Psych-Out (1968)

88 mins | Drama | 6 March 1968

Director:

Richard Rush

Producer:

Dick Clark

Cinematographer:

Leslie Kovacs

Editor:

Ken Reynolds

Production Designer:

Leon Ericksen

Production Company:

Dick Clark Enterprises
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HISTORY

Working titles included Love Is a Four-Letter Word, The Love Children, and Love in Haight, according to items in the 19 May 1967 DV and 7 Jan 1968 LAT.
       Psych-Out marked the first feature film produced by radio and television personality Dick Clark. In an interview published in the 10 Nov 1967 DV, Clark claimed he wanted to make a film about “hippies” because they were “the most influential, most important and most talked-about group of kids in America.” He noted that the picture would not deliver preachments but would accurately depict hippie culture, which he described as “great” in theory but ultimately ruined by drug abuse. An item in the 19 May 1967 DV stated that Jack Nicholson had been hired to write the script. However, Nicholson was credited only as an actor in the final film, and the 21 Jun 1967 DV announced that Betty Ulius had been brought on to write the screenplay. Conflicting writing credits appeared in reviews. The 13 Mar 1968 Var and 25 Apr 1968 LAT credited the screenplay to Betty Ulius and E. Hunter Willett, with story credit going to Willett, while the 28 Mar 1968 NYT stated that the screenplay was written by Betty Tusher and Betty Ulius, based on a story by Tusher.
       The 1 Nov 1967 DV announced that American International Pictures (AIP) would distribute. Filming took place sometime in the summer or fall of 1967 in the Haight-Ashbury neighborhood of San Francisco, CA, and at locations in and around Fairfax Avenue in ...

