CB4 (1993)

R | 88 mins | Comedy | 12 March 1993

Director:

Tamra Davis

Producer:

Nelson George

Cinematographer:

Karl Walter Lindenlaub

Editor:

Earl Watson

Production Designer:

Nelson Coates

Production Company:

Cellblock 4 Productions
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HISTORY

A full-page advertisement for stunt coordinator Bob Minor in the 7 Aug 1992 DV announced that Cell Block Four, the film's working title, was "Currently in production."
       According to production notes in AMPAS library files, Chris Rock’s rapping voice was provided by rap artist Hi-C, Allen Payne’s rapping voice was Daddy-O, and Stoney Jackson’s vocal stand-in was Kool Moe Dee. Locations noted include Adams Boulevard in Los Angeles, CA, downtown L.A., and Panorama City, CA.
       Several entertainers supplied cameos in the film. As reported in the 1 Dec 1992 DV, Imagine Films, co-owned by Ron Howard and Brian Grazer, produced the picture. Ron Howard offered to provide a cameo, but his inclusion was viewed as inconsistent with the other cast members, and cut from the parody.
       The 1 Mar 1993 Var announced a benefit screening in honor of the Black Filmmaker Foundation, to be held on 10 Mar 1993 at the Cineplex Odeon’s National Twin theater in NY.
       End credits include the following acknowledgements: “The producers wish to thank the following for their help in the making of this film: BPI Communications; Billboard; Completion Bond Company; Pat Charbonnet; Jocelyn Cooper; Dickies; Entertainment Weekly; Gates, Kingsley, Gates Funeral Home; Happy Nappy Wear; Roger Harber; Jorge Hinojosa; Kool G Rap & Polo; Sheryl Konigsberg; L.A. City Permit Office; L.A.P.D.; Le Mondrian Hotel; Chris Litty; Max Sennett Studio; Cheryl Miller; Eddie Murphy; N.W.A.; Olympic Auditorium; Corey Robbins; Signet Sound; Slauson Swap Meet; The Source Magazine; Spin Magazine; Ben Stiller; John Stuckmeyer; The Sugar Hill Gang; Layla Turkin; Brian Turner; X Large; The Whispers; Word Up Magazine; Ebony Ass Magazine;” and “Special thanks to: ...

