AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Chris Rock

30 Titles in Filmography CAST | ANIMATION | DIRECTOR | PRODUCER | WRITER | HISTORY | MUSIC

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FILMOGRAPHY

CAST

TITLE
CREDITED AS
CREDIT
YEAR
BEVERLY HILLS COP II
Parking valet
1987
I'M GONNA GIT YOU SUCKA
Rib joint customer
1988
NEW JACK CITY
Pookie
1991
BOOMERANG
Bony T
1992
CB4
Albert [Brown] ["MC Gusto"]
1993
BEVERLY HILLS NINJA
Joey
1997
LETHAL WEAPON 4
Lee Butters
1998
NURSE BETTY
Wesley
2000
DOWN TO EARTH
Lance Barton
2001
OSMOSIS JONES
Voice of Osmosis Jones
2001
POOTIE TANG
JB/Radio DJ/Pootie's father
2001
A. I. ARTIFICIAL INTELLIGENCE
Comedian
2001
BAD COMPANY
Jake Hayes/Kevin Pope
2002
COMEDIAN
2002
HEAD OF STATE
Mays Gilliam
2003
THE ARISTOCRATS
2005
THE LONGEST YARD
Caretaker
2005
MADAGASCAR
Marty
2005
I THINK I LOVE MY WIFE
Richard Cooper
2007
MADAGASCAR: ESCAPE 2 AFRICA
Marty
2008
GOOD HAIR
2009
DEATH AT A FUNERAL
Aaron
2010
GROWN UPS
Kurt McKenzie
2010
MADAGASCAR 3: EUROPE'S MOST WANTED
Marty
2012
2 DAYS IN NEW YORK
Mingus
2012
GROWN UPS 2
Kurt McKenzie
2013
ICEBERG SLIM: PORTRAIT OF A PIMP
2013
TOP FIVE
Andre Allen
2014

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
CB4
Co-prod
1993
POOTIE TANG
Prod
2001
HEAD OF STATE
Prod
2003
I THINK I LOVE MY WIFE
Prod
2007
GOOD HAIR
Prod
2009
DEATH AT A FUNERAL
Prod
2010

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
CB4
Scr
1993
DOWN TO EARTH
Scr
2001
HEAD OF STATE
Wrt
2003
I THINK I LOVE MY WIFE
Scr
2007
GOOD HAIR
Wrt
2009
TOP FIVE
Wrt
2014

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
HEAD OF STATE
Dir
2003
I THINK I LOVE MY WIFE
Dir
2007
TOP FIVE
Dir
2014

ANIMATION

TITLE
CREDITED AS
CREDIT
YEAR
THE INCREDIBLES
Hair and cloth modeling/Hair and cloth simulation
2004

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR

MUSIC

TITLE
CREDITED AS
CREDIT
YEAR
CB4
1993

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.