Full page view
HISTORY

In 1927, Warner Bros. released Sailor Izzy Murphy starring George Jessel (see entry). While that film, which was directed by Henry Lehrman and co-starred Audrey Ferris, is not directly related to Private Izzy Murphy, reviews of Sailor Izzy Murphy noted that the title and comic situations capitalized on the earlier film's success. ...

More Less

In 1927, Warner Bros. released Sailor Izzy Murphy starring George Jessel (see entry). While that film, which was directed by Henry Lehrman and co-starred Audrey Ferris, is not directly related to Private Izzy Murphy, reviews of Sailor Izzy Murphy noted that the title and comic situations capitalized on the earlier film's success.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
14 Nov 1926
---
MPW
30 Oct 1926
---
New York Times
10 Nov 1926
p. 25
Variety
10 Nov 1926
p. 14
DETAILS
Release Date:
30 October 1926
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
20 October 1926
LP23177
Physical Properties:
Silent
Black and White
Length(in feet):
7,889
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Isadore Goldberg, an enterprising Russian Jew, comes to the United States and establishes himself in the delicatessen business so that he can one day send for his parents. Forced to vacate his store, Izzy relocates in an Irish neighborhood; there, after he changes his surname to "Murphy," his business prospers. While waiting for a subway train, Izzy recovers a girl's handkerchief; later, he meets her in his store and learns that she is Eileen Cohannigan, from whose father he buys foodstuffs. After the arrival of Izzy's parents, he embarks for France with an all-Irish regiment and inspires his comrades to deeds of valor. He is welcomed home by Cohannigan, but when Cohannigan learns that he is Jewish, he denounces his daughter for loving him. With the aid of his service buddies, however, Izzy and Eileen head for City Hall to be ...

More Less

Isadore Goldberg, an enterprising Russian Jew, comes to the United States and establishes himself in the delicatessen business so that he can one day send for his parents. Forced to vacate his store, Izzy relocates in an Irish neighborhood; there, after he changes his surname to "Murphy," his business prospers. While waiting for a subway train, Izzy recovers a girl's handkerchief; later, he meets her in his store and learns that she is Eileen Cohannigan, from whose father he buys foodstuffs. After the arrival of Izzy's parents, he embarks for France with an all-Irish regiment and inspires his comrades to deeds of valor. He is welcomed home by Cohannigan, but when Cohannigan learns that he is Jewish, he denounces his daughter for loving him. With the aid of his service buddies, however, Izzy and Eileen head for City Hall to be married.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

Star Wars

The film’s title card is preceded by the statement: “A long time ago in a galaxy far, far away....” Afterward, a prologue reads: “It is a period of ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.