AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Kathleen Kirkham

50 Titles in Filmography CAST

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FILMOGRAPHY

CAST

TITLE
CREDITED AS
CREDIT
YEAR
THE HOUSE OF LIES
Dorothy
1916
THE EYES OF THE WORLD
Mrs. Taine, The Age
1917
BRAND'S DAUGHTER
Paula Lavergne
1917
THE CALENDAR GIRL
Paula Ware
1917
HIS SWEETHEART
Mrs. Kelland
1917
THE PHANTOM SHOTGUN
Elizabeth Kennedy
1917
THE DEVIL'S ASSISTANT
Marion Dane
1917
A MODERN MUSKETEER
Mrs. Dodge
1917
THE CLEAN GUN
Matie Norton
1917
THE MASKED HEART
Helen Villiers
1917
ARIZONA
Estrella
1918
HE COMES UP SMILING
Louise
1918
TARZAN OF THE APES
Tarzan's mother, Lady Greystoke
1918
THE SEAL OF SILENCE
Mrs. Loring
1918
A DIPLOMATIC MISSION
Lady Boyden
1918
FOR HUSBANDS ONLY
Mrs. Ellis
1918
THE MARRIED VIRGIN
Mrs. McMillan
1918
THE GAY LORD QUEX
Mrs. Jack Eden
1919
THE BELOVED CHEATER
1919
UPSTAIRS AND DOWN
1919
THE MASTER MAN
Janice Ritter
1919
THE BEAUTY MARKET
Christine Appleby
1919
JOSSELYN'S WIFE
Lillian Josselyn
1919
IN SEARCH OF ARCADY
Barbara's aunt
1919
THE THIRD KISS
Cynthia Bawlf
1919
HER FIVE-FOOT HIGHNESS
Lady Clara
1920
NUMBER 99
Mrs. Vivian
1920
DOLLAR FOR DOLLAR
Mrs. Marteen
1920
PARLOR, BEDROOM AND BATH
Angelica Irving
1920
THE LITTLE 'FRAID LADY
Mrs. Helen Barrett
1920
WHEN DAWN CAME
Norma Ashley
1920
THE SKY PILOT
Lady Charlotte
1921
THE INNOCENT CHEAT
Mary Stanhope
1921
NOBODY'S KID
Katherine Trent
1921
BEAU REVEL
Alice Latham
1921
THE FOOLISH MATRONS
Annis Grand
1921
PILGRIMS OF THE NIGHT
Lady Ellingham
1921
A HOMESPUN VAMP
Beatrice Carlisle
1922
BACK TO YELLOW JACKET
Carmen, his wife
1922
ONE EIGHTH APACHE
Norma Biddle
1922
THE BOLTED DOOR
Natalie's chum
1923
OTHER MEN'S DAUGHTERS
Lottie Bird
1923
THE LONELY ROAD
Leila Mead
1923
THE WHITE MOTH
Mrs. Delancey
1924
LEAVE IT TO GERRY
Mrs. Turner-Prescott
1924
A REGULAR FELLOW
Girl's companion
1925
SACKCLOTH AND SCARLET
Beatrice Selignac
1925
HER HONOR THE GOVERNOR
1926
THE KING OF THE TURF
Letitia Selsby
1926
THE ISLE OF RETRIBUTION
Her mother
1926

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.