The World in His Arms (1952)

104 mins | Swashbuckler | August 1952

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HISTORY

The film's title card reads: "Rex Beach's The World in His Arms ." The picture opens with the following written foreword: "History records the United States purchased Alaska on March 30, 1867. This was the realization of a dream that began many years before when Captain Jonathan Clark anchored his schooner, the Pilgrim of Salem, among a thousand abandoned ships that lay rotting in the harbor of...San Francisco 1850." Although in the film Jonathan Clark purchased Alaska for $10 million, U.S. Secretary of State William H. Seward actually bought the territory, then dubbed "Seward's Folly," in 1867 for $7,200,000.
       HR reported in Jul 1946 that Twentieth Century-Fox director Lloyd Bacon originally negotiated to buy the rights to the Rex Beach novel The World in His Arms , hoping to produce it independently with Gene Tierney as the star. International Pictures then bought the film rights for $100,000 about a week later. In Feb 1949, Universal-International announced that it would produce the property, which had been shelved for three years. An Aug 1950 HR news item mentions Errol Flynn in connection with The World in His Arms , and HCN stated in Mar 1951 that Universal was considering Jeff Chandler for the starring role, but Louella Parsons reported in LAEx in Jul 1951 that Gregory Peck and Raoul Walsh, who had worked together on the 1951 Warner Bros. film Captain Horatio Hornblower (see AFI Catalog of Feature Films, 1941-50 ), sold themselves as a package to Universal for this film.
       Some scenes were shot on location at sea off Nova Scotia. According to a ... More Less

