Ghostbusters II (1989)

PG | 108 mins | Comedy, Fantasy, Science fiction | 16 June 1989

Director:

Ivan Reitman

Producer:

Ivan Reitman

Cinematographer:

Michael Chapman

Production Designer:

Bo Welch

Production Company:

GB Productions
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HISTORY

       The actors who portray "Baby Oscar" are named as "Will Deutschendorf" and "Hank Deutschendorf" in opening credits, but listed by full name, "William T. Deutschendorf" and "Henry J. Deutschendorf, II," in end credits.
       A 28 Nov 1988 announcement referred to the film as The Last of the Ghostbusters, although the 3 Oct 1988 HR stated that Ghostbusters II was the working title. Various contemporary sources and DVD home release packaging also listed the title as Ghostbusters 2.
       Actors Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts and David Margulies all reprised their roles from Ghostbusters (1984, see entry). According to a 29 May 1988 LAHExam news brief, Reitman, Murray, Aykroyd and Ramis worked for scale, and in turn, each received pieces of the back-end. A 29 Jun 1989 LAHExam claimed that Murray earned fifteen percent of the film’s gross, while Reitman, Aykroyd, and Ramis received ten, eight, and five percent, respectively. The 2 Nov 1988 LAHExam claimed that actress Sigourney Weaver considered not appearing in Ghostbusters II unless her salary was "commensurable" with those of Murray and Aykroyd.
       A 12 Mar 1989 LAT news brief reported that actor Eugene Levy was cast to play a "nerdy" dermatologist that is a cousin to the Rick Monranis character, “Louis Tully.” However, Levy is not listed in credits and does not appear in the film. Actress Judy Ovitz, who plays "Slimed restaurant patron," is the wife of Michael Orvitz, one of the founders of Creative Artists Agency (CAA).
       A few months after ...

