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HISTORY

This film was titled A Regular Guy , prior to its release. Some sources list writer-actor Horace B. Carpenter as Horace B. Carpenter. Ed Burns was formerly the foreman of Colonel Cody's Wyoming ranch. Wild and Woolly was Eileen Percy's first film. The film was shot in Arizona, Burbank, CA and the Lasky Hollywood studio. According to a production news item, Victor Fleming supervised all of the photography, which apparently involved more than one camera. ...

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This film was titled A Regular Guy , prior to its release. Some sources list writer-actor Horace B. Carpenter as Horace B. Carpenter. Ed Burns was formerly the foreman of Colonel Cody's Wyoming ranch. Wild and Woolly was Eileen Percy's first film. The film was shot in Arizona, Burbank, CA and the Lasky Hollywood studio. According to a production news item, Victor Fleming supervised all of the photography, which apparently involved more than one camera.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
23 Jun 1917
p. 195
Motog
2 Jun 1917
p. 1148
Motog
30 Jun 1917
p. 1398
MPN
23 Jun 1917
p. 28
MPW
14 Apr 1917
p. 261
MPW
19 May 1917
p. 1134
MPW
16 Jun 1917
p. 1836
MPW
23 Jun 1917
p. 1961, 1962
MPW
30 Jun 1917
p. 2117
NYDM
26 May 1917
p. 22
NYDM
16 Jun 1917
p. 34
NYDM
23 Jun 1917
p. 28
NYDM
30 Jun 1917
p. 26
Variety
22 Jun 1917
p. 23
Wid's
5 Jul 1917
p. 419
DETAILS
Alternate Title:
A Regular Guy
Release Date:
24 June 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Artcraft Pictures Corp.
16 June 1917
LP10954
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

A prologue compares the old West with that of the modern day. In the story, Hollis J. Hillington, the New York president of a Western railroad, and his son Jeff, a nut for Western legend and lore, are introduced. When three representatives from Bitter Creek, Arizona arrive to convince Hillington to run a line through their town, Hillington, hoping to cure Jeff of his obsession, sends him West to investigate. After Nell Larrabee suggests that the town disguise itself to be like the old West, so that Jeff will have a good time and report favorably to his father, they plan a fake train holdup and Indian raid, and secretly exchange Jeff's bullets for fake ones. When Steve Shelby, a crooked Indian agent, leads a real Indian raid and abducts Nell, Jeff, locked in the dance hall, kicks through the ceiling to his room above to get real bullets. He leads a victory over the Indians and rescues Nell, but decides that he has been a fool and goes home. Because Western romances always end in marriage, Jeff and Nell are next seen in Eastern garb in their mansion, which overlooks the Western ...

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A prologue compares the old West with that of the modern day. In the story, Hollis J. Hillington, the New York president of a Western railroad, and his son Jeff, a nut for Western legend and lore, are introduced. When three representatives from Bitter Creek, Arizona arrive to convince Hillington to run a line through their town, Hillington, hoping to cure Jeff of his obsession, sends him West to investigate. After Nell Larrabee suggests that the town disguise itself to be like the old West, so that Jeff will have a good time and report favorably to his father, they plan a fake train holdup and Indian raid, and secretly exchange Jeff's bullets for fake ones. When Steve Shelby, a crooked Indian agent, leads a real Indian raid and abducts Nell, Jeff, locked in the dance hall, kicks through the ceiling to his room above to get real bullets. He leads a victory over the Indians and rescues Nell, but decides that he has been a fool and goes home. Because Western romances always end in marriage, Jeff and Nell are next seen in Eastern garb in their mansion, which overlooks the Western plains.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.