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HISTORY

The title appeared to have gone through small changes. Ladybird was being produced at the Chadwick Studios at 1440 Gower Street in Hollywood, CA, according to the Mar 1927 Photoplay. The 7 Jan 1927 Motion Picture News noted that filming on The Ladybird began that week.
       FD reviewed the film under the title Lady Bird. ...

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The title appeared to have gone through small changes. Ladybird was being produced at the Chadwick Studios at 1440 Gower Street in Hollywood, CA, according to the Mar 1927 Photoplay. The 7 Jan 1927 Motion Picture News noted that filming on The Ladybird began that week.
       FD reviewed the film under the title Lady Bird.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
3 Apr 1927
---
Motion Picture News
7 Jan 1927
p. 49
Photoplay
Mar 1927
p. 102
Variety
9 Mar 1927
p. 17
DETAILS
Alternate Titles:
Lady Bird
Ladybird
Release Date:
15 July 1927
Premiere Information:
New York opening: week of 7 Mar 1927
Production Date:
began early Jan 1927
Physical Properties:
Silent
Black and White
Length(in feet):
6,568
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Preferring to earn her own living, society girl Diana Whyman leaves her guardian's home, gets a dancing job in a New Orleans cabaret, and unwittingly falls in with a band of crooks--known as The Ladybirds--at carnival time. Diana goes through a maze of adventures, which involve the hero (Duncan Spencer), but it is Diana who overcomes the villain with jujitsu until the police ...

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Preferring to earn her own living, society girl Diana Whyman leaves her guardian's home, gets a dancing job in a New Orleans cabaret, and unwittingly falls in with a band of crooks--known as The Ladybirds--at carnival time. Diana goes through a maze of adventures, which involve the hero (Duncan Spencer), but it is Diana who overcomes the villain with jujitsu until the police arrive.

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GENRE
Genre:
Sub-genre:
Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.