AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Gilbert Warrenton

Also Known As: Gil Warrenton,
G. Warrenton

165 Titles in Filmography PHOTOGRAPHY | HISTORY

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FILMOGRAPHY

PHOTOGRAPHY

TITLE
CREDITED AS
CREDIT
YEAR
KINKAID, GAMBLER
Cam
1916
THE SAINTLY SINNER
Cam
1917
THE HARD ROCK BREED
Cam
1918
FAIR ENOUGH
Cam
1918
HIGH TIDE
Cam
1918
THE GOLDEN FLEECE
Cam
1918
THE LAW OF THE GREAT NORTHWEST
Cam
1918
PUT UP YOUR HANDS
Cam
1919
HUMORESQUE
Cam
1920
THE PLAYTHING OF BROADWAY
Dir of photog
1921
HUSH MONEY
Dir of photog
1921
BEHIND MASKS
Dir of photog
1921
DAWN OF THE EAST
Dir of photog
1921
THE LAND OF HOPE
Dir of photog
1921
LITTLE ITALY
Dir of photog
1921
MORE TO BE PITIED THAN SCORNED
Dir of photog
1922
THE BACHELOR DADDY
Dir of photog
1922
THE LANE THAT HAD NO TURNING
Dir of photog
1922
ANNA ASCENDS
Photog
1922
THE LAW AND THE WOMAN
Cam
1922
UNDER THE RED ROBE
Dir of photog
1923
LITTLE OLD NEW YORK
Dir of photog
1923
MISSING MILLIONS
Dir of photog
1923
THE LEOPARDESS
Dir of photog
1923
FLOWING GOLD
Photog
1924
LOVE AND GLORY
Photog
1924
THE SEA HAWK
Asst cam
1924
THE PLASTIC AGE
Photog
1925
SECRETS OF THE NIGHT
Dir of photog
1925
SMILIN' AT TROUBLE
Cam
1925
THE MEDDLER
Dir of photog
1925
SEVEN DAYS
Dir of photog
1925
THE OTHER WOMAN'S STORY
Dir of photog
1925
THE LAST EDITION
1st cam
1925
OH, DOCTOR!
Photog
1925
CALIFORNIA STRAIGHT AHEAD
Dir of photog
1925
THE BURNING TRAIL
Dir of photog
1925
TOM AND HIS PALS
Cam
1926
THE TRAFFIC COP
Dir of photog
1926
THE NON-STOP FLIGHT
Dir of photog
1926
PRISONERS OF THE STORM
Dir of photog
1926
TAXI TAXI
Photog
1927
SURRENDER!
Photog
1927
THE LOVE THRILL
Dir of photog
1927
A MAN'S PAST
Dir of photog
1927
THE CAT AND THE CANARY
Photog
1927
ALIAS THE DEACON
Dir of photog
1927
BUTTERFLIES IN THE RAIN
Photog
1927
BEWARE OF WIDOWS
Photog
1927
MOTHER KNOWS BEST
Dir of photog
1928
THE MAN WHO LAUGHS
Photog
1928
LONESOME
Dir of photog
1928
JAZZ MAD
Dir of photog
1928
THE LOVE TRAP
Cine
1929
SCANDAL
Dir of photog
1929
THE MISSISSIPPI GAMBLER
Dir of photog
1929
HOLD YOUR MAN
Dir of photog
1929
SHOW BOAT
Dir of photog
1929
MOTHER'S CRY
Dir of photog
1930
HIDE-OUT
Dir of photog
1930
CAPTAIN OF THE GUARD
Dir of photog
1930
TEN CENTS A DANCE
Gil Warrenton
Photog
1931
HONEYMOON LANE
Photog
1931
X MARKS THE SPOT
Photog
1931
EL COMEDIANTE
Photog
1931
EL PRÍNCIPE GONDOLERO
Photog
1931
IF I HAD A MILLION
Photog "China Shop"
1932
THE SWEETHEART OF SIGMA CHI
Gil Warrenton
Photog
1933
A LADY'S PROFESSION
Photog
1933
MAMA LOVES PAPA
Photog
1933
THE PHANTOM BROADCAST
Photog
1933
DEVIL'S MATE
Photog
1933
THE SPHINX
Photog
1933
HELLO, EVERYBODY!
Photog
1933
EIGHT GIRLS IN A BOAT
Photog
1934
BEGGARS IN ERMINE
Photog
1934
THE LOVE CAPTIVE
Cam
1934
THE LOUDSPEAKER
Photog
1934
WOMAN UNAFRAID
Cine
1934
TICKET TO A CRIME
Cam
1934
COWBOY HOLIDAY
Gil Warrenton
Photog
1935
RESCUE SQUAD
Photog
1935
BORN TO GAMBLE
Photog
1935
CHAMPAGNE FOR BREAKFAST
