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HISTORY

A full-page Famous Players Film Company advertisement in the 22 Oct 1914 Motion Picture News, several months after the film’s release, appeared to spell the title “After Math,” with a space in the middle, above a photograph of the two main actors from the film. However, the space may have been a graphic designer’s element. The film was billed as “A modern drama of error and atonement—the thrilling story of two souls that emerge from the depths.”
       A brief synopsis in the 22 Aug 1914 Motography elaborated on the reaction of “Allan Buchannan” after he learned of “Ruth Morgan’s” earlier indiscretions: “Overwhelmed by the crushing revelation, Allan thrusts her from him, and the aftermath of the terrible past seems about to engulf both, when, through a thrilling combination of circumstances, Allan learns to forgive.”
       The 3 Jan 1915 Reel Life reported that the courts “have dismissed the injunction suit of the Famous Players Film Company against the American Film Manufacturing Company, to restrain the latter from the use of the title The Aftermath.” American Film had released a two-reel film called The Aftermath, starring William Garwood, on 31 Aug 1914, a month after Famous Players’ Aftermath.
       Aftermath was Columbia University professor William Addison Hervey's only filmed play. He died of in influenza in 1918. ...

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A full-page Famous Players Film Company advertisement in the 22 Oct 1914 Motion Picture News, several months after the film’s release, appeared to spell the title “After Math,” with a space in the middle, above a photograph of the two main actors from the film. However, the space may have been a graphic designer’s element. The film was billed as “A modern drama of error and atonement—the thrilling story of two souls that emerge from the depths.”
       A brief synopsis in the 22 Aug 1914 Motography elaborated on the reaction of “Allan Buchannan” after he learned of “Ruth Morgan’s” earlier indiscretions: “Overwhelmed by the crushing revelation, Allan thrusts her from him, and the aftermath of the terrible past seems about to engulf both, when, through a thrilling combination of circumstances, Allan learns to forgive.”
       The 3 Jan 1915 Reel Life reported that the courts “have dismissed the injunction suit of the Famous Players Film Company against the American Film Manufacturing Company, to restrain the latter from the use of the title The Aftermath.” American Film had released a two-reel film called The Aftermath, starring William Garwood, on 31 Aug 1914, a month after Famous Players’ Aftermath.
       Aftermath was Columbia University professor William Addison Hervey's only filmed play. He died of in influenza in 1918.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motography
22 Aug 1914
p. 268
Motion Picture News
22 Aug 1914
p. 7, 49
Motion Picture News
26 Sep 1914
p. 49
Motion Picture News
22 Oct 1914
p. 7
Moving Picture World
5 Sep 1914
p. 1348
Moving Picture World
12 Sep 1914
p. 1564
Reel Life
3 Jan 1915
p. 6
Variety
15 Aug 1914
p. 8
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
PRODUCER
Prod
Presents
SOURCES
LITERARY
Based on the play Aftermath by William Addison Hervey (production undetermined).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
After Math
Release Date:
20 August 1914
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
4,000
Length(in reels):
4
Country:
United States
Language:
English
SYNOPSIS

“Ruth Morgan, an orphaned girl, and Allan Buchanan, a young physician, leave their respective homes in the village to seek their fortune in the city. Ruth Morgan obtains employment with a metropolitan florist, while Allan Buchanan works hard to establish a big practice. Ruth meets a fascinating man-about-town, who betrays and deserts the young girl, leaving her the victim of remorse and despair. Allan Buchanan makes a mistake in a prescription which causes the death of a child, and this tragedy, combined with the horror of his sister’s pathetic death in a railroad accident, drives him to the river’s edge, in search of merciful oblivion. On the very brink of the depths, he meets Ruth, who has come hither bent on the same tragic purpose. The two waifs of misfortune, thus strangely thrown together, save each other from suicide, and begin the struggle back to hope and faith together. Allan chances to be of service to a wealthy young man, hurt in an accident, who gratefully obtains a paying position for Allan, enabling him and Ruth to marry. The benefactor calls one day, and proves to be the man of Ruth’s wretched past. In agony and shame, Ruth confesses her pathetic history to Allan, who finds this new sorrow greater even than those of his own past, but at last his love and loyalty to Ruth prove stronger than all the doubts and griefs of the moment, and in the light of a new happiness and a truer faith, they forget the shadows that lay behind them.”—12 Sep 1914 Moving Picture World ...

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“Ruth Morgan, an orphaned girl, and Allan Buchanan, a young physician, leave their respective homes in the village to seek their fortune in the city. Ruth Morgan obtains employment with a metropolitan florist, while Allan Buchanan works hard to establish a big practice. Ruth meets a fascinating man-about-town, who betrays and deserts the young girl, leaving her the victim of remorse and despair. Allan Buchanan makes a mistake in a prescription which causes the death of a child, and this tragedy, combined with the horror of his sister’s pathetic death in a railroad accident, drives him to the river’s edge, in search of merciful oblivion. On the very brink of the depths, he meets Ruth, who has come hither bent on the same tragic purpose. The two waifs of misfortune, thus strangely thrown together, save each other from suicide, and begin the struggle back to hope and faith together. Allan chances to be of service to a wealthy young man, hurt in an accident, who gratefully obtains a paying position for Allan, enabling him and Ruth to marry. The benefactor calls one day, and proves to be the man of Ruth’s wretched past. In agony and shame, Ruth confesses her pathetic history to Allan, who finds this new sorrow greater even than those of his own past, but at last his love and loyalty to Ruth prove stronger than all the doubts and griefs of the moment, and in the light of a new happiness and a truer faith, they forget the shadows that lay behind them.”—12 Sep 1914 Moving Picture World

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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