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       The actors who portray "Baby Oscar" are named as "Will Deutschendorf" and "Hank Deutschendorf" in opening credits, but listed by full name, "William T. Deutschendorf" and "Henry J. Deutschendorf, II," in end credits.
       A 28 Nov 1988 announcement referred to the film as The Last of the Ghostbusters, although the 3 Oct 1988 HR stated that Ghostbusters II was the working title. Various contemporary sources and DVD home release packaging also listed the title as Ghostbusters 2.
       Actors Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts and David Margulies all reprised their roles from Ghostbusters (1984, see entry). According to a 29 May 1988 LAHExam news brief, Reitman, Murray, Aykroyd and Ramis worked for scale, and in turn, each received pieces of the back-end. A 29 Jun 1989 LAHExam claimed that Murray earned fifteen percent of the film’s gross, while Reitman, Aykroyd, and Ramis received ten, eight, and five percent, respectively. The 2 Nov 1988 LAHExam claimed that actress Sigourney Weaver considered not appearing in Ghostbusters II unless her salary was "commensurable" with those of Murray and Aykroyd.
       A 12 Mar 1989 LAT news brief reported that actor Eugene Levy was cast to play a "nerdy" dermatologist that is a cousin to the Rick Monranis character, “Louis Tully.” However, Levy is not listed in credits and does not appear in the film. Actress Judy Ovitz, who plays "Slimed restaurant patron," is the wife of Michael Orvitz, one of the founders of Creative Artists Agency (CAA).
       A few months after the success of Ghostbusters, the 30 Nov 1984 DV reported that producer-director Ivan Reitman and actor-writers Harold Ramis and Dan Aykroyd were scheduled to meet in Jan 1985 to discuss the sequel. A 3 Oct 1988 HR news brief reported that former Columbia Pictures chairman David Puttnam had pulled Ghostbusters II from the studio’s production schedule. When Dawn Steel became chairman in 1987, she put the film back into pre-production. Ghostbusters II was the first film developed and produced under her chairmanship according to a 20 Jun 1989 HR article.
       As reported in the 3 Oct 1988 DV, principal photography was scheduled to begin 28 Nov 1988 in New York City. A 25 Dec 1988 NYT item stated that after two weeks of exterior shooting, production moved to Los Angeles, CA. The 31 Jan 1989 LAHExam indicated that filming also took place in Burbank, CA. Shooting was completed 7 Mar 1989 according to an 8 Mar 1988 DV news brief.
       An advertisement in the 18 Aug 1989 HR stated that the character "Dana Barett’s" red sandstone apartment building is located on the corner of Broadway and Bleeker Street in New York City. The building also appeared in Woody Allen’s Hannah and Her Sisters (1986, see entry). Production notes in AMPAS library files stated other locations included the old New York Custom House, which doubled for the Metropolitan Museum of Art, and the Van Horne underground pneumatic tube station.
       According to production notes, the scene in which the characters "Ray Stantz," "Egon Spengler," and "Winston Zeddemore" emerge from a manhole covered in ectoplasm was shot in lower New York City at 2:00 am, in sub-zero temperatures. The actors squeezed themselves into a hole that measured four feet by five feet by two and half feet, and were doused with “slime” for twelve takes, only to find out the next day that the main camera had malfunctioned and they had to repeat the experience another night. “Diamond dust,” which is found in metallic paints for automobiles, was used to make the “river of slime” shimmer. According to a 26 Jun 1989 People magazine news item, the slime, concocted from a mixture of “deteriorate Metheocel” and red food coloring, cost $100,000, or one dollar per gallon. Production notes stated that the slime had to be blended in different ways for the various consistencies and colors needed for each particular scene. The Ecto-1, a "souped up" 1959 Cadillac ambulance used in the original Ghostbusters, was modified to be made into the "Ecto-1A."