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A full-page advertisement for stunt coordinator Bob Minor in the 7 Aug 1992 DV announced that Cell Block Four, the film's working title, was "Currently in production."
       According to production notes in AMPAS library files, Chris Rock’s rapping voice was provided by rap artist Hi-C, Allen Payne’s rapping voice was Daddy-O, and Stoney Jackson’s vocal stand-in was Kool Moe Dee. Locations noted include Adams Boulevard in Los Angeles, CA, downtown L.A., and Panorama City, CA.
       Several entertainers supplied cameos in the film. As reported in the 1 Dec 1992 DV, Imagine Films, co-owned by Ron Howard and Brian Grazer, produced the picture. Ron Howard offered to provide a cameo, but his inclusion was viewed as inconsistent with the other cast members, and cut from the parody.
       The 1 Mar 1993 Var announced a benefit screening in honor of the Black Filmmaker Foundation, to be held on 10 Mar 1993 at the Cineplex Odeon’s National Twin theater in NY.
       End credits include the following acknowledgements: “The producers wish to thank the following for their help in the making of this film: BPI Communications; Billboard; Completion Bond Company; Pat Charbonnet; Jocelyn Cooper; Dickies; Entertainment Weekly; Gates, Kingsley, Gates Funeral Home; Happy Nappy Wear; Roger Harber; Jorge Hinojosa; Kool G Rap & Polo; Sheryl Konigsberg; L.A. City Permit Office; L.A.P.D.; Le Mondrian Hotel; Chris Litty; Max Sennett Studio; Cheryl Miller; Eddie Murphy; N.W.A.; Olympic Auditorium; Corey Robbins; Signet Sound; Slauson Swap Meet; The Source Magazine; Spin Magazine; Ben Stiller; John Stuckmeyer; The Sugar Hill Gang; Layla Turkin; Brian Turner; X Large; The Whispers; Word Up Magazine; Ebony Ass Magazine;” and “Special thanks to: Pepsi-Cola, Reebok and the people of Locash, CA. 90000.” Also noted: “Animal action was monitored by The American Humane Association. No animal was harmed in the making of CB4.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Aug 1992
p. 19
Daily Variety
1 Dec 1992
---
Daily Variety
2 Mar 1993
p. 1
Hollywood Reporter
8 Mar 1993
p. 10, 32
Hollywood Reporter
19 Mar 1993
---
Los Angeles Times
12 Mar 1993
Calendar, p. 6
New York Times
12 Mar 1993
Section C, p. 13
Variety
1 Mar 1993
---
Variety
8 Mar 1993
p. 60
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Universal Pictures Presents
A Brian Grazer/Sean Daniel Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
Addl 2d asst dir
PRODUCERS
Co-prod
Co-prod
Exec prod
Exec prod
PHOTOGRAPHY
Dir of photog
Addl photog
Cam op
1st asst cam
2d asst cam
Loader
Steadicam
Addl 1st A. C.
Addl 2d A. C.
Gaffer
Best boy elec
Key grip
Best boy grip
Best boy grip
Dolly grip
Grip
Still photog
Cam systems by
ART DIRECTORS
Prod des
Art dir
Storyboard artist
Draftsperson
Art dept coord
Art dept intern
FILM EDITORS
Film ed
2d asst ed
Post prod supv
Negative cutter
Negative cutter
SET DECORATORS
Set dec
Set dresser
Set dresser
Set dresser
Swing
On set dresser
Prop master
Asst props
Asst props
Lead propmaker
Propmaker
Propmaker
Propmaker
Propmaker
Propmaker
Props p.a.
Const coord
Const foreman
2d scenic
COSTUMES
Cost des
Cost supv
Asst cost des
Set costumer
MUSIC
Mus supv
Addl mus & soundtrack supv
Mus ed
Asst mus ed
Mus clearance/Licensing
Mus score mixer
Parody song prod
CB4 song mixer (Los Angeles)
2d eng
West coast mus associate
Mus coord
SOUND
Boom op
Supv sd ed
Supv sd ed
Sd ed
Sd ed
Sd ed
Sd F/X processing
Asst sd ed
2d asst sd ed
2d asst sd ed
Apprentice sd ed
Supv re-rec mixer
Re-rec mixer
Re-rec mixer, Lightning Bolt
ADR mixer
Tanya David
ADR mixer
ADR mixer
Foley mixer
Foley walker
Foley walker
VISUAL EFFECTS
Spec eff
Spec F/X coord
Spec F/X foreman
Standby spec F/X
Titles & opticals
DANCE
Choreog
MAKEUP
Key makeup artist
Key hairstylist
Asst makeup/hair
PRODUCTION MISC
Casting
Scr supv
Loc mgr
Loc scout
Loc scout
Prod coord
Asst prod coord
Prod accountant
Asst accountant
Casting asst
Extras casting
ADR voice casting
Asst to Sean Daniel
Asst to Tamra Davis
Asst to Tamra Davis
Asst to Nelson George
Prod secy
Set prod asst
Set prod asst
Set prod asst
Office prod asst
Office prod asst
Office prod asst
Post prod asst
Post prod asst
Transportation coord
Transportation capt
Picture car coord
Driver
Driver
Driver
Driver
Craft service
Asst craft service
Teacher
Legal council
STAND INS
Stunt coord
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
Stuntman
COLOR PERSONNEL
Col timer
Col by
SOURCES
SONGS
“The Show,” written by Douglas Davis and Ricky Walters, performed by Doug E. Fresh and The Get Fresh Crew, courtesy of Danya Records, Ltd.; “Prelude,” written by Lorenzo Patterson and Andre R. Young; “Black Cop,” written by Lawrence Parker, performed by Boogie Down Productions, courtesy of Jive Records; “Straight Outta Compton,” written by Ice Cube, Lorenzo Patterson, Eric Wright and Andre R. Young, performed by CB4 (Daddy-O and Hi-C), Hi-C appears courtesy of Skanless Records; “Steady Mobbin’,” written by Ice Cube, Allen Gorrie and Roger Ball, performed by Ice Cube, courtesy of Priority Records; “Livin’ In A Zoo,” written by Hank Shocklee, Carl Ridenhour, Gary G. Wiz and Carl DeHaney for Bring The Noise, Inc., performed by Public Enemy, courtesy of Def Jam Recordings, Inc./Columbia Records, Inc.; “Lifeline,” written by P.A. and Organized Noize, performed by Parental Advisory, courtesy of Savvy Records/MCA Records; “King Of Rock,” written by Joseph W. Simmons, Darryl M. McDaniels and Lawrence Smith, performed by Run DMC, courtesy of Profile Records; “Wackee Dee Is In The House,” written by Daddy-O, Bill Stephney and Nelson George, performed by Wackee Dee and Catrina Powell, Kool Moe Dee appears courtesy of Jive Records; “It’s Alright,” written by Henrick Rasmussen, Traci Spencer and Sir Spence, courtesy of Capitol Records, by arrangement with CEMA Special Markets; “Sneaking Up On Ya,” written by Roderick Roachford, Lennox Maturine, Joe Jones and Joseph Kirkland, performed by FU-Schnickens, courtesy of Jive Records; “The Nocturnal Is In The House,” written by A. Cordes, performed by P.M. Dawn, courtesy of Gee Street/Island Records; “The Mad Bohemians/Bag Heads/Overweight Lovers,” written by Chris Rock and Daddy-O, performed by Daddy-O and Bill Stephney; “Come And Talk To Me,” written by Devante, performed by Jodeci, courtesy of Uptown Records/MCA Records; “Love No Limit,” written by Kenneth Greene and Dave Hall, performed by Mary J. Blige, courtesy of Uptown Records/MCA Records; “Paid In Full,” written by Eric Barrier and William Griffin, performed by Eric B. and Rakim, courtesy of MCA Records; “May Day On The Front Line,” written by MC Ren and Doctor Jam “The Dirt Biker” Sound, performed by MC Ren, courtesy of Ruthless Records; “My Mother, The Bitch,” written by Chris Wagner, Louis Gutierrez, David King, James Bradley, Jr. and Nathan December, performed by Impala; “Wannabes,” written by Deezer D, Torcha Chamba and Lyndrew Harell, performed by Deezer D; “I Need Love,” written by James Todd Smith, Robert Ervin, Steve Ettinger, Dwayne Simon and Darryl Pierce, performed by LL Cool J, courtesy of Def Jam/Columbia Records, by arrangement with Sony Music Licensing; “Stick ‘Em Up,” written by The Beastie Boys and W. Fite, performed by Hurricane featuring The Beastie Boys and W. Fite, courtesy of Capitol Records, by arrangement with CEMA Special Markets; “Baby Be Mine,” written by Teddy Riley and Joseph Stonestreet, performed by Blackstreet featuring Teddy Riley, courtesy of Teddy Riley Productions/MCA Records; “I Do Love You,” written by Billy Stewart, performed by Billy Stewart, courtesy of MCA Records; “Silent But Deadly,” written by Somethin‘ For the People for Nothin‘ Personal Productions, performed by Lyndrew Harrell and Otis Wilson; “Talk Like Sex,” written by Eric Barrier and Nathaniel Wilson, performed by CB4 (Daddy-O and Hi-C), Hi-C appears courtesy of Skanless Records; “Good Times,” written by Bernard Edwards and Nile Rodgers; “Otha Fish,” written by Trevant Hardson, Romye Robinson and John Barnes, III, performed by The Pharcyde, courtesy of Delicious Vinyl/Atlantic Recording Corp., by arrangement with Warner Special Products; “Rapper’s Delight,” written by Bernard Edwards and Nile Rodgers, performed by CB4 (Daddy-O, Hi-C and Wackee Dee), Kool Moe Dee appears courtesy of Jive Records, Hi-C appears courtesy of Skanless Records; “Passing Me By,” written by Trevant Hardson, Emandu Wilcox, Romye Robinson, Derek Stewart and John Martinez, performed by The Pharcyde, courtesy of Delicious Vinyl/Atlantic Recording Corp., by arrangement with Warner Special Products; “I’m Black, I’m Black, I’m Black,” written by Somethin‘ For the People for Nothin‘ Personal Productions, performed by Lyndrew Harrell and Otis Wilson.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Title:
Cell Block 4
Release Date:
12 March 1993
Premiere Information:
Los Angeles opening: 12 Mar 1993; New York opening: week of 12 Mar 1993
Production Date:
Jul - Aug 1992
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc.
13 July 1993
PA640650
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
88
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
32202
SYNOPSIS

