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HISTORY

The Midnight Ace marked the first and possibly only film made by Dunbar Film Corp., located in the Franklin Theater building on Lenox Avenue in New York City. Swan E. Micheaux, Jr., who had previously worked for eight years with his brother, noted African-American filmmaker Oscar Micheaux, had formed Dunbar Film Corp. with the support of white investors. While the president of the company, Peter Eckert, and the secretary and treasurer, Bertha Elwald, were white, the director of the film, John H. Wade, was black, as was Swan Micheaux. Around the time of filming, an item in the 10 Mar 1928 Afro-American pointed out that Oscar Micheaux’s company, with which Swan Micheaux was no longer associated, had gone into bankruptcy three weeks earlier.
       According to the 17 Mar 1928 Afro-American, Swan Micheaux had secured the film rights to twelve properties by story writer Jack Harrison, and through Dunbar he intended to release a film every six weeks. Micheaux was responsible for booking, buying and supervising production on The Midnight Ace, which cost a reported $8,000. Filming took place at the Warner Bros. studio facility in Brooklyn, NY, beginning 1 Mar 1928 and ending exactly one month later, as stated in the 5 May 1928 Pittsburgh Courier. Five of the fifteen cast members were said to be white.
       Production on Dunbar’s second film, The Champion’s Protege, was scheduled to begin on 15 May 1928, as noted in Pittsburgh Courier. However, that film may not have been completed or released.
       The Midnight Ace was scheduled to open in New York City on 5 ...

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The Midnight Ace marked the first and possibly only film made by Dunbar Film Corp., located in the Franklin Theater building on Lenox Avenue in New York City. Swan E. Micheaux, Jr., who had previously worked for eight years with his brother, noted African-American filmmaker Oscar Micheaux, had formed Dunbar Film Corp. with the support of white investors. While the president of the company, Peter Eckert, and the secretary and treasurer, Bertha Elwald, were white, the director of the film, John H. Wade, was black, as was Swan Micheaux. Around the time of filming, an item in the 10 Mar 1928 Afro-American pointed out that Oscar Micheaux’s company, with which Swan Micheaux was no longer associated, had gone into bankruptcy three weeks earlier.
       According to the 17 Mar 1928 Afro-American, Swan Micheaux had secured the film rights to twelve properties by story writer Jack Harrison, and through Dunbar he intended to release a film every six weeks. Micheaux was responsible for booking, buying and supervising production on The Midnight Ace, which cost a reported $8,000. Filming took place at the Warner Bros. studio facility in Brooklyn, NY, beginning 1 Mar 1928 and ending exactly one month later, as stated in the 5 May 1928 Pittsburgh Courier. Five of the fifteen cast members were said to be white.
       Production on Dunbar’s second film, The Champion’s Protege, was scheduled to begin on 15 May 1928, as noted in Pittsburgh Courier. However, that film may not have been completed or released.
       The Midnight Ace was scheduled to open in New York City on 5 May 1928, as announced in the 28 Apr 1928 Chicago Defender; however, that opening could not be confirmed. The film made its debut in Pittsburgh, PA, in late Jul 1928, and in Chicago, IL, the week of 15 Oct 1928, at the Vendome Theatre, as cited in contemporary sources. Sylvester Russell’s review of the Chicago opening, published in the 20 Oct 1928 Pittsburgh Courier, stated: "While it [the film] was only fair it is a slight improvement on his [Swan Micheaux's] brother Oscar. It had one thrill."
       According to items in the 28 Mar 1928 Var and 7 Apr 1928 Afro-American, a stage production of The Midnight Ace was in the works, to be produced by Ray Dugas, and starring Lawrence Chenault.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Afro-American [Baltimore, MD]
10 Mar 1928
p. 9
Afro-American [Baltimore, MD]
17 Mar 1928
p. 8
Afro-American [Baltimore, MD]
7 Apr 1928
p. 9
Afro-American [Baltimore, MD]
6 Oct 1928
p. 9
Afro-American [Baltimore, MD]
27 Oct 1928
p. 9
Afro-American [Baltimore, MD]
15 Jun 1929
p. 10
Chicago Defender
31 Mar 1928
p. 6
Chicago Defender
28 Apr 1928
p. 7
Pittsburgh Courier
24 Mar 1928
p. 15
Pittsburgh Courier
5 May 1928
Sec. II, p. 3
Pittsburgh Courier
20 Oct 1928
Section A, p. 3
Variety
28 Mar 1928
p. 48
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Supv of prod
WRITER
DETAILS
Release Date:
30 April 1928
Premiere Information:
Pittsburgh opening: 30 Jul 1928; Chicago opening: week of 15 Oct 1928
Production Date:
1 Mar--1 Apr 1928 at Warner Bros. studio in Brooklyn, NY
Physical Properties:
Silent
Black and White
Length(in feet):
6,500
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

A young black girl falls in love with a master criminal, believing him to be a good and decent man. The criminal and his gang's many robberies leave the city gripped in terror. After the criminal calls the police to direct them to the site of the latest robbery, a black detective finds a playing card, the ace of spades, at the scene of the crime. The detective is hopelessly in love with the girl who loves the criminal. After the detective finds another clue leading to the identification of the criminal, he informs the girl that the man she loves is a crook and a philanderer. The criminal's wife finds a photograph of the girl in her home and horsewhips her husband, who then beats her and turns on the gas in their kitchen, leaving her to die. The girl saves the wife, and they go to the scene of the next robbery, where the criminal and his gang are apprehended. At the trial, as he is being sentenced, the criminal escapes from the courtroom and makes a break for freedom. The stolen car in which he flees goes over a cliff, however, and carries him to a rocky death. The detective and the girl find love and happiness with each ...

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A young black girl falls in love with a master criminal, believing him to be a good and decent man. The criminal and his gang's many robberies leave the city gripped in terror. After the criminal calls the police to direct them to the site of the latest robbery, a black detective finds a playing card, the ace of spades, at the scene of the crime. The detective is hopelessly in love with the girl who loves the criminal. After the detective finds another clue leading to the identification of the criminal, he informs the girl that the man she loves is a crook and a philanderer. The criminal's wife finds a photograph of the girl in her home and horsewhips her husband, who then beats her and turns on the gas in their kitchen, leaving her to die. The girl saves the wife, and they go to the scene of the next robbery, where the criminal and his gang are apprehended. At the trial, as he is being sentenced, the criminal escapes from the courtroom and makes a break for freedom. The stolen car in which he flees goes over a cliff, however, and carries him to a rocky death. The detective and the girl find love and happiness with each other.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.