hunters & Collectors, written by Hunters & Collectors, published by Human Frailty/I.R.S. Music, Inc., administered by Atlantic Music Corp (BMI), produced by Gavin MacKillip and Hunters & Collectors; “On Your Feet,” performed by Shok Paris, written by Erb/Hix, published by Auburn Music/I.R.S. Music, Inc. (BMI), produced by Denny Nowak and Bill Peters; “Going Down Fighting,” performed by Shok Paris, written by Erb, published by Auburn Music/I.R.S. Music, Inc. (BMI), produced by Denny Nowak and Bill Peters; “Weapons Of Love,” performed by The Truth, written by Dennis Greaves, Mick Lister, published by Illegal Songs, Inc., administered by Atlantic Music Corp. (BMI), produced by Dennis Herring; “Still In Hollywood,” performed by Concrete Blonde, written by J. Napolitano, published by Happy Hermit Music/I.R.S. Music, Inc., administered by Bug Music (BMI), produced by Earle Mankey & Concrete Blonde; “Your Haunted Head,” performed by Concrete Blonde, written by J. Napolitano, published by Happy Hermit Music/I.R.S. Music, Inc., administered by Bug Music (BMI), produced by Earle Mankey & Concrete Blonde; “While The Going's Good,” performed by Twin Set & The Pearl, written by Holland, Covington & Holland, published by Illegal Songs, Inc., administered by Atlantic Music Corp. (BMI), produced by Dennis Herring; “You Make Me Feel So Young,” performed by Bruno Gumbotz, written by Joseph Myrow, Mack Gordon, published by Warner Brothers Music Co. ASCAP, produced by Joe Fineman; “Out Of Control (In My Car),” performed by ULI, written by Mark Tanner, Kevin Benson, published by New Line Music/Almo Music, produced by Mark Tanner; “Bad Girl,” performed by Mendy Lee, written by Bobby Caldwell, published by New Line Cinema/SBK Music/Sin-drome Music, produced by Bobby Caldwell; “Over Your Shoulder,” performed by Concrete Blonde, written by J. Napolitano and J. Mankey, published by Happy Hermit Music/I.R.S. Music, Inc., administered by Criterion Music Inc., produced by Earle Mankey & Concrete Blonde;
PERFORMED BY
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
30 October 1987
Premiere Information:
Los Angeles and New York openings: 30 Oct 1987
Production Date:
16 Mar--early Aug 1987
Physical Properties:
Sound
Color
Duration(in mins):
96
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
28788
SYNOPSIS

In downtown Los Angeles, California, middle-aged businessman Jack DeVries robs a bank, killing one man in the process, before calmly walking to his Ferrari sports car and driving away at high speed. Police give chase, and DeVries smashes through a police roadblock, crashing the car. Hit by several bullets, DeVries gets out of the vehicle and collapses before it explodes. He is taken to hospital, where he is placed in intensive care and not expected to survive. Police report that in the past two weeks, DeVries killed twelve people and wounded twenty-three more. He stole six cars, primarily Ferraris, robbed eight banks, six supermarkets, four jewelry stores, and one candy store. Six of the people he killed, he carved up with a butcher knife, two of which were children. Police detective Tom Beck is happy that DeVries will die. At police headquarters, Federal Bureau of Investigation (FBI) agent Lloyd Gallagher from Seattle, Washington, informs Beck that he has been working on the DeVries case for a month and Beck has been assigned to help him. In the hospital, DeVries revives, and approaches cardiac patient Jonathan Miller in the next bed. He opens Miller’s mouth, then opens his own. A large snail-like creature climbs out of DeVries’s mouth and down Miller’s throat. DeVries collapses onto the floor and dies as Miller wakes up, gets out of bed, and walks out of the hospital. Doctors are puzzled, saying that Miller had a massive heart attack a day ago and is in need of a triple bypass operation, yet now is well enough to walk out of the hospital. Since DeVries is dead, Beck tells Gallagher he can return to Seattle. Gallagher ...

