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HISTORY

       The 11 Oct 1989 Var announced the 9 Oct 1989 start of principal photography. According to the 8 Dec 1989 HR, filming was completed approximately six weeks later. Although the story was set in Texas, production took place in Louisiana, which has abundant sugarcane fields. The Homeplace Plantation in Hahnville, LA, was a major location.
       Two years after production concluded, the picture opened on 6 Dec 1991, at the Angelika Film Center in New York City. Reviews were lukewarm to negative, with several critics praising the cast while lamenting the absence of a plot. The review in the 6 Dec 1991 HR noted that “it took 14 years to bring this story to the screen.” The 20 Dec 1991 LAT attributed some negative notices to the “flat, murky, uneven soundtrack” of the print shown at a press screening. As reported in the 16 Dec 1991 Var, the film earned only $8,510 during its opening week in New York City. Regardless, producer Jonathan D. Krane told the 23 Dec 1991 DV that he was “elated” over the positive critical response to actor Robert Duvall’s performance.
       Various sources state that the stage production of Convicts was the second installment in writer Horton Foote’s nine-play cycle, The Orphan’s Home.
      End credits include the following statement: “Sincere appreciation to the following: Neil Spisak; Janet L. Stott; Richard Keller, Home Place Plantation; Chuck Singleton; Jeanette Scott; Tisa Laviolette, New Orleans Film Commission; Mr. and Mrs. Hilton Lirette; St. Charles Parish and Community of Hahnville; St. Charles Parish ...

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       The 11 Oct 1989 Var announced the 9 Oct 1989 start of principal photography. According to the 8 Dec 1989 HR, filming was completed approximately six weeks later. Although the story was set in Texas, production took place in Louisiana, which has abundant sugarcane fields. The Homeplace Plantation in Hahnville, LA, was a major location.
       Two years after production concluded, the picture opened on 6 Dec 1991, at the Angelika Film Center in New York City. Reviews were lukewarm to negative, with several critics praising the cast while lamenting the absence of a plot. The review in the 6 Dec 1991 HR noted that “it took 14 years to bring this story to the screen.” The 20 Dec 1991 LAT attributed some negative notices to the “flat, murky, uneven soundtrack” of the print shown at a press screening. As reported in the 16 Dec 1991 Var, the film earned only $8,510 during its opening week in New York City. Regardless, producer Jonathan D. Krane told the 23 Dec 1991 DV that he was “elated” over the positive critical response to actor Robert Duvall’s performance.
       Various sources state that the stage production of Convicts was the second installment in writer Horton Foote’s nine-play cycle, The Orphan’s Home.
      End credits include the following statement: “Sincere appreciation to the following: Neil Spisak; Janet L. Stott; Richard Keller, Home Place Plantation; Chuck Singleton; Jeanette Scott; Tisa Laviolette, New Orleans Film Commission; Mr. and Mrs. Hilton Lirette; St. Charles Parish and Community of Hahnville; St. Charles Parish Sheriff’s Department; Ascension Parish Sheriff’s Department; St. Charles Economical Development Section; Louisiana Department of Transportation and Development; St. Charles Parish Public Works; Murray and Associates; Louisiana Power and Light Co.; Tonti Management Corporation.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
10 Dec 1991
---
Daily Variety
23 Dec 1991
---
Hollywood Reporter
16 Jun 1988
---
Hollywood Reporter
8 Dec 1989
---
Hollywood Reporter
6 Dec 1991
p. 12, 20
Los Angeles Times
24 Sep 1989
---
Los Angeles Times
20 Dec 1991
p. 14
New York Times
6 Dec 1991
p. 14
Variety
27 Sep 1989
---
Variety
11 Oct 1989
---
Variety
20 Nov 1989
---
Variety
6 May 1991
---
Variety
2 Dec 1991
pp. 88-89
Variety
16 Dec 1991
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
M.C.E.G. Presents
A Jonathan D. Krane Production
In association with Sterling Entertainment Company
From M.C.E.G.
