AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Philippe De Lacey

Also Known As: Philippe De Lacy

32 Titles in Filmography CAST | DIRECTOR | HISTORY

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FILMOGRAPHY

CAST

TITLE
CREDITED AS
CREDIT
YEAR
WITHOUT BENEFIT OF CLERGY
Tota, at 5
1921
A DOLL'S HOUSE
Philippe De Lacy
Ivar
1922
ROSITA
1923
DIVORCE
Philippe De Lacy
"Dicky" Parker
1923
WASTED LIVES
Philippe De Lacy
Bobby Adams
1923
THE SHOOTING OF DAN MCGREW
Philippe De Lacy
Little Jim
1924
THE HAPPY WARRIOR
Philippe De Lacy
Ralph, at 8 years
1925
A LOVER'S OATH
Philippe De Lacy
His son
1925
MY NEIGHBOR'S WIFE
Philippe De Lacy
William Jordan, Jr.
1925
DON JUAN
Don Juan, 10 years old
1926
FAITHFUL WIVES
Philippe De Lacy
The child
1926
BEAU GESTE
Digby
1926
FLESH AND THE DEVIL
Leo as a boy
1926
IS ZAT SO?
Philippe De Lacy
Little Jimmy Parker
1927
LOVE
Philippe De Lacy
Serezha, the child
1927
THE WAY OF ALL FLESH
August, as a child
1927
THE MAGIC GARDEN
Philippe De Lacy
John Guido Forrester, as a child
1927
THE TIGRESS
Philippe De Lacy
Pippa
1927
THE BROKEN MASK
Philippe De Lacy
Pertio, as a boy
1928
THE STUDENT PRINCE IN OLD HEIDELBERG
Philippe De Lacy
Heir Apparent
1928
MOTHER MACHREE
Philippe De Lacy
Brian, as a child
1928
THE FOUR FEATHERS
Philippe De Lacy
Harry, as a boy of 10
1929
THE MARRIAGE PLAYGROUND
Philippe De Lacy
Terry
1929
FOUR DEVILS
Philippe De Lacy
Adolf, as a boy
1929
THE ROYAL RIDER
King Michael XI
1929
SQUARE SHOULDERS
Philippe De Lacy
Eddie
1929
THE REDEEMING SIN
Philippe De Lacy
Petit
1929
ONE ROMANTIC NIGHT
Philippe De Lacy
Georg
1930
SARAH AND SON
Philippe De Lacy
Bobby
1930
GENERAL CRACK
Philippe De Lacy
Christian, as a boy
1930

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
CINERAMA HOLIDAY
Philippe De Lacy
Dir
1955

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
WHAT'S A WIFE WORTH?
Philippe De Lacy
1921

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.