       The 15 Jun 1989 DV announced that the film premiered that day at Mann's Chinese Theater in Hollywood, CA, with proceeds benefitting St. John's Hospital & Health Center. Like its predecessor, Ghostbusters II was a commercial success. As reported in the 20 Jun 1989 HR, the picture earned $29.5 million its first three days of domestic release, setting the record for the highest opening weekend to date. The film also broke box office records in the United Kingdom by grossing $1,943,475 in its first three days of release, per a 5 Dec 1989 HR news brief.
       A 25 May 1989 HR news brief stated that the film’s soundtrack was released to radio stations 16 May 1989 and was available in stores 12 Jun 1989, four days before the film’s release.
       According to an 18 Dec 1989 HR article, songwriter Derrick Moore brought a copyright infringement lawsuit against songwriters L. A. Reid and Kenny “Baby Face” Edwards, claiming they “lifted” the music for the song "On Our Own" from his demo song, "She Can’t Stand It." Moore claimed that his agent, James Selmer, had given a tape of his song to Cheryl Dickerson, an executive at Music Corporation of America (MCA), on 22 Mar 1988. Dickerson reportedly asked Selmer to get Moore to write lyrics for the song and left her office believing his client was going to be offered a recording contract. A 25 Jan 1990 Rolling Stone news item, which reported Selmer actually gave the demo to Dickerson in Dec 1988, stated that negotiations were terminated by MCA without explanation. The outcome of this lawsuit could not be determined.
       The 21 Aug 1989 LAT reported that Columbia Pictures had settled an infringement claim brought against them by Harvey Publications regarding their logo of a ghost standing behind a prohibition sign while extending two fingers to indicate the movie was Ghostbusters II. In 1986, Harvey Publications, had sued Columbia in a U.S. district court, alleging that the film’s ghost logo infringed on their “Fatso” character from their Casper the Friendly Ghost series, but the $50 million lawsuit was thrown out when the ruling judge stated that there are "only so many ways to draw a cartoon ghost." The amount of the out-of-court settlement was not disclosed.
      There are no opening credits to the film, and the story begins after the title card, “Five years later.” The following statement appears in end credits: “Special thanks to California Film Commission and the City of Los Angeles; Pat Scott and the New York City Mayor’s Office for Film, Theatre & Broadcasting, Lieutenant John Gasperin and the New York City Police Movie Unit; The New York City Fire Department Community Relations Unit, Ladder Company #8 and Marine Division; Tom Trott and the U. S. General Services Administration Superintendant [sic] Kevin Buckley, Deputy Superintendant [sic] Tom Bradley and the National Park Service, Liberty Island, N. Y.” Following the “Vigo Painting Supervisor” credit, the written statement, “Plus 200 other artists and technicians at ILM,” appears.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
3 Oct 1988
---
Daily Variety
8 Mar 1988
---
Daily Variety
30 Nov 1984
---
Daily Variety
15 Jun 1989
---
Future Films
28 Nov 1988
---
Hollywood Reporter
3 Oct 1988.
---
Hollywood Reporter
25 May 1989
---
Hollywood Reporter
14 Jun 1989
p. 4, 18
Hollywood Reporter
20 Jun 1989.
---
Hollywood Reporter
18 Aug 1989
---
Hollywood Reporter
18 Dec 1989
p. 6, 27
LAHExam
2 Nov 1988
---
LAHExam
29 May 1988
---
LAHExam
31 Jan 1989
---
LAHExam
2 Mar 1989
---
Los Angeles Times
12 Mar 1989
---
Los Angeles Times
16 Jun 1989
p. 1
LAHExam
29 Jun 1989
---
Los Angeles Times
21 Aug 1989
---
New York Times
25 Dec 1988
---
New York Times
