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HISTORY

Edward A. Locke wrote The Revolt for stage actress Helen Ware, according to the 7 October 1916 Moving Picture World. It was a popular Shubert-produced play on Broadway. The 20 July 1916 Moving Picture World announced that Barry O'Neil would soon begin directing the motion picture version, starring Gail Kane. However, Kane was not involved in the final production.
       The 9 September 1916 Motion Picture News reported that filming was currently underway at the Peerless studio in Fort Lee, NJ.
       Reviewer Peter Milne, in the 7 October 1916 Motion Picture News, commented on the use of makeup that realistically transformed Frances Nelson and Clara Whipple from "young girls without a care" in the first scene to "the later part in the picture when Anna has matured and Lena coarsened."
       The November 1916 Motion Picture Magazine ran a photo-illustrated short story adaptation of The Revolt.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January 2021. ...

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Edward A. Locke wrote The Revolt for stage actress Helen Ware, according to the 7 October 1916 Moving Picture World. It was a popular Shubert-produced play on Broadway. The 20 July 1916 Moving Picture World announced that Barry O'Neil would soon begin directing the motion picture version, starring Gail Kane. However, Kane was not involved in the final production.
       The 9 September 1916 Motion Picture News reported that filming was currently underway at the Peerless studio in Fort Lee, NJ.
       Reviewer Peter Milne, in the 7 October 1916 Motion Picture News, commented on the use of makeup that realistically transformed Frances Nelson and Clara Whipple from "young girls without a care" in the first scene to "the later part in the picture when Anna has matured and Lena coarsened."
       The November 1916 Motion Picture Magazine ran a photo-illustrated short story adaptation of The Revolt.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture Magazine
Nov 1916
pp. 99-106
Motion Picture News
7 Oct 1916
p. 2157, 2226
Motography
28 Oct 1916
p. 992
Moving Picture World
15 Apr 1916
p. 463
Moving Picture World
29 Jul 1916
p. 781
Moving Picture World
9 Sep 1916
p. 1535
Moving Picture World
28 Oct 1916
p. 63
New York Clipper
14 Oct 1916
p. 33
NYDM
30 Sep 1916
p. 26
Variety
22 Sep 1916
p. 49
Wid's
28 Sep 1916
p. 991
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Prod
Presents
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the play The Revolt by Edward Locke (New York, 1 Apr 1915).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
2 October 1916
Production Date:
September 1916
Copyright Info
Claimant
Date
Copyright Number
World Film Corp.
15 September 1916
LU9131
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Anna, an idealistic shopgirl, marries one of her company's wealthy salesmen John Stevens, and fully enjoys the role of wife and mother. John, however, comes to resent the meddling of Anna's stepmother, who lives with them, and takes advantage of society's double standard by pursuing other women, while expecting Anna to remain faithful. Eventually, she gets fed up with John, and decides to adopt his philosophy. She leaves Nannie, her sickly child, with her stepmother, and accepts a party invitation from one of her former fellow shopgirls, Lena Schmidt, who has maintained her rowdy ways. At the party, one of Lena's friends tries to seduce Anna. Doctor Goode saves her, however, and takes her home. Meanwhile, John has also returned from a night out, and is frantic over Nannie's condition. Doctor Goode heals Nannie, and then mends John and Lena's marriage, as he convinces John to accept the responsibilities that go with being a husband and a ...

More Less

Anna, an idealistic shopgirl, marries one of her company's wealthy salesmen John Stevens, and fully enjoys the role of wife and mother. John, however, comes to resent the meddling of Anna's stepmother, who lives with them, and takes advantage of society's double standard by pursuing other women, while expecting Anna to remain faithful. Eventually, she gets fed up with John, and decides to adopt his philosophy. She leaves Nannie, her sickly child, with her stepmother, and accepts a party invitation from one of her former fellow shopgirls, Lena Schmidt, who has maintained her rowdy ways. At the party, one of Lena's friends tries to seduce Anna. Doctor Goode saves her, however, and takes her home. Meanwhile, John has also returned from a night out, and is frantic over Nannie's condition. Doctor Goode heals Nannie, and then mends John and Lena's marriage, as he convinces John to accept the responsibilities that go with being a husband and a father.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.