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d unit dir
PRODUCERS
Sterling VanWagenen
Prod
Assoc prod
Assoc prod
WRITER
Scr
based upon his play
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
Still photog
Gaffer
Best boy elec
Best boy grip
Dolly grip
Elec
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
Assoc film ed
Negative cutter
SET DECORATORS
Asst set dec
Leadman
Set dresser
On-set dresser
Prop master
Asst prop
Const coord
Lead scenic painter
Scenic painter
Carpenter
Carpenter
Carpenter
Carpenter
Livestock and period wagons supplied by
Livestock and period wagons supplied by
Confederate memorabilia provided by
COSTUMES
Cost des
Cost supv
Costumer
Tailor
Western cost provided by
Eastern cost provided by
Watches provided by
MUSIC
SOUND
Sd mixer
Boom op
Supv sd ed
Asst sd ed
Asst sd ed
Apprentice ed
Apprentice ed
Asst ADR ed
Rerec mixer
Rerec mixer
VISUAL EFFECTS
Titles by
New York
MAKEUP
Makeup for Mr. Duvall
Makeup
Asst makeup
Hairstylist
Asst hair stylist
PRODUCTION MISC
Casting
Prod coord
Prod accountant
Scr supv
Transportation coord
Loc/Transportation capt
Driver
Driver
Driver
Driver
Asst prod coord
Asst prod accountant
Key set prod asst
Office prod asst
Office prod asst
Asst to Mr. VanWagenen
Asst to Mr. Masterson
Asst to Mr. Duvall
Studio teacher
Addl studio teacher
Extras casting by
Extras casting by
Medic
Craft services
Caterer
Catering asst
Animal wrangler
Asst animal wrangler
Bloodhound wrangler
Bloodhound wrangler
STAND INS
Stunts
Stand-in
COLOR PERSONNEL
Col by
SOURCES
LITERARY
Based on the play Convicts written by Horton Foote (opening date undetermined).
LITERARY SOURCE AUTHOR
SONGS
"Golden Slippers," performed by Mel Winkler, written by James A. Bland.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Horton Foote's Convicts
Release Date:
6 December 1991
Premiere Information:
New York opening: 6 Dec 1991; Los Angeles opening: 20 Dec 1991
Production Date:
9 Oct--late Nov 1989
Physical Properties:
Sound
Color
Prints
Technicolor®
Duration(in mins):
95
Country:
United States
Language:
English
PCA No:
30552
SYNOPSIS

Near the Gulf Coast of Texas, in the early morning of 24 December 1902, elderly plantation owner Soll Gautier hunts escaped convict laborer Leroy Kendricks, for the murder of a coworker. The commotion wakes Soll’s adolescent employee, Horace Robedaux, who wonders aloud if the convict survived the chase. Later that day, Soll’s niece, Asa, and her husband, Billy, visit the plantation with the intention of taking Horace home for Christmas. Elsewhere on the plantation, Horace watches as servant Ben Johnson digs a grave for the murder victim. Ben’s wife, Martha, notifies Horace of Asa and Billy’s plans, but the boy is reluctant to leave, anticipating the $12.50 he is owed for six months of labor. Martha doubts that Soll will ever pay Horace, evidenced by the old man’s history of broken promises. However, Horace is willing to risk disappointment, as he needs the money to buy a headstone for his father’s grave. Ben Johnson hands Horace a rifle, telling him to guard Leroy Kendricks until the sheriff arrives. Horace shares his chewing tobacco with Leroy, who states his preference for death over continued imprisonment. While Horace prays over the victim’s unmarked grave, Leroy is arrested by the sheriff and shot to death. Soll orders Horace to wash the body, but Martha interrupts to apprise her employer of his debt to the boy. Plagued by dementia and alcoholism, Soll needs constant reminding of the boy’s identity. Convict trustee Jackson Hall informs Soll that Sherman Edwards, half-brother of the murder victim, is too sick to work. Soll denies Jackson’s request for clemency and orders Sherman to the cane ...

