Who Killed Gail Preston? (1938)

60-61 mins | Mystery | 25 February 1938

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HISTORY

The working title of this film was Murder in Swingtime. According to modern sources, the songs sung by Rita Hayworth were dubbed with the voice of Gloria Franklin. Modern sources also note that the Columbia makeup department, capitalizing on actress Hedy Lamarr's newly found celebrity status, made up Hayworth to resemble her by dressing her in a black wig. Hayworth only appeared onscreen for about twenty minutes. ...

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The working title of this film was Murder in Swingtime. According to modern sources, the songs sung by Rita Hayworth were dubbed with the voice of Gloria Franklin. Modern sources also note that the Columbia makeup department, capitalizing on actress Hedy Lamarr's newly found celebrity status, made up Hayworth to resemble her by dressing her in a black wig. Hayworth only appeared onscreen for about twenty minutes.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 Mar 1938
p. 3
Film Daily
11 May 1938
p. 10
Hollywood Reporter
18 Oct 1937
p. 10
Motion Picture Herald
14 May 1938
p. 50
New York Times
6 May 1938
p. 27
Variety
9 May 1938
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Exec prod
Assoc prod
WRITERS
PHOTOGRAPHY
FILM EDITOR
Film ed
MUSIC
Morris Stoloff
Mus dir
SOURCES
SONGS
by Ben Oakland and Milton Drake
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Murder in Swingtime
Release Date:
25 February 1938
Production Date:
15 Oct--29 Oct 1937
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp. of California, Ltd.
29 December 1937
LP7772
Physical Properties:
Sound
Black and White
Duration(in mins):
60-61
Length(in reels):
6
Country:
United States
PCA No:
3866
SYNOPSIS

Tempermental torch singer Gail Preston performs at the Swing Swing Club, a ritzy nightclub decorated in a prison theme, at which patrons have the choice of sitting in cells that line the room or at tables. Gail is not well-liked by her co-workers, so when she is murdered one night during a performance, Inspector Kellogg and his hapless assistant, Cliff Connolly, are faced with many suspects. The first suspect is Mr. Owen, who commits suicide by jumping off a tall building. Next, orchestra leader Swing Traynor is arrested, despite the best efforts of Ann Bishop, who is secretly married to Traynor, to prevent it. A break in the case finally comes when Kellogg discovers that the murder was committed by someone who attached a gun to one of the nightclub spotlights. To determine the murderer, Kellogg convenes all those present at the club on the night of Gail's murder and, one by one, shines the spotlight on them until the killer confesses out of terror of being killed in the same manner as ...

More Less

Tempermental torch singer Gail Preston performs at the Swing Swing Club, a ritzy nightclub decorated in a prison theme, at which patrons have the choice of sitting in cells that line the room or at tables. Gail is not well-liked by her co-workers, so when she is murdered one night during a performance, Inspector Kellogg and his hapless assistant, Cliff Connolly, are faced with many suspects. The first suspect is Mr. Owen, who commits suicide by jumping off a tall building. Next, orchestra leader Swing Traynor is arrested, despite the best efforts of Ann Bishop, who is secretly married to Traynor, to prevent it. A break in the case finally comes when Kellogg discovers that the murder was committed by someone who attached a gun to one of the nightclub spotlights. To determine the murderer, Kellogg convenes all those present at the club on the night of Gail's murder and, one by one, shines the spotlight on them until the killer confesses out of terror of being killed in the same manner as Gail.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.