16 Jun 1989
p. 5
People
26 Jun 1989
---
Rolling Stone
25 Jan 1990
---
Variety
21 Jun 1989
p. 24
CAST
NAME
CREDITED AS
CREDIT
and
Brian Doyle Murray
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
A Columbia Pictures Presentation
An Ivan Reitman Film
A Columbia Pictures Release
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d unit dir
2d 2d asst dir
2d 2d asst dir
DGA trainee
2d asst dir, New York crew
Addl 2d asst dir, New York crew
Addl 2d asst dir, New York crew
DGA trainee, New York crew
1st asst dir, New York 2d unit
2d asst dir, New York 2d unit
PRODUCERS
Assoc prod
Assoc prod
Exec prod
Exec prod
Exec prod
WRITERS
PHOTOGRAPHY
Dir of photog
Cam op
1st cam asst
2d cam asst
2d asst cam
Cam loader
Les Kovacs
Chief lighting tech
Key grip
Best boy elec
Elec
Elec
Elec
Dolly grip
Dolly grip
Company grip
Company grip
Company grip
Still photog
Cam op, New York crew
Cam op, New York crew
Steadicam op, New York crew
1st asst cam, New York crew
1st asst cam, New York crew
Chief lighting tech, New York crew
Key grip, New York crew
1st asst cam, New York 2d unit
1st asst cam, New York 2d unit
Dir of photog, New York 2d unit
Cam op, New York 2d unit
Cam op, New York 2d unit
ART DIRECTORS
Prod des
Art dir
Asst art dir
Prod illustrator
Prod illustrator
Art dept asst
Art dir, New York crew
FILM EDITORS
Asst film ed
Asst film ed
Asst film ed
Apprentice film ed
Apprentice film ed
SET DECORATORS
Set dec
Leadman
Swing gang
Swing gang
Swing gang
Set des
Set des
Set des
Drapery foreman
Prop master
Prop master
Asst prop master
Asst prop master
Const coord
Const foreman
Stand-by painter
Const painter
Set dec, New York crew
Leadman, New York crew
Prop master New York crew
COSTUMES
Cost des
Men's cost supv
Women's cost supv
Costumer
Costumer
Ward, New York crew
Ward, New York crew
Ward asst, New York crew
MUSIC
Supv mus ed
Supv mus ed
Mus scoring mixer
Asst to Mr. Edelman
Mus supv
SOUND
Prod sd mixer
Cableman
Supv sd ed
Supv sd ed
Sd ed
Sd ed
Sd ed
Sd ed
Supv ADR ed
Spec sd eff
Spec sd eff
Spec sd eff
Asst sd ed
Asst sd ed
Asst ADR ed
Re-rec mixer
Re-rec mixer
Re-rec mixer
Crew chief
VISUAL EFFECTS
Visual eff supv
Visual eff coord
Spec eff
Spec eff
Spec eff
Spec eff, New York crew
Visual eff prod at
a Division of Lucasfilm Ltd., Marin County, California
Dir of eff photog, ILM
Visual eff prod, ILM
Visual eff art dir, ILM
Creature & makeup des, ILM
Opt photog supv, ILM
Key eff cam, ILM
Visual eff cam, ILM
Visual eff cam, ILM
Visual eff cam, ILM
Visual eff cam, ILM
Visual eff ed, ILM
Visual eff ed, ILM
Visual eff ed, ILM
Anim supv, ILM
Model shop supv, ILM
Chief eff coord, ILM
Stage mgr, ILM
Matte painting supv, ILM
Opt cam op, ILM
Opt cam op, ILM
Opt cam op, ILM
Opt cam op, ILM
Opt line-up, ILM
Opt line-up, ILM
Opt line-up, ILM
Opt line-up, ILM
Opt line-up, ILM
Key eff cam asst, ILM
Eff cam asst, ILM
Eff cam asst, ILM
Eff cam asst, ILM
Eff cam asst, ILM
Supv stage tech, ILM
Supv stage tech, ILM
Supv stage tech, ILM
Supv stage tech, ILM
Supv stage tech, ILM
Supv stage tech, ILM
Visual eff coord, ILM
Visual eff coord, ILM
Visual eff coord, ILM
Stage shooting coord, ILM
Chief model maker, ILM
Chief model maker, ILM
Chief model maker, ILM
Model maker, ILM
Model maker, ILM
Model maker, ILM
Model maker, ILM
Anim cam supv, ILM
Anim cam op, ILM
Anim, ILM
Anim, ILM
Anim, ILM
Anim, ILM
Rotoscoper, ILM
Rotoscoper, ILM
Rotoscoper, ILM
Rotoscoper, ILM
Matte photog supv, ILM
Matte photog, ILM
Matte artist, ILM
Matte artist, ILM
Creature shop coord, ILM
Char performer, ILM
David Allen
Char performer, ILM
Char performer, ILM
Char performer, ILM
Lead sculpture & prosthetics, ILM
Sculptor, ILM
Sculptor, ILM
Lead mechanical anim, ILM
Mechanical anim, ILM
Mechanical anim, ILM
Mechanical anim, ILM
Lead molds & plastics, ILM
Molds & plastics, ILM
Molds & plastics, ILM
Lead specialty costumer, ILM
Lead finish & paint, ILM
Bathtub trainer, ILM
Bathtub wrangler, ILM
River rat, ILM
River rat, ILM
