The Exterminator (1980)

R | 101 mins | Drama | 1980

Director:

James Glickenhaus

Producer:

Mark Buntzman

Cinematographer:

Robert M. Baldwin

Editor:

Corky O'Hara

Production Designer:

William De Seta

Production Company:

Avco Embassy Pictures Corp.
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HISTORY

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Theo Wulff, a student at Boston University, with Ray Carney as academic advisor.

According to a Var news item on 19 Sep 1979, the film began shooting the previous week in New York.
       A 21 Sep 1979 HR article stated that the Vietnam War flashback sequence which opens the film was slated to be shot in Northern New Jersey. However, a 4 Dec 1979 news item in HR announced that locations in California were being scouted instead. HR also noted that principal photography had been completed on the film’s New York locations. Ultimately, the sequence was shot in Indiana Dunes, CA, as reported in a 20 Feb 1980 Var article. It was filmed over the course of four days, according to HR on 22 Oct 1980. The total length of production was either fifty days, as reported in Var, or fifty-two days, as claimed by HR.
       On 6 Oct 1980, DV stated that the majority of the film was shot in New York for $1 million, but producer Mark Buntzman pushed to include the opening sequence as a way to enhance the relationship between the main characters and budgeted an extra $5 million for the additional shoot. The graphic beheading featured in the opening flashback, however, was cut from the film in its U.S. release due to threats of an X-rating from the Motion Picture Association of ...

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The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Theo Wulff, a student at Boston University, with Ray Carney as academic advisor.

According to a Var news item on 19 Sep 1979, the film began shooting the previous week in New York.
       A 21 Sep 1979 HR article stated that the Vietnam War flashback sequence which opens the film was slated to be shot in Northern New Jersey. However, a 4 Dec 1979 news item in HR announced that locations in California were being scouted instead. HR also noted that principal photography had been completed on the film’s New York locations. Ultimately, the sequence was shot in Indiana Dunes, CA, as reported in a 20 Feb 1980 Var article. It was filmed over the course of four days, according to HR on 22 Oct 1980. The total length of production was either fifty days, as reported in Var, or fifty-two days, as claimed by HR.
       On 6 Oct 1980, DV stated that the majority of the film was shot in New York for $1 million, but producer Mark Buntzman pushed to include the opening sequence as a way to enhance the relationship between the main characters and budgeted an extra $5 million for the additional shoot. The graphic beheading featured in the opening flashback, however, was cut from the film in its U.S. release due to threats of an X-rating from the Motion Picture Association of America (MPAA). The footage remained in foreign versions and was restored for the film’s unrated VHS and DVD releases in the U.S. DV, noted that the special effects for the beheading were created with a mobile, mechanical body.
       As reported on 13 Jul 1983 in Var, actors Robert Ginty and Steve James suffered slight burns as a result of a bomb mishap during the shooting of the Vietnam sequence, but director James Glickenhaus, in a letter published in Var on 27 Jul 1983, denied the article’s allegations of a helicopter accident.
       According to DV on 6 Oct 1980, The Exterminator, which was intended to appeal primarily to foreign markets, surprised Buntzman by topping the list of highest grossing films in the U.S. for the first two weeks after its release. The film took in over $900,000 in one week in New York and marked the largest opening in history for that region, as noted in a 22 Oct 1980 HR article. HR speculated that the total gross by the end of the week, a little over a month after the film’s release, would reach nearly $6 million in New York alone.
       Despite the film’s box office success, reviews were negative. Var criticized the “contrived” story and “distasteful” scenes of violence on 17 Sep 1980.
       According to HR on 17 Apr 1980, the song performed by jazz saxophonist Stan Getz during the film’s Battery Park sequence, “Kali Au,” was written specifically for The Exterminator by a member of Getz’s ensemble, Chuck Loeb.
       Newscasters Roger Grimsby and Judy Licht play themselves.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Oct 1980
p. 2, 4
Hollywood Reporter
21 Sep 1979
---
Hollywood Reporter
4 Dec 1979
---
Hollywood Reporter
17 Apr 1980
---
Hollywood Reporter
22 Oct 1980
---
Los Angeles Times
24 Oct 1980
p. 10
New York Times
11 Sep 1980
p. 18
Variety
19 Sep 1979
---
Variety
20 Feb 1980
---
Variety
17 Sep 1980
p. 20
Variety
13 Jul 1983
---
Variety
27 Jul 1983
---
CAST
NAME
CREDITED AS
CREDIT
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A James Glickenhaus Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit mgr
Asst dir
Asst dir, Vietnam sequence
2d asst dir
2d asst dir
2d asst dir, Vietnam sequence
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
High speed photog
2d unit photog, Vietnam sequence
2d unit photog, Vietnam sequence
2d unit photog, Vietnam sequence
1st asst cam
Clapper/Loader
Gaffer
Dick Jones
Key grip, Vietnam sequence
Best boy
Apprentice grip
Still photog
Addl still photog
Addl still photog
Addl still photog
Cams supplied by
ART DIRECTORS
Prod des
Art dir, Vietnam sequence
FILM EDITORS
Asst ed
Asst ed
SET DECORATORS
Prop master
Prop master, Vietnam sequence
Asst prop
Set dec
Set builder
Asst set dresser
COSTUMES
Asst wardrobe
Ward, Vietnam sequence
MUSIC
Mus ed
SOUND
Boom op
Sd asst
Anthony J. Ciccolini III
Supv sd ed
Sd ed
Sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Re-rec mixer
Re-rec mixer
Rec at
New York
VISUAL EFFECTS
Spec eff, Vietnam sequence
Spec makeup eff, Vietnam sequence
Spec makeup eff, Vietnam sequence
Opticals by
New York
MAKEUP
Makeup/Hairstylist
Makeup, Vietnam sequence
PRODUCTION MISC
Casting
for Joy Todd Casting
Exec in charge of prod
Prod exec, New York
Prod exec, Vietnam
Asst to the prod
Scr supv
Scr supv, Vietnam sequence
Transportation capt
Nan Bernstein
Prod coord
Prod office coord
Prod office coord, Vietnam sequence
Prod office coord, Vietnam sequence
Fight consultant
Prod secy
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst, Vietnam sequence
New York helicopter pilot
Unit pub
Loc coord, Vietnam sequence
Post prod supv
Dailies transfer
Magno Sound
STAND INS
Opening high fall
Jefferson stunt double
Dog fight
Motorcycle chase
Motorcycle jump
Closing high fall
Stunt coord
Stunt coord, Vietnam sequence
SOURCES
SONGS
"Heal It," written by Byron Hill and Michael Reid, sung by Roger Bowling; "Disco Inferno," written by Leroy Gree and Ron (Have Mercy) Kersey, performed by The Trammps, and licensed by Atlantic Recording Corporation; "Friday Night Fool," written and sung by Roger Bowling; "Kali Au," written by Chuck Loeb, performed by Stan Getz Ensemble; "Theme for an American Hero," written and sung by Chip Taylor.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
1980
Premiere Information:
New York opening: 10 Sep 1980; Los Angeles opening: 17 Oct 1980
Production Date:
mid Sep through early Nov 1979
Copyright Info
Claimant
Date
Copyright Number
The Interstar Corporation
7 November 1980
PA84889
Physical Properties:
Sound
Dolby Stereo
Color
Movielab, Inc.
Lenses/Prints
Lenses and cameras by Panavision®
Duration(in mins):
101
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

