Wings of Youth (1925)

Melodrama | 9 May 1925

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HISTORY

The scenario was based on the 1924 short story, "Sisters of Jezebel" by Harold P. Montayne, serialized in Real Life Stories. An article in the 24 January 1925 Moving Picture News reported the acquisition of screen rights by Fox Film Corp., which provisionally titled the project Tainted Souls. While the 14 February 1925 Exhibitors Herald claimed that the picture was due for release the following month, the 7 March 1925 issue stated that principal photography was currently in progress at Fox Studios in Hollywood, CA. Cast members included Alan Hale (May 1925 Motion Picture) and Charles Farrell in his first leading role (August 1926 Picture-Play). Both referred to the production by its working title. Hale’s participation could not be verified by available sources.
       The film was released as Wings of Youth on 9 May 1925, preceded by a 28 April 1925 opening at the Piccadilly Theatre in New York City.
       On 27 January 1927, Exhibitors Daily Review reported that the owners of the Photodrome Theatre in Toronto, Canada, billed the Fox release, Broken Souls, as Wings of Youth, with the approval of the provincial Supreme Court. Fox intended to fight the decision, possibly taking it to the Privy Council of the United Kingdom. Whether this title was a misprint of Tainted Souls or that of an unrelated production could not be determined. Broken Souls is not listed in Fox’s filmography.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent ...

More Less

The scenario was based on the 1924 short story, "Sisters of Jezebel" by Harold P. Montayne, serialized in Real Life Stories. An article in the 24 January 1925 Moving Picture News reported the acquisition of screen rights by Fox Film Corp., which provisionally titled the project Tainted Souls. While the 14 February 1925 Exhibitors Herald claimed that the picture was due for release the following month, the 7 March 1925 issue stated that principal photography was currently in progress at Fox Studios in Hollywood, CA. Cast members included Alan Hale (May 1925 Motion Picture) and Charles Farrell in his first leading role (August 1926 Picture-Play). Both referred to the production by its working title. Hale’s participation could not be verified by available sources.
       The film was released as Wings of Youth on 9 May 1925, preceded by a 28 April 1925 opening at the Piccadilly Theatre in New York City.
       On 27 January 1927, Exhibitors Daily Review reported that the owners of the Photodrome Theatre in Toronto, Canada, billed the Fox release, Broken Souls, as Wings of Youth, with the approval of the provincial Supreme Court. Fox intended to fight the decision, possibly taking it to the Privy Council of the United Kingdom. Whether this title was a misprint of Tainted Souls or that of an unrelated production could not be determined. Broken Souls is not listed in Fox’s filmography.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
14 Feb 1925
p. 63
Exhibitors Herald
7 Mar 1925
p. 65
Exhibitors Daily Review
20 Jan 1927
p. 1
Exhibitors Trade Review
23 May 1925
p. 68
Film Daily
10 May 1925
p. 8
Motion Picture
May 1925
p. 90
Motion Picture Almanac
1929
p. 194
Motion Picture News
2 May 1925
p. 1928
Motion Picture News
16 May 1925
p. 2457
Motion Picture News
23 May 1925
p. 2581
Motion Picture News
6 Jun 1925
p. 2768
Moving Picture World
24 Jan 1925
p. 388
Moving Picture World
9 May 1925
p. 148
New York Times
28 Apr 1925
p. 18
Picture-Play
Aug 1926
p. 54
Variety
6 May 1925
p. 41
DETAILS
Alternate Titles:
Tainted Souls
The Wings of Youth
Release Date:
9 May 1925
Premiere Information:
New York opening: week of 28 Apr 1925
Production Date:
began Feb 1925
Copyright Info
Claimant
Date
Copyright Number
William Fox
19 April 1925
LP21427
Physical Properties:
Silent
Black and White
Length(in feet):
5,340
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Katherine Manners discovers that her three daughters are running wild: Betty and Madelyne are involved with unworthy men, while Gwendolyn, a studious girl with an independent mind, is having an affair with Grantland Dobbs, a married man. Because none of the girls are dependent on her, Katherine takes extreme measures to correct their behavior. She travels to Europe and returns with a husband much younger than herself, then moves into a luxury apartment and gives herself up to reckless pleasures. When Madelyne finally berates her mother for her unbecoming conduct, Katherine reveals that she has been feigning drunkenness and frivolity to show her daughters the errors of their ways. She then introduces her "husband" as the girls' British cousin. Although Gwendolyn is seemingly unimpressed, she and her sisters change their ways and choose suitable partners. ...

More Less

Katherine Manners discovers that her three daughters are running wild: Betty and Madelyne are involved with unworthy men, while Gwendolyn, a studious girl with an independent mind, is having an affair with Grantland Dobbs, a married man. Because none of the girls are dependent on her, Katherine takes extreme measures to correct their behavior. She travels to Europe and returns with a husband much younger than herself, then moves into a luxury apartment and gives herself up to reckless pleasures. When Madelyne finally berates her mother for her unbecoming conduct, Katherine reveals that she has been feigning drunkenness and frivolity to show her daughters the errors of their ways. She then introduces her "husband" as the girls' British cousin. Although Gwendolyn is seemingly unimpressed, she and her sisters change their ways and choose suitable partners.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.