Lead foam tech, ILM
Head pyro tech, ILM
Still photog, ILM
Asst eff ed, ILM
Asst eff ed, ILM
Opt coord, ILM
Negative cutter, ILM
Negative cutter, ILM
Concept artist, ILM
Concept artist, ILM
Storyboard artist, ILM
Vigo painting supv, ILM
Prod supv, Addl visual eff, Apogee
Eff supv, Addl visual eff, Apogee
Cam asst, Addl visual eff, Apogee
Cam asst, Addl visual eff, Apogee
Opt, Addl visual eff, Apogee
Opt, Addl visual eff, Apogee
Opt, Addl visual eff, Apogee
Opt, Addl visual eff, Apogee
Model shop, Addl visual eff, Apogee
Model shop, Addl visual eff, Apogee
Model shop, Addl visual eff, Apogee
Visual eff prod, Addl visual eff, VCE, Inc.
Opt eff, Addl visual eff, VCE, Inc.
Opt eff, Addl visual eff, VCE, Inc.
Opt eff, Addl visual eff, VCE, Inc.
Anim, Addl visual eff, VCE, Inc.
Coord, Addl visual eff, VCE, Inc.
Addl anim by
Titles and opticals
MAKEUP
Hairstylist
Hairstylist
Hairstylist
Makeup artist
Makeup artist
Makeup artist
Makeup artist, New York crew
PRODUCTION MISC
Casting
Prod coord
Scr supv
Prod auditor
Asst auditor
Transportation coord
Transportation capt
Transportation
Prod secy
Casting asst
Asst to Mr. Reitman
Asst to the prods
Asst to Mr. Murray
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Craft service
Craft service
Catering
Prod supv, New York crew
Loc mgr, New York crew
Loc mgr, New York crew
Asst loc mgr, New York crew
Prod coord, New York crew
Asst prod coord, New York crew
Transportation coord, New York crew
Loc mgr
STAND INS
Stunt coord
Danny Aiello, III
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Leah Louise Creed
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
Stunts
COLOR PERSONNEL
Col by
SOURCES
LITERARY
Based on characters created by Dan Aykroyd and Harold Ramis.
LITERARY SOURCE AUTHORS
SONGS
"Ghostbusters," written by Ray Parker, Jr., produced by Ray Parker, Jr., performed by Ray Parker, Jr., courtesy of Arista Records, Inc.; "Ghostbusters," written by Ray Parker, Jr., produced by RUN-D.M.C., performed & rap by RUN-D.M.C., courtesy of Profile Records Inc.; "On Our Own," written by L.A. Reid, Babyface & Daryl Simmons, produced by L.A. & Babyface for LA' Face, Inc., performed by Bobby Brown, courtesy of MCA Records, Inc.; "Flip City," written by Glenn Frey & Hawk Wolinski, produced by Glenn Frey & Hawk Wolinski, performed by Glenn Frey, courtesy of MCA Records, Inc.; "Higher and Higher," written by Gary Jackson, Carl Smith & Raynard Miner, performed by Jackie Wilson, courtesy of Sounds of Film, Ltd./Brunswick Records, Inc.; "Higher and Higher," written by Gary Jackson, Carl Smith & Raynard Miner, produced by A.Z. Groove & Cornelius Mims, for Groove Specialist Productions, Inc., performed by Howard Huntsberry, courtesy of MCA Records, Inc.; "Spirit," written by Doug E. Fresh & Bernard Wright, produced by Doug E. Fresh & The Get Fresh Crew, co-produced by Bernard Wright & Ollie Cotton, performed by Doug E. Fresh & The Get Fresh Crew, courtesy of Danya Records, Ltd.; "Flesh 'N Blood," written by Danny Elfman, produced by Oingo Boingo, performed by Oingo Boingo, courtesy of MCA Records, Inc.; "We're Back," written by Bobby Brown, Dennis Austin, Larry White and Kirk Crumpler, produced by Bobby Brown for B. Brown Productions, Inc., performed by Bobby Brown, courtesy of MCA Records, Inc.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Series:
Alternate Titles:
Ghostbusters 2
The Last of the Ghostbusters
Release Date:
16 June 1989
Premiere Information:
Los Angeles world premiere: 15 Jun 1989; Los Angeles and New York openings: 16 Jun 1989
Production Date:
28 Nov 1988--7 Mar 1989 in New York City and Los Angeles
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Industries, Inc.
3 July 1989
PA420169
Physical Properties:
Sound
Spectral Recording® Dolby Stereo SR in selected theatres
Color
Lenses
Filmed in Panavision®
Duration(in mins):
108
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
29771
SYNOPSIS

