The Little Accident (1930)

82 mins | Comedy-drama | 1 September 1930

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HISTORY

This film was based on the 1928 play The Little Accident by Floyd Dell and Thomas Mitchell, and the 1927 novel An Unmarried Father by Floyd Dell. For information on other films based on the play and novel, please consult the entry for the 1944 RKO film Casanova Brown, directed by Sam Wood and starring Gary Cooper and Teresa Wright.
       An article in the 2 April 1930 issue stated that The Little Accident was on the slate of Universal Pictures Corp.’s new “specials only” program, in which 20 pictures were scheduled to be made at the cost of 50; a similar policy had also been adopted for the studio’s shorts program. The 5 December 1929 Film Daily announced that Glenn Tryon was cast as “Norman Overbeck.” However, by 10 May 1930, Tryon had been replaced by Douglas Fairbanks, Jr., as noted in that day’s Hollywood Filmograph. In the meantime, Universal attempted to cast contract player Lew Ayres. An article in the May 1931 Picture Play claimed that Ayres had rejected the role and quoted the actor as saying, “You can do what you like with my contract. I’ll go back to playing in an orchestra before I will do such a part.” Fairbanks, Jr. was borrowed from First National to appear in the picture, according to the 10 May 1930 Motion Picture News.
       Gene Towne was initially hired to adapt the screenplay, as reported in the 14 January 1930 Exhibitors Daily Review and Motion Pictures Today. Although a production chart in the 7 June 1930 Hollywood Filmograph listed both ...

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This film was based on the 1928 play The Little Accident by Floyd Dell and Thomas Mitchell, and the 1927 novel An Unmarried Father by Floyd Dell. For information on other films based on the play and novel, please consult the entry for the 1944 RKO film Casanova Brown, directed by Sam Wood and starring Gary Cooper and Teresa Wright.
       An article in the 2 April 1930 issue stated that The Little Accident was on the slate of Universal Pictures Corp.’s new “specials only” program, in which 20 pictures were scheduled to be made at the cost of 50; a similar policy had also been adopted for the studio’s shorts program. The 5 December 1929 Film Daily announced that Glenn Tryon was cast as “Norman Overbeck.” However, by 10 May 1930, Tryon had been replaced by Douglas Fairbanks, Jr., as noted in that day’s Hollywood Filmograph. In the meantime, Universal attempted to cast contract player Lew Ayres. An article in the May 1931 Picture Play claimed that Ayres had rejected the role and quoted the actor as saying, “You can do what you like with my contract. I’ll go back to playing in an orchestra before I will do such a part.” Fairbanks, Jr. was borrowed from First National to appear in the picture, according to the 10 May 1930 Motion Picture News.
       Gene Towne was initially hired to adapt the screenplay, as reported in the 14 January 1930 Exhibitors Daily Review and Motion Pictures Today. Although a production chart in the 7 June 1930 Hollywood Filmograph listed both Towne and Gladys Lehman as writers, only Lehman was credited in contemporary reviews including the 12 July 1930 Motion Picture News and 9 August 1930 Exhibitors Herald-World. Film Daily also listed Anthony Brown as the dialogue writer. Principal photography began in May 1930 and ended by mid-June 1930, as noted in the 15 June 1930 Film Daily. Around the time of production, a theater manager named Robert McLaughlan in Cleveland, OH, who was staging the play version of The Little Accident, referred to the unfinished film in advertisements for the stage production, claiming that his version included scenes that would be deemed too controversial by the newly established Motion Picture Production Code, or Hays Code. The 14 June 1930 Motion Picture News quoted McLaughlan’s announcement as follows: “Poor Mr. Hays, the movie czar, evidently is having his own troubles taking all the naughty situations out of ‘The Little Accident’ to make it safe for pictures. See it now in its original unexpurgated form before it is slashed by the censor’s knife.”
       June Dwan Smith appeared in the film at three weeks old, according to an item in the September 1930 Photoplay, which noted that Smith was allowed to work only 20 minutes per day at a daily rate of $75.
       Prior to general release on 1 September 1930, the film had a preview screening in early or mid-July 1930 at Los Angeles, CA’s Belmont Theatre. An early opening also occurred on 1 August 1930 in New York City.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Daily Tribune
14 Aug 1930
p. 13
Exhibitors Daily Review and Motion Pictures Today
14 Jan 1930
---
Exhibitors Daily Review and Motion Pictures Today
2 Apr 1930
---
Exhibitors Daily Review and Motion Pictures Today
1 Aug 1930
pp. 1-2
Exhibitors Herald-World
9 Aug 1930
---
Film Daily
5 Dec 1929
---
Film Daily
15 Jun 1930
---
Film Daily
15 Jul 1930
---
Film Daily
3 Aug 1930
---
Hollywood Filmograph
15 Feb 1930
---
Hollywood Filmograph
10 May 1930
---
Hollywood Filmograph
31 May 1930
---
Hollywood Filmograph
7 Jun 1930
p. 32
Hollywood Filmograph
12 Jul 1930
---
Motion Picture News
10 May 1930
---
Motion Picture News
24 May 1930
---
Motion Picture News
14 Jun 1930
---
Motion Picture News
12 July 1930
---
New York Times
4 Aug 1930
p. 13
Photoplay
Sep 1930
---
Picture Play
May 1931
---
Variety
6 Aug 1930
p. 38
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
William James Craft
Dir
Asst dir
PRODUCERS
WRITERS
PHOTOGRAPHY
Roy Overbaugh
Dir of photog
FILM EDITOR
Film ed
SOUND
Rec eng
SOURCES
LITERARY
Based on the play The Little Accident by Floyd Dell and Thomas Mitchell (New York, 9 Oct 1928), and the novel An Unmarried Father by Floyd Dell (New York, 1927).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
1 September 1930
Premiere Information:
New York opening: 1 Aug 1930
Production Date:
May--mid Jun 1930
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Corp.
2 August 1930
LP1455
Physical Properties:
Sound
Movietone
Black and White
Sound, also silent
Also si; 7,289 ft.
Duration(in mins):
82
Length(in feet):
7,897
Length(in reels):
9
Country:
United States
Language:
English
SYNOPSIS

