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HISTORY

The start of principal photography at Triangle-Ince Studios in Culver City, CA, was announced in the 27 Oct 1917 Moving Picture World. On the first day of shooting, director Gilbert P. Hamilton employed thirty “stock players” and more than 100 background actors for a courtroom scene. An item in the 19 Oct 1917 Var stated that lead actor Rowland Lee had recently been drafted into the U.S. Army. Although he was scheduled to begin officer training school, the actor requested a leave of absence until the picture was finished. The close of production was reported in the 10 Nov 1917 Motography.
       The Maternal Spark was released on 16 Dec 1917, and opened that same day at the Sennett Theatre in Los Angeles, CA. A pre-release engagement began three days earlier at the Blue Mouse Theatre in Baltimore, MD.
       Some sources have claimed that The Maternal Instinct was the picture’s alternate title. ...

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The start of principal photography at Triangle-Ince Studios in Culver City, CA, was announced in the 27 Oct 1917 Moving Picture World. On the first day of shooting, director Gilbert P. Hamilton employed thirty “stock players” and more than 100 background actors for a courtroom scene. An item in the 19 Oct 1917 Var stated that lead actor Rowland Lee had recently been drafted into the U.S. Army. Although he was scheduled to begin officer training school, the actor requested a leave of absence until the picture was finished. The close of production was reported in the 10 Nov 1917 Motography.
       The Maternal Spark was released on 16 Dec 1917, and opened that same day at the Sennett Theatre in Los Angeles, CA. A pre-release engagement began three days earlier at the Blue Mouse Theatre in Baltimore, MD.
       Some sources have claimed that The Maternal Instinct was the picture’s alternate title.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Baltimore Sun [Baltimore, MD]
13 Dec 1917
p. 1
Exhibitors Trade Review
22 Dec 1917
p. 294
Los Angeles Evening Express
15 Dec 1917
p. 6
Motion Picture News
27 Oct 1917
p. 2910
Motion Picture News
22 Dec 1917
p. 4401
Motography
10 Nov 1917
p. 976
Motography
22 Dec 1917
p. 1288
Motography
29 Dec 1917
p. 1347
Moving Picture World
27 Oct 1917
p. 543
Moving Picture World
22 Dec 1917
p. 1805
Moving Picture World
31 Mar 1917
p. 2118
Variety
19 Oct 1917
p. 10, 43
Variety
14 Dec 1917
p. 43
Wid's Daily
13 Dec 1917
p. 794
DETAILS
Alternate Title:
The Maternal Instinct
Release Date:
16 December 1917
Premiere Information:
Baltimore, MD, opening: 13 Dec 1917; Los Angeles opening: 16 Dec 1917
Production Date:
Oct--early Nov 1917
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Howard Helms takes a high finance job in New York City, and leaves the slumbering town of Pepperell with his wife, Mary, and their young son, Bumpkins. He soon finds success in the stock market and becomes enamored of adventuress Clarice Phillips, causing Mary much sadness. Howard’s employer, Mills, sympathizes with Mary and tricks the wayward husband into losing his fortune. Meanwhile, Mary appeals to Clarice's maternal instincts, pleading with her to leave Howard for the sake of Bumpkins. Despite Clarice’s love for Howard, she ends the affair. The Helms family reunites and returns to Pepperell, wiser and ...

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Howard Helms takes a high finance job in New York City, and leaves the slumbering town of Pepperell with his wife, Mary, and their young son, Bumpkins. He soon finds success in the stock market and becomes enamored of adventuress Clarice Phillips, causing Mary much sadness. Howard’s employer, Mills, sympathizes with Mary and tricks the wayward husband into losing his fortune. Meanwhile, Mary appeals to Clarice's maternal instincts, pleading with her to leave Howard for the sake of Bumpkins. Despite Clarice’s love for Howard, she ends the affair. The Helms family reunites and returns to Pepperell, wiser and happier.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.