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In downtown Los Angeles, California, middle-aged businessman Jack DeVries robs a bank, killing one man in the process, before calmly walking to his Ferrari sports car and driving away at high speed. Police give chase, and DeVries smashes through a police roadblock, crashing the car. Hit by several bullets, DeVries gets out of the vehicle and collapses before it explodes. He is taken to hospital, where he is placed in intensive care and not expected to survive. Police report that in the past two weeks, DeVries killed twelve people and wounded twenty-three more. He stole six cars, primarily Ferraris, robbed eight banks, six supermarkets, four jewelry stores, and one candy store. Six of the people he killed, he carved up with a butcher knife, two of which were children. Police detective Tom Beck is happy that DeVries will die. At police headquarters, Federal Bureau of Investigation (FBI) agent Lloyd Gallagher from Seattle, Washington, informs Beck that he has been working on the DeVries case for a month and Beck has been assigned to help him. In the hospital, DeVries revives, and approaches cardiac patient Jonathan Miller in the next bed. He opens Miller’s mouth, then opens his own. A large snail-like creature climbs out of DeVries’s mouth and down Miller’s throat. DeVries collapses onto the floor and dies as Miller wakes up, gets out of bed, and walks out of the hospital. Doctors are puzzled, saying that Miller had a massive heart attack a day ago and is in need of a triple bypass operation, yet now is well enough to walk out of the hospital. Since DeVries is dead, Beck tells Gallagher he can return to Seattle. Gallagher insists the search is still on, but now they are now looking for Jonathan Miller. However, police records show Miller has no prior criminal activity. Miller goes to a record store on Melrose Avenue and begins pocketing cassette tapes. When the store clerk tries to stop him, Miller kills him, takes all the money from the cash register, and walks out with a large cassette tape player. When police sketch artists draw a picture of Jonathan Miller based on witness descriptions, Beck questions Gallagher, who explains that when the man they are looking is continually changing his identity, but must be stopped before he moves again. Miller goes to a Ferrari dealership, interrupts a sale, and steals the Italian sports cars, killing three people in the process and taking their wallets. The man buying the Ferrari was an arms dealer, so Miller goes to his office and takes a large cache of guns. Next, Miller goes to the Harem Room, a strip club off Hollywood Boulevard. After watching a performance by stripper Brenda Lee Van Buren, Miller follows her to the dressing room. The snail-like creature leaves Miller���s body and moves into Brenda’s. Meanwhile, Beck invites Gallagher home for dinner, introducing him to his wife, Barbara, and his toddler daughter, Juliet. Gallagher seems socially uncomfortable, has an awkward time using silverware, and becomes intoxicated after just a little wine. Gallagher reports that his wife and young daughter were killed by the same man that killed his FBI partner. Police radio they have found Miller’s stolen Ferrari outside the Harem Room. In Brenda’s dressing room, they discover Miller’s dead body. Brenda has sex with man in a Cadillac, then pushes him out of the car and drives away. Beck and Gallagher spot the Cadillac and give chase until Gallagher shoots out one of the Cadillac’s tires, causing it to crash into an art gallery. Brenda fires at Beck and Gallagher, who shoot her in the arm, but it does not affect her. On the building roof, Brenda fires at Beck, who is hit and falls over the side, but grabs hold of the ledge. Gallagher helps him up, then fires at Brenda, hitting her several times without injury. As he comes closer, Brenda recognizes Gallagher. He pulls out a futuristic-looking ray gun and points it at her. Brenda tells Gallagher that she will not come out and if he thinks it over, he is wrong. Brenda jumps off the side of the building, her body smashing onto the concrete below. When a dog named Jake comes over to sniff at the body, the creature transfers into the dog. By the time Gallagher reaches the ground, he sees that Brenda is dead and realizes the creature has moved to another body. Meanwhile, the coroner wants to know why Brenda’s body has fifteen bullets holes in it. Beck arrests Gallagher, confiscating the odd-looking ray gun. Beck runs a background check that shows Gallagher was killed in a forest fire a month ago along with his friend, Robert Stone. Stone’s body was never found, and authorities assumed it was burned in the fire. However, a photo of Robert Stone shows the face of the man Beck knows as Gallagher. Beck brings Gallagher from lockup, demanding answers. Gallagher says that the creature he is chasing is not human. The alien uses a human body until it is depleted, then transfers to a new body. However, the only time the creature can be killed is when it is between bodies. Now that the creature knows where Gallagher is, it will come after him. Meanwhile, the creature transfers from Jake the dog to the dog’s owner, Lieutenant John Masterson, who comes to the police station. In the evidence room, Masterson gets the ray gun as well as other guns before threatening Beck to take him to Gallagher, killing several police officers along the way. Other officers fire at Masterson and he falls to the ground, but gets back up. Beck runs to lockup to get Gallagher, but Masterson catches up to them. Beck, who grabbed the ray gun when Masterson was hit by bullets, tosses the weapon to Gallagher who holds it on Masterson, inviting the creature to come out. Masterson reveals that Gallagher is an alien law enforcement officer from the planet Alteer and suggests the two of them could rule the human race. Beck shoots Masterson in the head but he gets away. The creature transfers from Masterson to the body of Cliff Willis, Beck’s police partner, and escapes. Beck asks why Gallagher did not use the ray gun on Masterson. Gallagher shoots Beck with the ray gun, but it has no effect on him. Gallagher explains that the weapon does not work on human flesh and it only works when the creature is between bodies. At the Park Plaza Hotel, Senator Holt is planning to announce his candidacy for U.S. President. Cliff Willis comes to the event. Police shoot at him, hitting him multiple times, but Willis does not fall. Willis shoots Beck in the chest then goes after the Senator. Police find Willis’s dead body in a supply closet. Gallagher realizes the creature transferred to Senator Holt. During the press conference, Gallagher rushes in and pulls a flamethrower out of a bag. Police fire at Gallagher, but their shots do not stop him. Gallagher ignites the flamethrower at Holt, setting his body ablaze. The creature comes out of Holt’s charred body and Gallagher shoots it with the ray gun, killing it. At the hospital, Beck is unconscious from his chest wound. Gallagher comes to Beck’s room, but Beck dies. Gallagher transfers his life force into Beck’s body. Doctors find Gallagher’s dead body on the floor. Beck wakes up, greets his wife, and holds his hand out to his little girl.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.