Ectoplasm oozes out of a crack in a New York City sidewalk as Dana Barrett pushes her baby, Oscar, in his stroller in front of her apartment building. When she stops to talk to the building superintendent, the baby carriage takes off by its own volition. It shoots into the traffic, stopping inches from an oncoming bus. Across town, parapsychologist Dr. Raymond “Ray” Stantz and Winston Zeddemore arrive at an apartment in full "Ghostbusters" regalia to entertain at a child’s birthday party. One of the children tells them that according to his father, they went out of business because they were scam artists. Later, Dana visits Dr. Egon Spengler and voices her fears that something supernatural was after Oscar. Although the Ghostbusters were disbanded when a court injunction prohibited them from investigating any paranormal activities, Egon agrees to investigate if he can enlist Ray’s help. Dana agrees as long as her former lover, Dr. Peter Venkman, is not included. Meanwhile, Peter hosts a television show called “World of Psychics,” and speaks with a clairvoyant guest who predicts the world will end on New Year's Eve. Afterward, Peter sees the city’s mayor at the television station. He is prevented from talking to him by Jack Hardemeyer, the mayor’s assistant, who informs him that it would hurt the mayor’s image to be seen conversing with a “fraud.” At the Manhattan Museum of Art, Dana restores an old painting when her boss, Dr. Janosz Poha, a tiny man with a thick Slavic accent, installs a portrait of “Vigo the Carpathian,” a sixteenth century warlord. Dana informs Poha that she ...