During the Vietnam War, soldiers Michael Jefferson and John Eastland are taken prisoner, but Michael overcomes the captors and saves John’s life. In present-day New York City, Michael once again comes to his friend’s rescue when John discovers members of the Ghetto Ghoul gang stealing beer from the loading docks where the men work. Later, Michael is assaulted by the Ghouls and left paralyzed. John breaks the news to Michael’s wife, Maria. After interrogating a member of the Ghouls while wielding a flamethrower, John learns the address of the gang’s clubhouse. Arriving at the hideout with a rifle, John finds the three men who mugged Michael partying with prostitutes. As the women flee, John kills one of the men and beats the other two then drags their bodies to the basement and leaves them to be eaten by rats. When Detective James Dalton arrives, he learns that one Ghoul survived. Meanwhile, mob boss Gino Pontivini, the owner of the dock and meat packing plant where John works, is informed that Congress is suspicious of the rapid increase in beef prices. Although an investigation is imminent unless Pontivini lowers his prices, he is reluctant to give up his lucrative racket. Following up on the Ghoul case, Dalton arrests Candy, one of the prostitutes, and she gives him John Eastland’s description. Visiting Michael in the hospital, John tells his friend that he avenged the attackers and confesses that the experience reminded him of Vietnam, where he felt no difference between right and wrong. John assures Michael that he has come up with a plan to provide financial support ...