In Los Angeles, California, filmmaker A. White plays a scene of his documentary-in-progress, Inside CB4: A Rapumentary by A. White, for the stars of the film, hardcore rap group CB4 (Cell Block 4) members MC Gusto, Stab Master Arson, and Dead Mike. The clip shows the rappers performing for prison inmates, and includes laudatory celebrity interviews. After viewing the footage, the rappers allow A. White to accompany them as they drive around the city. Meanwhile, CB4 and their record producer, Trustus Jones of “In Jone$ We Tru$t Production$,” receive death threats. MC Gusto’s jeep is attacked by rivals firing automatic weapons. After they escape unharmed, MC Gusto explains to A. White what prompted the attack. He recounts that CB4 got their start four years earlier, when he was a high school student named Albert Brown, in the middleclass suburb of Locash, California. Clean-cut Albert watches a rap music video on television with his girl friend, Daliha, who does not understand his love of the hardcore music. Albert Brown, Sr. is also dismayed by his son’s interest. Albert spends time with friends Otis O. Otis, a.k.a. “Stab Master Arson,” and Euripides Smalls, a.k.a. “Dead Mike,” who share his love of rap music. They frequent a nightclub called “Gusto’s,” where they perform during the club’s open-mike nights, and try out several musical personas in search of the right “look” for their group. Gusto, the club owner, from whom Albert later took his name, asks producer Trustus Jones to allow his music sensation, “Wackee Dee,” to perform at the club. When Trustus refuses, Gusto points a gun at him and demands that Wackee Dee take the stage the following night. ...

