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HISTORY

The film was initially titled The Godson of Jeanette Gontreau, after the short story by Francis William Sullivan on which it was based. Some contemporary sources misidentified the title as Three Godsons of Jeanette Gontreau. Referring to the film by that name, the 1 December 1917 Motion Picture News stated that G. P. Hamilton was likely set to direct. Later that month, the 29 December 1917 Motography announced that filming had begun under the direction of Raymond Wells at Triangle Film Corp.’s studio in Culver City, CA. The cast was said to include Allen Sears , William V. Mong, and Aaron Edwards.
       Editing was underway by 5 January 1918, according to that day’s Moving Picture World. The picture was released on 20 January 1918, and received positive reviews in the 26 January 1918 issues of Moving Picture World and Motography.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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The film was initially titled The Godson of Jeanette Gontreau, after the short story by Francis William Sullivan on which it was based. Some contemporary sources misidentified the title as Three Godsons of Jeanette Gontreau. Referring to the film by that name, the 1 December 1917 Motion Picture News stated that G. P. Hamilton was likely set to direct. Later that month, the 29 December 1917 Motography announced that filming had begun under the direction of Raymond Wells at Triangle Film Corp.’s studio in Culver City, CA. The cast was said to include Allen Sears , William V. Mong, and Aaron Edwards.
       Editing was underway by 5 January 1918, according to that day’s Moving Picture World. The picture was released on 20 January 1918, and received positive reviews in the 26 January 1918 issues of Moving Picture World and Motography.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune
19 Jan 1918
p. 9
Exhibitors Herald
2 Feb 1918
p. 42
Exhibitors Trade Review
19 Jan 1918
p. 595, 600
Motion Picture News
1 Dec 1917
p. 3822
Motion Picture News
26 Jan 1918
p. 597
Motography
29 Dec 1917
p. 1359
Motography
26 Jan 1918
p. 181
Moving Picture World
5 Jan 1918
p. 64
Moving Picture World
26 Jan 1918
p. 527, 571
New York Clipper
19 Dec 1917
p. 39
NYDM
29 Jun 1918
p. 1894
Variety
18 Jan 1918
p. 41
Wid's
17 Jan 1918
p. 875
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
PHOTOGRAPHY
Pliny Horn
Cam
SOURCES
LITERARY
Based on the short story "The Godson of Jeanette Gontreau" by Francis William Sullivan in Ladies' Home Journal (Oct 1917).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
The Godson of Jeanette Gontreau
Release Date:
20 January 1918
Premiere Information:
Chicago opening: 19 Jan 1918
Production Date:
Dec 1917
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame. Eventually, however, Jeanette's employer, Frederick Armstrong, confesses that it is he who is guilty of espionage. Jeanette reveals her true age to Harry, who joyfully proposes to ...

More Less

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame. Eventually, however, Jeanette's employer, Frederick Armstrong, confesses that it is he who is guilty of espionage. Jeanette reveals her true age to Harry, who joyfully proposes to her.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.