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Ectoplasm oozes out of a crack in a New York City sidewalk as Dana Barrett pushes her baby, Oscar, in his stroller in front of her apartment building. When she stops to talk to the building superintendent, the baby carriage takes off by its own volition. It shoots into the traffic, stopping inches from an oncoming bus. Across town, parapsychologist Dr. Raymond “Ray” Stantz and Winston Zeddemore arrive at an apartment in full "Ghostbusters" regalia to entertain at a child’s birthday party. One of the children tells them that according to his father, they went out of business because they were scam artists. Later, Dana visits Dr. Egon Spengler and voices her fears that something supernatural was after Oscar. Although the Ghostbusters were disbanded when a court injunction prohibited them from investigating any paranormal activities, Egon agrees to investigate if he can enlist Ray’s help. Dana agrees as long as her former lover, Dr. Peter Venkman, is not included. Meanwhile, Peter hosts a television show called “World of Psychics,” and speaks with a clairvoyant guest who predicts the world will end on New Year's Eve. Afterward, Peter sees the city’s mayor at the television station. He is prevented from talking to him by Jack Hardemeyer, the mayor’s assistant, who informs him that it would hurt the mayor’s image to be seen conversing with a “fraud.” At the Manhattan Museum of Art, Dana restores an old painting when her boss, Dr. Janosz Poha, a tiny man with a thick Slavic accent, installs a portrait of “Vigo the Carpathian,” a sixteenth century warlord. Dana informs Poha that she is leaving the museum to return to playing cello with the symphony and turns down his offer to go out for drinks. Both are unaware that the Vigo painting is moving. That night, Peter visits Ray at his occult bookstore and bullies him into revealing Dana’s problem. The next morning, over Egon’s protests, he accompanies them to Dana’s apartment. As Ray and Egon examine Oscar, Peter grills Dana on her recent divorce and tells her she should have married him instead. Dana reminds him that whenever she mentioned marriage, Peter would fall asleep. Outside, Egon’s instruments indicate a large supernatural disturbance below the pavement. That night, the trio, accompanied by Winston, disguise themselves as city workers and jackhammer down to an abandoned airshaft. Ray is lowered down and discovers a pneumatic transit line tunnel full of ectoplasmic “slime.” The police arrive just as the slime forms the shape of a hand and grabs at Ray’s leg. Hearing Ray’s screams, Peter presses the winches’ up switch. As Ray ascends, his foot hits a pipe, causing a small explosion that blows up an electrical cable, pitching the city into darkness. Meanwhile, Poha restores the warlord’s portrait when lightning shoots from its eyes and strikes the little man. Vigo steps out of the painting, demanding that Poha find him a baby he can possess. Poha goes to Dana’s apartment, claiming he was worried about her safety during the blackout. She refuses to let him in but as he walks away, light beams emit from his eyes and he looks through the walls to find Oscar. The next day, the Ghostbusters are brought before Judge Stephen Wexler, who refuses to hear any mention of the supernatural in his court. Louis Tully, an accountant and night school law graduate, offers the defense that he once was turned into a dog and the Ghostbusters brought him back. Wexler breaks into a hostile diatribe about them being frauds, causing a slime sample to react by exploding. The ghosts of the Scoleri brothers, two men Wexler sentenced to the electric chair, emerge. Wexler rescinds the injunction and drops all charges, allowing the Ghostbusters to capture the Scoleris in a detainment unit. The Ghostbusters are back in business and make a fortune catching spirits. However, Egon and Ray determine that the slime, a psycho-reactive substance that feeds off emotions, is growing. They pour a sample into a toaster, play pop music and watch it dance, proving it can animate objects. A few nights later, Dana is bathing Oscar when slime bubbles up from the bathtub drain and tries to eat her. She seeks safety at Peter’s apartment. The next morning, Peter, Ray, Egon and Winston go to the art museum to examine the Vigo portrait. As Peter photographs the painting, Egon explains that Vigo was a homicidal tyrant who used the dark arts to terrorize his kingdom until his subjects murdered him. Later, while examining the pictures, Ray and Egon discover an image of the slime river Ray saw in the subway. The photographs burst into flames, igniting the room. The door slams shut, but Winston smashes it down with a fire extinguisher and puts out the flames. They rush over to Peter’s apartment, but he refuses to help search the sewer because he has a date with Dana. Instead, Peter entrusts Oscar to Louis and Janine Melnitz, the Ghostbusters’ secretary, and leaves to celebrate New Year’s Eve. The other three Ghostbusters go underground and are confronted by an illusion of severed heads on pikes and a ghost train that runs over Winston. They find the river of slime and Winston drops a line to measure its depth, but is yanked into the goo and swept downstream. Ray and Egon dive in after him and all three are flushed out a manhole cover in front of the museum. Ray and Winston break into a fistfight, but Egon stops them by explaining the slime is amplified by their negative emotions. They strip down to their undergarments and rush into the restaurant where Dana and Peter are dining to tell them of their discovery. When the police are called, Egon demands to see the mayor. They tell the mayor he must warn the city to stop being negative, but the politician declares it is every New Yorker’s "God-given right" to be rude. When he leaves, Hardemeyer calls the police and has the Ghostbusters thrown into a mental institution. Meanwhile, Dana returns to Peter’s apartment to discover Louis and Janine in an intimate embrace. Feeling a chill, Dana goes into the bedroom to find it empty. She looks out the window and sees Oscar walking on the ledge. A ghostly Poha, under the possession of Vigo and dressed like an evil nanny, flies by and grabs Oscar. Dana rushes to the museum. After she enters, the building is covered in slime. She finds Oscar laid out before the portrait of Vigo surrounded by candles. Poha appears and tells her Vigo will be reborn in Oscar's body at the stroke of midnight. Meanwhile, the slime releases thousands of ghosts, wreaking havoc throughout the city. Learning Hardemeyer had the Ghostbusters committed, the mayor fires him before going to the window to see the sun swallowed by a large black hole. Once released, the Ghostbusters rush to the museum, but their proton packs fail to free the slime-encrusted building. Egon explains that the slime is also activated by good emotions. Needing a symbol of goodwill, the team rushes to the Statue of Liberty and slime its interior. They blast the song "(Your Love Keeps Lifting Me) Higher and Higher," causing the slime to animate the statue. To the crowd’s ecstatic applause, they guide Lady Liberty though the city to the museum. Just as Dana snatches Oscar to safety, they smash a skylight and rappel into the chamber, where they slime Poha and comfort Dana’s concerns by explaining the slime is charged with positive energy and the little man will wake up refreshed. As Vigo emerges from the portrait, a cable wraps around Dana and Peter places Oscar in an empty crate. He yells for the Ghostbusters to shoot, but their photon guns are useless against the warlord, who counters with a force field that paralyzes them as Vigo feeds on Oscar’s life force. Outside, Louis appears wearing Egon's spare Ghostbuster uniform and aims his proton pack at the slime as bells signal the New Year and the crowd sings “Auld Lang Syne.” The positive energy weakens Vigo and he is sucked back into the painting. However, the Carpathian possesses Ray, and Peter orders the others to shoot the painting. The blast knocks Vigo out of Ray and into the portrait, just as Louis fires at the slime from outside. The slime explodes, the hole in the sky disappears, and the crowd swarms Louis as their savior. Inside, Peter and Dana kiss as Poha and Ray, covered with feel-good slime, express love for each other. Winston breaks them up, showing that the portrait now depicts the four Ghostbusters surrounding Oscar wearing togas and halos. They then walk out to receive accolades from the crowd.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.