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In Los Angeles, California, filmmaker A. White plays a scene of his documentary-in-progress, Inside CB4: A Rapumentary by A. White, for the stars of the film, hardcore rap group CB4 (Cell Block 4) members MC Gusto, Stab Master Arson, and Dead Mike. The clip shows the rappers performing for prison inmates, and includes laudatory celebrity interviews. After viewing the footage, the rappers allow A. White to accompany them as they drive around the city. Meanwhile, CB4 and their record producer, Trustus Jones of “In Jone$ We Tru$t Production$,” receive death threats. MC Gusto’s jeep is attacked by rivals firing automatic weapons. After they escape unharmed, MC Gusto explains to A. White what prompted the attack. He recounts that CB4 got their start four years earlier, when he was a high school student named Albert Brown, in the middleclass suburb of Locash, California. Clean-cut Albert watches a rap music video on television with his girl friend, Daliha, who does not understand his love of the hardcore music. Albert Brown, Sr. is also dismayed by his son’s interest. Albert spends time with friends Otis O. Otis, a.k.a. “Stab Master Arson,” and Euripides Smalls, a.k.a. “Dead Mike,” who share his love of rap music. They frequent a nightclub called “Gusto’s,” where they perform during the club’s open-mike nights, and try out several musical personas in search of the right “look” for their group. Gusto, the club owner, from whom Albert later took his name, asks producer Trustus Jones to allow his music sensation, “Wackee Dee,” to perform at the club. When Trustus refuses, Gusto points a gun at him and demands that Wackee Dee take the stage the following night. Overhearing the encounter, Albert asks Gusto if his group can open for Wackee Dee, but Gusto loses his temper and throws Albert and his friends out of the club. Outside, Trustus Jones gives the young men his business card. Euripides tells Albert that their priority should be mending fences with Gusto, since he runs the only rap venue in town, so Albert returns to Gusto’s the next day. However, he arrives just as police are raiding the club for Gusto’s illegal drug dealing. Having seen Albert arrive after the fact, an officer releases the young man from custody, prompting Gusto to believe that Albert set him up. Gusto vows to kill the young rapper. Inspired by crowds chanting for Gusto during the arrest, Albert decides to cash in on the thug’s popularity, and later suggests to Euripides and Otis that they use stories from Gusto’s life to form background biographies for their rap group. Albert takes the moniker, “MC Gusto,” and they name themselves “Cell Block 4,” the place where Gusto has been locked up. Lured by fame and fortune, Euripides and Otis join Albert despite their misgivings. They give themselves “thug” makeovers, and Trustus Jones signs them to a record contract. In prison, the real Gusto sees their music video and, furious that the group stole his identity, escapes to seek revenge. Meanwhile, CB4‘s popularity skyrockets, but Albert’s girl friend, Daliha, is unhappy with changes in his personality. Trustus Jones convinces a groupie named Sissy to pose as MC Gusto’s girl friend, and wholesome Daliha is tossed aside. Later, Sissy has sex with both Albert and Otis. In an attempt to create attention for his political campaign, Virgil Robinson rails against CB4’s obscenities, and has the rappers arrested when they swear onstage. The trio’s night in jail increases their popularity. Albert returns home and apologizes to Daliha, but she does not forgive him. Albert Sr. chastises him for pretending to be a gangster. Escapee Gusto and his sidekick, “40 Dog,” kidnap Albert and force him to participate in an armed-robbery of a record store. Glaring into the security camera, Gusto announces that CB4 is responsible for the crime. He removes Albert’s mask, exposing his face to the camera, and takes the videotaped footage with him. He threatens to release the videotape to the media unless Albert dissolves CB4. The next day, Albert initiates a fight with Otis and Euripides in order to break up the group, and the two start solo music careers. Albert returns to his father’s home, lamenting his choices. Later, Euripides informs Albert that Trustus Jones died after choking in a restaurant when Gusto pointed a gun at him. At the funeral service, Albert apologizes to his friends and suggests they reform CB4, but do so authentically this time. They recruit groupie Sissy to help them retaliate against Gusto. The vixen lures Gusto to a motel room, where police arrest him as a fugitive. CB4 drop their faux-thug personas, and perform their reunion show at Gusto’s to screaming fans.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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