The film's title card reads: "Rex Beach's The World in His Arms ." The picture opens with the following written foreword: "History records the United States purchased Alaska on March 30, 1867. This was the realization of a dream that began many years before when Captain Jonathan Clark anchored his schooner, the Pilgrim of Salem, among a thousand abandoned ships that lay rotting in the harbor of...San Francisco 1850." Although in the film Jonathan Clark purchased Alaska for $10 million, U.S. Secretary of State William H. Seward actually bought the territory, then dubbed "Seward's Folly," in 1867 for $7,200,000.
       HR reported in Jul 1946 that Twentieth Century-Fox director Lloyd Bacon originally negotiated to buy the rights to the Rex Beach novel The World in His Arms , hoping to produce it independently with Gene Tierney as the star. International Pictures then bought the film rights for $100,000 about a week later. In Feb 1949, Universal-International announced that it would produce the property, which had been shelved for three years. An Aug 1950 HR news item mentions Errol Flynn in connection with The World in His Arms , and HCN stated in Mar 1951 that Universal was considering Jeff Chandler for the starring role, but Louella Parsons reported in LAEx in Jul 1951 that Gregory Peck and Raoul Walsh, who had worked together on the 1951 Warner Bros. film Captain Horatio Hornblower (see AFI Catalog of Feature Films, 1941-50 ), sold themselves as a package to Universal for this film.
       Some scenes were shot on location at sea off Nova Scotia. According to a HR news item, special photography department head David S. Horsley used a new, time-saving method to process the Technicolor scenes in the picture. Usually, backgrounds were filmed with process plates which later had to be blended with footage of the actors. Instead, Horsley flooded a blank screen with special lights to cancel out all green tones, so actors could be shot without process plates and then backgrounds could be dubbed in at a later date. The DV review described the scenes as "some of the best sea footage ever put on film." Other HR news items reported that the film marked the American film debut of British actor (and later director) Bryan Forbes; that Dave Kashner, who plays the whip man, was cast because of his whip expertise; and that Ann Blyth's stand-in, Alice Krasiva, played a role in the film. The HR review identified Bill Radovich, who plays bulky Inuit "Ogeechuk," as an "ex-football star."
       The World in His Arms had its premiere on the Elendorf Army base in Kodiak, AK in Jun 1952 as part of Universal's 40th anniversary celebration. According to a HR news item, several sailors and marines were injured at the event when they stormed the theater. More Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
21 Jun 1952.
---
Cue
16 Aug 1952.
---
Daily Variety
17 Jun 52
p. 3.
Film Daily
17 Jun 52
p. 6.
Hollywood Citizen-News
28 Mar 1951.
---
Hollywood Reporter
12 Jul 1946.
---
Hollywood Reporter
17 Feb 1949.
---
Hollywood Reporter
3 Aug 51
p. 7.
Hollywood Reporter
16 Aug 51
p. 1.
Hollywood Reporter
5 Sep 51
p. 10.
Hollywood Reporter
14 Sep 51
p. 2, 11.
Hollywood Reporter
19 Sep 51
p. 10.
Hollywood Reporter
1 Oct 51
p. 8.
Hollywood Reporter
11 Oct 51
p. 3.
Hollywood Reporter
26 Oct 51
p. 17.
Hollywood Reporter
2 Nov 51
p. 9.
Hollywood Reporter
7 Feb 52
p. 8.
Hollywood Reporter
26 Mar 52
p. 4.
Hollywood Reporter
5 Jun 52
p. 2.
Hollywood Reporter
17 Jun 52
p. 3.
Hollywood Reporter
25 Jun 52
p. 8.
Hollywood Reporter
15 Jul 52
p. 2.
Los Angeles Examiner
28 Jul 1951.
---
Los Angeles Times
3 Jul 1946.
---
Motion Picture Herald Product Digest
21 Jun 52
p. 1417.
New York Times
10 Oct 52
p. 21.
Variety
18 Jun 52
p. 6.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
Asst dir
Asst dir
Asst dir
Dial dir
PRODUCER
WRITERS
Addl dial
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
FILM EDITOR
Film ed
SET DECORATORS
Set dec
COSTUMES
MUSIC
VISUAL EFFECTS
Spec photog
DANCE
Dances by
MAKEUP
Hairstylist
Makeup
PRODUCTION MISC
Prod mgr
STAND INS
Stand-in for Ann Blyth
COLOR PERSONNEL
Technicolor col consultant
SOURCES
LITERARY
Based on the novel The World in His Arms by Rex Beach (New York, 1946).
AUTHOR
DETAILS
Alternate Title:
Rex Beach's The World in His Arms
Release Date:
August 1952
Premiere Information:
World premiere at Elendorf Army Base in Kodiak, AK: 18 June 1952
Los Angeles opening: 20 August 1952
Production Date:
13 September--late October 1951
Copyright Claimant:
Universal Pictures Co., inc.
Copyright Date:
12 June 1952
Copyright Number:
LP1768
Physical Properties:
Sound
Western Electric Recording
Color
Technicolor
Duration(in mins):
104
Length(in reels):
11
Country:
United States
Language:
English
PCA No:
15671
Passed by NBR:
No
SYNOPSIS

In San Francisco in 1850, Captain Jonathan Clark, along with his first mate, Deacon Greathouse, and Inuit pilot, Ogeechuk, easily rescues his crew, who have been abducted by his competitor, unscrupulous seal-pelt trader Portugee. Jonathan's real rivals, however, are the Russians who have enslaved the native Alaskan Inuits and forced them to kill off the seals indiscriminately for their pelts. Jonathan brings his high-quality furs to local merchant Eben Cleggett, who agrees to help him find enough financing to buy Alaska from the Russians, thus saving both the natives and the seal population. He and his men then take over the city's fanciest hotel, which also houses Russian Countess Marina Selanova, who is on the run from a forced marriage to ruthless Prince Semyon. Her representative, Paul Shushaldin, has contracted with Portugee to sail her to her uncle, Ivan Vorashilov, in Sitka, Alaska, but Portugee now has no crew and so must cancel the deal. Marina sends Paul to Jonathan to entreat him to sail them to Sitka, but as Jonathan despises the Russians, who want to hang him for "stealing" their pelts, he refuses. Desperate, that night Marina infiltrates a party Jonathan is throwing for his men and entrances him with her beauty. She pretends to be the countess's traveling companion, and he takes her to see the city. When she reveals that she wants passage on his ship, Jonathan is initially insulted but finally agrees to her request. By the next day, they have fallen in love, and when Prince Semyon arrives to recapture Marina, she reveals that she is to be married. Jonathan ecstatically plans a lavish wedding, but is informed by the hotel's maitre d' ... +


