AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

James Basevi

108 Titles in Filmography ART DIRECTOR | COLOR | PHOTOGRAPHY | PRODUCTION MISC | SET DECORATOR | SPECIAL EFFECTS | HISTORY

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FILMOGRAPHY

ART DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
THE CIRCLE
Art dir
1925
CONFESSIONS OF A QUEEN
Art dir
1925
THE BIG PARADE
Settings
1925
BARDELYS THE MAGNIFICENT
Settings
1926
THE COWBOY AND THE LADY
Art dir assoc
1938
THE REAL GLORY
Art dir
1939
THEY SHALL HAVE MUSIC
Art dir
1939
RAFFLES
Art dir
1939
WUTHERING HEIGHTS
Art dir
1939
THE LONG VOYAGE HOME
Art dir
1940
THE WESTERNER
Art dir
1940
TOBACCO ROAD
Art dir
1941
A YANK IN THE R.A.F.
Art dir
1941
THE BLACK SWAN
Art dir
1942
MOONTIDE
Art dir
1942
SON OF FURY
Art dir
1942
THUNDER BIRDS
Art dir
1942
CLAUDIA
Art dir
1943
THE DANCING MASTERS
Art dir
1943
THE GANG'S ALL HERE
Art dir
1943
GUADALCANAL DIARY
Art dir
1943
HAPPY LAND
Art dir
1943
HEAVEN CAN WAIT
Art dir
1943
HELLO FRISCO, HELLO
Art dir
1943
HOLY MATRIMONY
Art dir
1943
IMMORTAL SERGEANT
Art dir
1943
JITTERBUGS
Art dir
1943
THE MOON IS DOWN
Art dir
1943
THE OX-BOW INCIDENT
Art dir
1943
PARIS AFTER DARK
Art dir
1943
STORMY WEATHER
Art dir
1943
SWEET ROSIE O'GRADY
Art dir
1943
THEY CAME TO BLOW UP AMERICA
Art dir
1943
WINTERTIME
Art dir
1943
BOMBER'S MOON
Art dir
1943
JANE EYRE
Art dir
1944
IN THE MEANTIME, DARLING
Art dir
1944
GREENWICH VILLAGE
Art dir
1944
FOUR JILLS IN A JEEP
Art dir
1944
THE EVE OF ST. MARK
Art dir
1944
LADIES OF WASHINGTON
Art dir
1944
LIFEBOAT
Art dir
1944
THE LODGER
Art dir
1944
PIN UP GIRL
Art dir
1944
THE PURPLE HEART
Art dir
1944
ROGER TOUHY, GANGSTER
Art dir
1944
THE SULLIVANS
Art dir
1944
TAMPICO
Art dir
1944
BERMUDA MYSTERY
Art dir
1944
BUFFALO BILL
Art dir
1944
HOME IN INDIANA
Art dir
1944
THE KEYS OF THE KINGDOM
Art dir
1945
THE SONG OF BERNADETTE
Art dir
1945
I'LL BE SEEING YOU
Prod des
1945
WILSON
Supv art dir
1945
SPELLBOUND
Art dir
1945
CLAUDIA AND DAVID
Art dir
1946
THE DARK CORNER
Art dir
1946
HOME SWEET HOMICIDE
Art dir
1946
IF I'M LUCKY
Art dir
1946
IT SHOULDN'T HAPPEN TO A DOG
Art dir
1946
JOHNNY COMES FLYING HOME
Art dir
1946
MARGIE
Art dir
1946
MY DARLING CLEMENTINE
Art dir
1946
SOMEWHERE IN THE NIGHT
Art dir
1946
STRANGE TRIANGLE
Art dir
1946
DUEL IN THE SUN
Art dir
1947
13 RUE MADELEINE
Art dir
1947
THE BRASHER DOUBLOON
Art dir
1947
CARNIVAL IN COSTA RICA
Art dir
1947
THE HOMESTRETCH
Art dir
1947
I WONDER WHO'S KISSING HER NOW?
Art dir
1947
THE LATE GEORGE APLEY
Art dir
1947
THE SHOCKING MISS PILGRIM
Art dir
1947
BOB, SON OF BATTLE
Art dir
1947
CAPTAIN FROM CASTILE
Art dir
1948
FORT APACHE
Art dir
1948
3 GODFATHERS
Art dir
1949
MIGHTY JOE YOUNG
Art dir
1949
SHE WORE A YELLOW RIBBON
Art dir
1949
TO PLEASE A LADY
Art dir
1950
WAGON MASTER
Art dir
1950
NIGHT INTO MORNING
Art dir
1951
THE PEOPLE AGAINST O'HARA
Art dir
1951
ACROSS THE WIDE MISSOURI
Art dir
1951
JUST THIS ONCE
Art dir
1952
MY MAN AND I
Art dir
1952
BATTLE CIRCUS
Art dir
1953
ISLAND IN THE SKY
Art dir
1953
EAST OF EDEN
Art dir
1955
THE SEARCHERS
Art dir
1956

SPECIAL EFFECTS

TITLE
CREDITED AS
CREDIT
YEAR
THE MYSTERIOUS ISLAND
Tech eff
1929
SAN FRANCISCO
Earthquake seq
1936
DEAD END
Spec eff
1937
THE GOOD EARTH
Spec eff for locust seq
1937
THE ADVENTURES OF MARCO POLO
Spec eff
1938
BLOCKADE
Spec eff
1938

SET DECORATOR

TITLE
CREDITED AS
CREDIT
YEAR
THE TOWER OF LIES
Settings
1925
SOUL MATES
Settings
1925
THE TEMPTRESS
Settings
1926
LOVE'S BLINDNESS
Settings
1926
DANCE MADNESS
Settings
1926

COLOR

TITLE
CREDITED AS
CREDIT
YEAR
FINE CLOTHES
Col cons
1925

PHOTOGRAPHY

TITLE
CREDITED AS
CREDIT
YEAR
THE HURRICANE
Hurricane and spec eff staged by
1937

PRODUCTION MISC

TITLE
CREDITED AS
CREDIT
YEAR
HISTORY IS MADE AT NIGHT
Spec tech eff
1937

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
DONATE
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.