The Babysitter (1969)

R | 76 mins | Melodrama | 21 May 1969

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HISTORY

George E. Carey’s casting was announced in the 19 Apr 1968 DV, which listed Normandy Productions as the producing entity. Filming took place on location in suburban areas around Los Angeles, CA, sometime between spring 1968 and early fall 1968, when the 10 Oct 1968 DV stated that Robert O. Ragland’s score had been completed.
       Crown International acquired distribution rights in late 1968, as reported in the 20 Dec 1968 DV. Following a May 1969 release, the 14 Jul 1969 DV stated that The Babysitter had taken in $200,000 in box-office receipts, making it Crown International’s highest-grossing film, to date. At the time, it was showing on a double bill with another Crown picture, The Fountain of Love (1968, see entry).
       Director Don Henderson and actor George E. Carey re-teamed for Weekend with the Babysitter (1970, see entry), in which Carey played a different character having an affair with babysitter “Candy Wilson,” this time played by Susan Romen instead of Patricia Wymer. ...

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George E. Carey’s casting was announced in the 19 Apr 1968 DV, which listed Normandy Productions as the producing entity. Filming took place on location in suburban areas around Los Angeles, CA, sometime between spring 1968 and early fall 1968, when the 10 Oct 1968 DV stated that Robert O. Ragland’s score had been completed.
       Crown International acquired distribution rights in late 1968, as reported in the 20 Dec 1968 DV. Following a May 1969 release, the 14 Jul 1969 DV stated that The Babysitter had taken in $200,000 in box-office receipts, making it Crown International’s highest-grossing film, to date. At the time, it was showing on a double bill with another Crown picture, The Fountain of Love (1968, see entry).
       Director Don Henderson and actor George E. Carey re-teamed for Weekend with the Babysitter (1970, see entry), in which Carey played a different character having an affair with babysitter “Candy Wilson,” this time played by Susan Romen instead of Patricia Wymer.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
19 Apr 1968
p. 10
Daily Variety
10 Oct 1968
p. 2
Daily Variety
20 Dec 1968
p. 6
Daily Variety
14 Jul 1969
p. 3
Daily Variety
15 Apr 1970
p. 8
Variety
28 May 1969
p. 14, 22
Variety
8 Oct 1969
p. 28
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
Orig story
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Film ed
MUSIC
Mus comp & cond
Lyrics
SOUND
MAKEUP
Makeup
PRODUCTION MISC
Scr supv
Prod asst
Lighting gaffer
Title des
SOURCES
SONGS
"Candy's Theme," music by Robert O. Ragland, lyrics by Sid Wayne, performed by The Food.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Release Date:
21 May 1969
Premiere Information:
San Francisco opening: 21 May 1969
Production Date:
1968
Physical Properties:
Sound
Black and White
Duration(in mins):
76
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
150
SYNOPSIS

Tired of the bridge games that consume his married life, middle-aged Assistant District Attorney George Maxwell finds himself responding to the advances of his teenaged babysitter, Candy. Maxwell has been assigned to prosecute motorcycle gang leader Laurence Mackey for the brutal slaying of Doris Winkler. Mackey's girl friend, Julie, decides to blackmail the prosecutor into dropping the case by gathering evidence of his daughter Joan's lesbian activities, but Julie stumbles upon Maxwell's blossoming romance instead and photographs him with the babysitter. Confronted by the incriminating evidence, Maxwell realizes that both his marriage and his career are at stake and calls Candy to end the affair. She convinces two friends to visit Julie; they force her to divulge the hiding place of the negatives and then plant marijuana where it will be easily discovered when Candy phones the police. The next day, the newspapers are filled with news of Mackey's conviction and with praise for the prosecutor. Maxwell's letter of resignation arrives as the district attorney examines the photographs sent by special delivery, but all goes well. Maxwell's resignation is refused, and his wife, who has also received copies of the photos, concedes that perhaps they have indeed been spending too much time playing ...

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Tired of the bridge games that consume his married life, middle-aged Assistant District Attorney George Maxwell finds himself responding to the advances of his teenaged babysitter, Candy. Maxwell has been assigned to prosecute motorcycle gang leader Laurence Mackey for the brutal slaying of Doris Winkler. Mackey's girl friend, Julie, decides to blackmail the prosecutor into dropping the case by gathering evidence of his daughter Joan's lesbian activities, but Julie stumbles upon Maxwell's blossoming romance instead and photographs him with the babysitter. Confronted by the incriminating evidence, Maxwell realizes that both his marriage and his career are at stake and calls Candy to end the affair. She convinces two friends to visit Julie; they force her to divulge the hiding place of the negatives and then plant marijuana where it will be easily discovered when Candy phones the police. The next day, the newspapers are filled with news of Mackey's conviction and with praise for the prosecutor. Maxwell's letter of resignation arrives as the district attorney examines the photographs sent by special delivery, but all goes well. Maxwell's resignation is refused, and his wife, who has also received copies of the photos, concedes that perhaps they have indeed been spending too much time playing bridge.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.