Photog
1935
CORONADO
Photog
1935
HERE COMES COOKIE
Photog
1935
RAINBOW'S END
Photog
1935
SUNSET RANGE
Photog
1935
THE SPANISH CAPE MYSTERY
Photog
1935
HEADLINE CRASHER
Photog
1936
LET THEM LIVE
Gil Warrenton
Dir of photog
1937
BOY OF THE STREETS
Dir of photog
1937
BREEZING HOME
Photog
1937
FEDERAL BULLETS
Photog
1937
DRAEGERMAN COURAGE
Photog
1937
A BRIDE FOR HENRY
Photog
1937
TELEPHONE OPERATOR
Photog
1937
PARADISE ISLE
Photog
1937
MAN'S COUNTRY
Photog
1938
ROSE OF THE RIO GRANDE
Dir of photog
1938
BAREFOOT BOY
Photog
1938
UNDER THE BIG TOP
Photog
1938
THE MARINES ARE HERE
Photog
1938
SALESLADY
Dir of photog
1938
ROMANCE OF THE LIMBERLOST
Photog
1938
THE PORT OF MISSING GIRLS
Dir of photog
1938
CITY OF SILENT MEN
Dir of photog
1942
THEY RAID BY NIGHT
Dir of photog
1942
PAROLE, INC.
Dir of photog
1948
THE FIGHTING REDHEAD
Dir of photog
1949
THE COWBOY AND THE PRIZEFIGHTER
Dir of photog
1949
ALIMONY
Dir of photog
1949
ROLL THUNDER ROLL!
Dir of photog
1949
THE GREAT DAN PATCH
Dir of photog
1949
RIDE, RYDER, RIDE!
Dir of photog
1949
YOUNG DANIEL BOONE
G. Warrenton
Photog
1950
COUNTY FAIR
Photog
1950
OUTLAWS OF TEXAS
Photog
1950
OUTLAW GOLD
Dir of photog
1950
HOT ROD
Photog
1950
CHEROKEE UPRISING
Dir of photog
1950
BLUE GRASS OF KENTUCKY
Photog
1950
ABILENE TRAIL
1951
BLAZING BULLETS
Dir of photog
1951
BLUE BLOOD
Photog
1951
COLORADO AMBUSH
Dir of photog
1951
MAN FROM SONORA
Dir of photog
1951
MONTANA DESPERADO
Photog
1951
ALADDIN AND HIS LAMP
Photog
1952
MESA OF LOST WOMEN
Gil Warrenton
Dir of photog
1953
THE GREAT JESSE JAMES RAID
Gil Warrenton
Dir of photog
1953
TEXAS BAD MAN
Gil Warrenton
Photog
1953
SINS OF JEZEBEL
Dir of photog
1953
THE FIGHTING LAWMAN
Dir of photog
1953
THE BIG CHASE
Gil Warrenton
2d unit photog
1954
THE BLACK PIRATES
Dir of photog
1954
THE WHITE ORCHID
Dir of photog
1954
JUNGLE HELL
Cine
1955
MASSACRE
Dir of photog
1956
NAKED GUN
Dir of photog
1956
NO PLACE TO HIDE
Photog
1956
DRAGSTRIP RIOT
Gil Warrenton
Dir of photog
1958
HIGH SCHOOL HELLCATS
Cam
1958
GHOST OF THE CHINA SEA
Dir of photog
1958
THE DIARY OF A HIGH SCHOOL BRIDE
Gil Warrenton
Dir of photog
1959
GHOST OF DRAGSTRIP HOLLOW
Gil Warrenton
Dir of photog
1959
FORBIDDEN ISLAND
Dir of photog
1959
THE LEGEND OF TOM DOOLEY
Dir of photog
1959
PARATROOP COMMAND
Dir of photog
1959
SUBMARINE SEAHAWK
Dir of photog
1959
THE ATOMIC SUBMARINE
Dir of photog
1960
SECRET OF DEEP HARBOR
Dir of photog
1961
MASTER OF THE WORLD
Dir of photog
1961
THE CLOWN AND THE KID
Dir of photog
1961
THE FLIGHT THAT DISAPPEARED
Dir of photog
1961
YOU HAVE TO RUN FAST
Dir of photog
1961
THE BOY WHO CAUGHT A CROOK
Dir of photog
1961
GUN STREET
Dir of photog
1961
INCIDENT IN AN ALLEY
Dir of photog
1962
SAINTLY SINNERS
Dir of photog
1962
PANIC IN YEAR ZERO!
Dir of photog
1962
BEAUTY AND THE BEAST
Cam
1963
OPERATION BIKINI
Dir of photog
1963

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
DONATE
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.