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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
29 May 1927.
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
PHOTOGRAPHY
Dir of photog
DETAILS
Release Date:
12 June 1927
Copyright Claimant:
Pathé Exchange, inc.
Copyright Date:
7 April 1927
Copyright Number:
LU23835
Physical Properties:
Silent
Black and White
Length(in feet):
4,575
Length(in reels):
5
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Wally Fraser comes to Juniper City to take revenge on the murderer of his father, whom he believes to be Dawson, a local banker. After rescuing the daughter of rancher Crawford from a runaway team, Wally warns Crawford that Al Meggs is cheating in a poker game; in a fight Meggs kills a man and seeks shelter with Dawson. Crawford hires Wally to help drive to the railroad a shipment of cattle, the funds from which are to pay off notes to Dawson. Wally forces Dawson to accept the money and give them a receipt, but they are robbed by Meggs; Wally finds Meggs dying, and before Dawson can shoot him, Meggs finishes off the villain. Wally wins the rancher's daughter, ... +


Wally Fraser comes to Juniper City to take revenge on the murderer of his father, whom he believes to be Dawson, a local banker. After rescuing the daughter of rancher Crawford from a runaway team, Wally warns Crawford that Al Meggs is cheating in a poker game; in a fight Meggs kills a man and seeks shelter with Dawson. Crawford hires Wally to help drive to the railroad a shipment of cattle, the funds from which are to pay off notes to Dawson. Wally forces Dawson to accept the money and give them a receipt, but they are robbed by Meggs; Wally finds Meggs dying, and before Dawson can shoot him, Meggs finishes off the villain. Wally wins the rancher's daughter, Mildred. +

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Revenge, Cowboys, Gambling, Bankers, Murder
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.