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Working titles included Love Is a Four-Letter Word, The Love Children, and Love in Haight, according to items in the 19 May 1967 DV and 7 Jan 1968 LAT.
       Psych-Out marked the first feature film produced by radio and television personality Dick Clark. In an interview published in the 10 Nov 1967 DV, Clark claimed he wanted to make a film about “hippies” because they were “the most influential, most important and most talked-about group of kids in America.” He noted that the picture would not deliver preachments but would accurately depict hippie culture, which he described as “great” in theory but ultimately ruined by drug abuse. An item in the 19 May 1967 DV stated that Jack Nicholson had been hired to write the script. However, Nicholson was credited only as an actor in the final film, and the 21 Jun 1967 DV announced that Betty Ulius had been brought on to write the screenplay. Conflicting writing credits appeared in reviews. The 13 Mar 1968 Var and 25 Apr 1968 LAT credited the screenplay to Betty Ulius and E. Hunter Willett, with story credit going to Willett, while the 28 Mar 1968 NYT stated that the screenplay was written by Betty Tusher and Betty Ulius, based on a story by Tusher.
       The 1 Nov 1967 DV announced that American International Pictures (AIP) would distribute. Filming took place sometime in the summer or fall of 1967 in the Haight-Ashbury neighborhood of San Francisco, CA, and at locations in and around Fairfax Avenue in Los Angeles, CA. Director of photography Laszlo Kovacs was credited as "Leslie Kovacs."
       The 3 Jul 1968 Var referred to Psych-Out as a “sleeper critical success.” Reviews in the 13 Mar 1968 Var, 28 Mar 1968 NYT, and 25 Apr 1968 LAT were largely favorable. LAT’S Kevin Thomas lamented that director Richard Rush did not have final cut, which resulted in the removal of thirteen minutes of footage that reportedly contained some “crucial” material, according to Rush. The NYT review referred to a climactic house burning sequence that had no conclusion, likely due to the edits.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 May 1967
p. 12
Daily Variety
21 Jun 1967
p. 10
Daily Variety
1 Nov 1967
p. 6
Daily Variety
10 Nov 1967
p. 12
Daily Variety
19 Dec 1967
p. 6
Los Angeles Times
7 Jan 1968
Section B, p. 18, 20
Los Angeles Times
13 Jan 1968
Section B, p. 7
Los Angeles Times
19 Apr 1968
Section D, p. 15
Los Angeles Times
25 Apr 1968
Section E, p. 11
New York Times
28 Mar 1968
p. 52
Variety
13 Mar 1968
p. 6
Variety
3 Jul 1968
p. 7
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITERS
Story and scr
PHOTOGRAPHY
Dir of photog
Cam op
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Asst film ed
SET DECORATOR
Set dec
COSTUMES
Ward mistress
MUSIC
Orig score & adpt
SOUND
Sd mix
Sd boom
VISUAL EFFECTS
Spec eff
Sp lighting eff
MAKEUP
Makeup artist
Hairstyles
PRODUCTION MISC
Prod mgr
Scr supv
Prod secy
Ch elec
Stills
Key grip
Key grip
Prop master
Titles & effects
SOURCES
SONGS
"The Pretty Song" and "The World's On Fire," words and music by The Strawberry Alarm Clock; "Rainy Day Mushroom Pillow," words and music by Steven Bartek and George Bunnell; "Two Fingers Pointing on You," words and music by Sky Saxon; "Ashbury Wednesday," words and music by Rusty Young, Mitchell Mitchell, Joe E. Neddo, George Grantham and S. Bush; "Psych-Out Sanctorum," "The Love Children" and "Psych-Out," words and music by Ronald Stein; "Beads of Innocence," words and music by Harlene Stein and Ronald Stein; "Incense and Peppermints," words and music John S. Carter, Jr. and Tim Gilbert.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Love in Haight
Love Is a Four-Letter Word
The Love Children
Release Date:
6 March 1968
Premiere Information:
San Francisco opening: 6 Mar 1968; New York opening: 27 Mar 1968; Los Angeles opening: 24 Apr 1968
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Dick Clark Enterprises
13 March 1968
LP35618
Physical Properties:
Sound
Color
Pathe Color
Duration(in mins):
88
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Jennie Davis, a 17-year-old deaf runaway, arrives in San Francisco's Haight-Ashbury district to search for her missing brother Steve, an artist. Wandering into a hippie coffee shop, she meets Stoney, Ben, and Elwood--three members of an unsuccessful rock group. They help her elude two policemen who are looking for her and persuade her to exchange her "square" clothing for something more suitable. With the help of Stoney's friend Dave, they continue to search for Steve but find no trace of him. After learning that some young thugs are also looking for Steve, Stoney runs into Steve and talks him into visiting Jennie at the hangout where Stoney's combo is performing. Though Steve appears there the next day, he is forced to flee when he is spotted by the thugs. Dave takes the near-hysterical Jennie to Stoney's apartment, where he attempts to quiet her down and then seduce her by giving her a psychedelic drug. Unaware of what she has swallowed, Jennie runs out in the night to continue her search for her brother, who, unable to escape from his pursuers, has barricaded himself in his house and set fire to it. Jennie arrives in the area and wanders into the traffic on the Golden Gate Bridge. Stoney and Dave come to her rescue; but Dave, also in a daze, is killed by a car while carrying Jennie to safety. United by their mutual contempt for the outside world, Jennie and Stoney leave ...

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Jennie Davis, a 17-year-old deaf runaway, arrives in San Francisco's Haight-Ashbury district to search for her missing brother Steve, an artist. Wandering into a hippie coffee shop, she meets Stoney, Ben, and Elwood--three members of an unsuccessful rock group. They help her elude two policemen who are looking for her and persuade her to exchange her "square" clothing for something more suitable. With the help of Stoney's friend Dave, they continue to search for Steve but find no trace of him. After learning that some young thugs are also looking for Steve, Stoney runs into Steve and talks him into visiting Jennie at the hangout where Stoney's combo is performing. Though Steve appears there the next day, he is forced to flee when he is spotted by the thugs. Dave takes the near-hysterical Jennie to Stoney's apartment, where he attempts to quiet her down and then seduce her by giving her a psychedelic drug. Unaware of what she has swallowed, Jennie runs out in the night to continue her search for her brother, who, unable to escape from his pursuers, has barricaded himself in his house and set fire to it. Jennie arrives in the area and wanders into the traffic on the Golden Gate Bridge. Stoney and Dave come to her rescue; but Dave, also in a daze, is killed by a car while carrying Jennie to safety. United by their mutual contempt for the outside world, Jennie and Stoney leave together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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