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Near the Gulf Coast of Texas, in the early morning of 24 December 1902, elderly plantation owner Soll Gautier hunts escaped convict laborer Leroy Kendricks, for the murder of a coworker. The commotion wakes Soll’s adolescent employee, Horace Robedaux, who wonders aloud if the convict survived the chase. Later that day, Soll’s niece, Asa, and her husband, Billy, visit the plantation with the intention of taking Horace home for Christmas. Elsewhere on the plantation, Horace watches as servant Ben Johnson digs a grave for the murder victim. Ben’s wife, Martha, notifies Horace of Asa and Billy’s plans, but the boy is reluctant to leave, anticipating the $12.50 he is owed for six months of labor. Martha doubts that Soll will ever pay Horace, evidenced by the old man’s history of broken promises. However, Horace is willing to risk disappointment, as he needs the money to buy a headstone for his father’s grave. Ben Johnson hands Horace a rifle, telling him to guard Leroy Kendricks until the sheriff arrives. Horace shares his chewing tobacco with Leroy, who states his preference for death over continued imprisonment. While Horace prays over the victim’s unmarked grave, Leroy is arrested by the sheriff and shot to death. Soll orders Horace to wash the body, but Martha interrupts to apprise her employer of his debt to the boy. Plagued by dementia and alcoholism, Soll needs constant reminding of the boy’s identity. Convict trustee Jackson Hall informs Soll that Sherman Edwards, half-brother of the murder victim, is too sick to work. Soll denies Jackson’s request for clemency and orders Sherman to the cane fields, where the convict dies of exhaustion. While talking to Horace, Soll recalls the boy’s late father, attorney to the old man’s estranged brother, Ty. Soll claims Ty and Asa want control of his estate, and he dictates his will to Horace, disinheriting both. Meanwhile, Asa is unconscious on the living room couch, while her husband, Billy, wanders the grounds in a drunken stupor. Elsewhere on the plantation, Soll imagines seeing a bear, followed by several escaped convicts, and fires his rifle. After Jackson Hall and Ben Johnson escort their drunken employer to the house, Asa regains consciousness and invites Soll to dinner. He declines, and after an exchange of insults, Soll threatens to leave his estate to Ben and Martha Johnson. Asa ignores the threat, saying she is satisfied with her wealth and wants nothing from him. That evening, Asa returns home with Billy, who remains unconscious through dinner. Soll expects to die during the night, and summons Jackson and Horace to his bedroom. He asks Horace to stay with him until he is inside his coffin, fearing wild animals will ravage his corpse. When Soll asks why Jackson was imprisoned, the trustee recounts his revenge killing of the man who clubbed his brother to death. After working on the plantation for fifteen years, Jackson was paroled to Soll’s custody, assigned to guard the old man after an escaped convict was found hiding in the bedroom closet. Certain that another intruder is inside the closet, Soll fires three shots. He orders Jackson to remove the body, and the trustee humors him. Soll then tells Jackson to put the convicts to work building his coffin. When Jackson returns, Soll instructs him to clean the imaginary pool of blood left by the dead convict. Soll shows Horace an empty picture frame, claiming it contains a portrait of his deceased mother. He recalls his father’s advice to replace his tenant farmers with convict labor, and how the land had once been dense forest. Hearing Jackson sing as he works, Soll requests “Golden Slippers,” but the trustee forgets most of the lyrics. Moments later, the coffin is delivered. Soll dons his Confederate Army coat, lays in the coffin, and falls into a deep sleep, which Jackson and Ben mistake for death. Within seconds, Soll awakens, declaring he will outlive everyone on the plantation. While Ben and Jackson remove the coffin, Soll instructs Horace to retrieve a suitcase, which supposedly contains $10,000, promising the boy half of the money. When he realizes the suitcase is empty, Soll remembers burying the money in a convict’s grave, although he has forgotten which one. Soll asks Horace to read to him from from an 1865 newspaper, and tells the boy to not bury him in the family cemetery with his estranged brother. Within seconds, Soll is dead. Horace keeps his promise to remain with the body until it is inside the coffin. In the morning, Ben informs Asa of her uncle’s death, but she is “too drunk to care.” Afterward, Ben, Martha, Jackson, and Horace bury Soll in the convicts’ graveyard. Horace is denied his wages, Jackson expects to return to prison, and Ben predicts that the plantation will fall into disrepair. As a final tribute to Soll, Jackson sings “Golden Slippers.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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