The Thirteenth Chair (1929)

71 mins | Melodrama, Mystery | 19 October 1929

Director:

Tod Browning

Cinematographer:

Merritt Gerstad

Editor:

Harry Reynolds

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

For information on other adaptations of Bayard Veiller's play, please consult the entry below for the 1937 M-G-M film The Thirteenth Chair , directed by George B. Seitz and starring Dame May Whitty and Madge ... More Less

For information on other adaptations of Bayard Veiller's play, please consult the entry below for the 1937 M-G-M film The Thirteenth Chair , directed by George B. Seitz and starring Dame May Whitty and Madge Evans. More Less

BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Variety
22 Jan 1930
p. 30.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Gowns
SOUND
Rec eng
Rec eng
SOURCES
LITERARY
Based on the play The Thirteenth Chair by Bayard Veiller (New York, 20 Nov 1916).
DETAILS
Release Date:
19 October 1929
Copyright Claimant:
Metro-Goldwyn-Mayer Distributing Corp.
Copyright Date:
28 October 1929
Copyright Number:
LP794
Physical Properties:
Sound
Movietone
Black and White
Sound, also silent
Also si; 5,543 ft.
Duration(in mins):
71
Length(in feet):
6,571
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

The mysterious killing of writer Spencer Lee in Calcutta prompts authorities to consult Madame Rosalie La Grange, a reputedly successful medium. At a seance, Wales, Lee's best friend, is killed at the very moment he is about to reveal the murderer's identity; but through a reconstruction of the seance, the killer is frightened into a confession. Ample use is made of sounds emerging from a blackened screen to provide the proper ... +


The mysterious killing of writer Spencer Lee in Calcutta prompts authorities to consult Madame Rosalie La Grange, a reputedly successful medium. At a seance, Wales, Lee's best friend, is killed at the very moment he is about to reveal the murderer's identity; but through a reconstruction of the seance, the killer is frightened into a confession. Ample use is made of sounds emerging from a blackened screen to provide the proper effects. +

GENRE
Genres:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.