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During the Vietnam War, soldiers Michael Jefferson and John Eastland are taken prisoner, but Michael overcomes the captors and saves John’s life. In present-day New York City, Michael once again comes to his friend’s rescue when John discovers members of the Ghetto Ghoul gang stealing beer from the loading docks where the men work. Later, Michael is assaulted by the Ghouls and left paralyzed. John breaks the news to Michael’s wife, Maria. After interrogating a member of the Ghouls while wielding a flamethrower, John learns the address of the gang’s clubhouse. Arriving at the hideout with a rifle, John finds the three men who mugged Michael partying with prostitutes. As the women flee, John kills one of the men and beats the other two then drags their bodies to the basement and leaves them to be eaten by rats. When Detective James Dalton arrives, he learns that one Ghoul survived. Meanwhile, mob boss Gino Pontivini, the owner of the dock and meat packing plant where John works, is informed that Congress is suspicious of the rapid increase in beef prices. Although an investigation is imminent unless Pontivini lowers his prices, he is reluctant to give up his lucrative racket. Following up on the Ghoul case, Dalton arrests Candy, one of the prostitutes, and she gives him John Eastland’s description. Visiting Michael in the hospital, John tells his friend that he avenged the attackers and confesses that the experience reminded him of Vietnam, where he felt no difference between right and wrong. John assures Michael that he has come up with a plan to provide financial support for Maria and their children. Later, John kidnaps Pontivini and hangs him above a meat grinder, threatening to reclaim the money he took in by exploiting men like Michael. Pontivini gives John his house keys and the combination to his safe. When John is attacked by a guard dog at the Pontivini mansion, he returns to the warehouse and lowers the gangster into the grinder. Meanwhile, Dalton visits the surviving Ghoul in the hospital and finds him unable to communicate, then takes Dr. Megan Stewart on a date. At the same time, a Times Square prostitute is abducted and tortured by two men. On the local news, the announcer reports Pontivini’s murder and reads a note from “The Exterminator,” who takes responsibility for the mobster’s death and states that more vigilante justice will follow. Concerned that the Exterminator’s actions will make the government look weak as elections near, two CIA agents plan to destroy him. Some time later, John is approached by the Times Square prostitute and he takes her to a hotel. When he sees her scars, she tells him about the Chicken Pimp, who punished her for refusing to participate in his child prostitution ring. John promises the girl that she will not be hurt again. John burns the Chicken Pimp alive, shoots his client and frees the teenage boy he holds captive. When Dalton arrives at the scene, he learns that the pedophile client was a New Jersey Senator. Back at his office, Dalton receives an autopsy of the recently deceased Ghoul and a phone message from CIA Agent Shaw. Before he can respond to Shaw, Megan calls. Dalton tells her that the Exterminator suspect is a former soldier based on Candy’s identification of his army-issue M-16 rifle. A footprint at the meat packing plant has been traced to hunting boots sold by a mail-order company and the police have isolated veterans from their clientele records. At a jazz concert in Battery Park, Dalton learns that Megan was an anti-war protester and reveals that he is a Vietnam veteran. Meanwhile, an elderly woman is mugged in Central Park by the Ghouls and John gives chase on a stolen motorcycle. He shoots one of the Ghouls dead at a stop light. When the others attempt to run him over, John shoots the driver and the car explodes and careens off a bridge. At the crime scene, Shaw introduces himself to Dalton and complains that the detective has been uncooperative. When Dalton demands to know why the CIA is involved with his case, Shaw warns that the Exterminator could be working with a foreign government to destabilize the United States during an election, but Dalton rebuffs him and calls Megan. While Dalton and Megan make love in a spare hospital room, John visits Michael and tells him that Maria has taken the money. He offers to disconnect his friend from his life support system and Michael agrees with two blinks of his eyes. An alarm sounds from Michael’s room and Dalton sees John enter the elevator. When Megan tells him that Michael’s respirator wire was cut, Dalton deduces that John is the Exterminator. Back at the police station, Dalton orders his associate to find a name on the list of suspects who was in the same battalion as Michael. Meanwhile, John tells Maria that Michael has died and when the police storm his apartment, they find it empty. Returning home on the stolen motorcycle, John notices the police. He calls his apartment from a pay phone and instructs Dalton to meet him in the Brooklyn Navy Yard. He threatens to kill Dalton if he is not alone. Unknown to Dalton, the CIA is recording the call. Dalton arrives at the yard and follows John onto a ship. Although John holds Dalton at gunpoint, he fires over his shoulder and tells him that he only wanted the detective to know how victims feel. John surrenders his gun, but as Dalton approaches him, the detective is shot in the chest by a sniper and falls into John’s arms. John tries to help him, but Dalton urges him to escape. When John climbs over the ship’s rail, he is shot by the sniper and plunges into the ocean. Dalton aims at the sniper, but is shot again and killed. As Dalton’s car explodes, the sniper is congratulated by an onlooker who says that “Washington will be pleased.” Some time later, John floats to shore alive wearing a bulletproof vest.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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