On the day before his scheduled marriage to Madge, Norman Overbeck receives a letter from a maternity hospital in Chicago, and later he learns that he is the father of a three-week-old boy. He suddenly leaves for Chicago, confiding in his friend Gilbert that a year ago he secretly married Isabel Drury in Boston and that she had the marriage annulled. Arriving at the hospital, Norman is subjected to a physical examination. In a reception room he meets Hicks, an expectant father, and Rudolpho, who is waiting to take home his wife and child. Norman denounces Isabel for letting the child out for adoption, and through a ruse, he kidnaps his own child and engages Monica, a wet nurse, to care for it. Monica offers to marry him, then Isabel changes her mind about adoption and demands her child. Matters are further complicated by the arrival of Madge. After much disputation, Norman and Isabel decide to start ...

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On the day before his scheduled marriage to Madge, Norman Overbeck receives a letter from a maternity hospital in Chicago, and later he learns that he is the father of a three-week-old boy. He suddenly leaves for Chicago, confiding in his friend Gilbert that a year ago he secretly married Isabel Drury in Boston and that she had the marriage annulled. Arriving at the hospital, Norman is subjected to a physical examination. In a reception room he meets Hicks, an expectant father, and Rudolpho, who is waiting to take home his wife and child. Norman denounces Isabel for letting the child out for adoption, and through a ruse, he kidnaps his own child and engages Monica, a wet nurse, to care for it. Monica offers to marry him, then Isabel changes her mind about adoption and demands her child. Matters are further complicated by the arrival of Madge. After much disputation, Norman and Isabel decide to start again.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.