In San Francisco in 1850, Captain Jonathan Clark, along with his first mate, Deacon Greathouse, and Inuit pilot, Ogeechuk, easily rescues his crew, who have been abducted by his competitor, unscrupulous seal-pelt trader Portugee. Jonathan's real rivals, however, are the Russians who have enslaved the native Alaskan Inuits and forced them to kill off the seals indiscriminately for their pelts. Jonathan brings his high-quality furs to local merchant Eben Cleggett, who agrees to help him find enough financing to buy Alaska from the Russians, thus saving both the natives and the seal population. He and his men then take over the city's fanciest hotel, which also houses Russian Countess Marina Selanova, who is on the run from a forced marriage to ruthless Prince Semyon. Her representative, Paul Shushaldin, has contracted with Portugee to sail her to her uncle, Ivan Vorashilov, in Sitka, Alaska, but Portugee now has no crew and so must cancel the deal. Marina sends Paul to Jonathan to entreat him to sail them to Sitka, but as Jonathan despises the Russians, who want to hang him for "stealing" their pelts, he refuses. Desperate, that night Marina infiltrates a party Jonathan is throwing for his men and entrances him with her beauty. She pretends to be the countess's traveling companion, and he takes her to see the city. When she reveals that she wants passage on his ship, Jonathan is initially insulted but finally agrees to her request. By the next day, they have fallen in love, and when Prince Semyon arrives to recapture Marina, she reveals that she is to be married. Jonathan ecstatically plans a lavish wedding, but is informed by the hotel's maitre d' that Marina is actually the countess, and that she and the prince left for Sitka earlier that morning. Jonathan is crushed, and soon after learns that he has used up all his credit and owes $15,000 to the hotel. He recklessly challenges Portugee to a race to the Alaskan Pribilof islands, with the other's ship as the prize. Prior to Jonathan's race, Cleggett brings him the note for $10 million for the purchase of Alaska, which the Deacon pockets when Jonathan spurns it. During the race, rough weather rages, and although Portugee's boat is faster, Jonathan's superior sailing skills prevail. Meanwhile, in Sitka, Marina repeatedly attempts to escape from the prince, who captures her and threatens to hang both Jonathan and Uncle Ivan, who is failing to make profits from the seal trade. Jonathan sails on to the islands, where the Deacon explains to young sailor William how Jonathan kills only the bachelor seals, leaving the mated seals to repopulate. Portugee arrives as they finish their collection of pelts, and Jonathan invites him aboard. Just then, the prince's gunboat appears on the horizon, and Portugee, realizing they are about to be attacked, attempts to take over the boat and steal the pelts. As the two crews fight, the prince seizes them all and brings them to Sitka as his prisoners. There, Marina visits Jonathan in the dungeon and convinces him that she was forced to leave San Francisco. The Deacon gives her the note for Alaska's purchase and she brings it to the prince, who ignores it. When he orders Jonathan flogged in front of Marina, she throws herself in front of the whip and finally agrees to marry the prince in return for Jonathan's freedom. Jonathan sets sail but turns around as soon as his ship is out of sight and sneaks back to the island just as Marina's wedding ceremony is commencing. While his men attack the prince's guards, Jonathan grabs Marina and flees. Sending her and his men on to the ship, he sets the Russian gunboat on fire. The prince traps Jonathan in the boat, but moments before the gunpowder onboard explodes, Jonathan jumps off. He swims to his ship and embraces a joyful Marina. The Deacon explains to William that, although it is true that Jonathan can now buy Alaska, he will not be interested in that as "he has the world in his arms." +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.