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BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Film Daily
17 Jul 1930.
---
New York Times
5 Jul 1930
p. 17.
Variety
9 Jul 1930
p. 19.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PHOTOGRAPHY
Dir of photog
FILM EDITOR
SET DECORATOR
Settings
COSTUMES
SOURCES
SONGS
"Good Intentions," words and music by Cliff Friend and Jimmy Monaco
"Good for Nothing But Love," words and music by William Kernell.
DETAILS
Release Date:
18 May 1930
Copyright Claimant:
Fox Film Corp.
Copyright Date:
26 April 1930
Copyright Number:
LP1299
Physical Properties:
Sound
Movietone
Black and White
Sound, also silent
Also si; 6,350 ft.
Duration(in mins):
76
Length(in feet):
5,815
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Biff Williams, an iron riveter with a weakness for women, falls for the blandishments of glamorous Lynn Crawford, a decoy for racketeers who have an option on property they intend to sell before the option expires. She induces Biff to help sell lots to workingmen at cost, and he involves his pal Danny Madden, who lives with him in Mom Whalen's rooming house. But Biff overtakes the racketeers before their train leaves, returns the money to his fellow workers, and finds romance with Mimi, whom he previously bypassed for the ... +


Biff Williams, an iron riveter with a weakness for women, falls for the blandishments of glamorous Lynn Crawford, a decoy for racketeers who have an option on property they intend to sell before the option expires. She induces Biff to help sell lots to workingmen at cost, and he involves his pal Danny Madden, who lives with him in Mom Whalen's rooming house. But Biff overtakes the racketeers before their train leaves, returns the money to his fellow workers, and finds romance with Mimi, whom he previously bypassed for the blonde. +

GENRE
Genre:
Sub-genre:
with songs


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.