The Slender Thread (1965)

96 or 98 mins | Drama | 15 December 1965

Director:

Sydney Pollack

Producer:

Stephen Alexander

Cinematographer:

Loyal Griggs

Editor:

Thomas Stanford

Production Designers:

Hal Pereira, Jack Poplin

Production Company:

Athene Productions
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HISTORY

On 6 Jan 1965, DV announced that Paramount Pictures had acquired Voice in the Wind, Stirling Silliphant’s screenplay based on “Decision to Die,” a 29 May 1964 Life magazine article about a real-life Seattle, WA, woman who attempted to commit suicide. Silliphant reportedly developed the story as a 100-page treatment for Metro-Goldwyn-Mayer (MGM), but the studio turned down the project amid creative differences. Paramount production president Howard W. Koch then purchased the treatment and signed Sidney Poitier to star.
       A few months later, the 21 Apr 1965 DV indicated that the title had since been changed to Call Me Back! The film marked the motion picture directing debut of Sydney Pollack, who previously had directed and starred in numerous television programs.
       According to the 3 Jun 1965 DV, Elizabeth Ashley was originally cast as “Inga Dyson” in Jan 1965, but was later informed by a third party that she had been replaced by Anne Bancroft without any written notice. Due to her commitment to the project, Ashley had allegedly turned down another opportunity worth $100,000, and consequently sued the studio for that amount (plus a single dollar in damages). The 3 Nov 1965 Var reported that the suit was settled out of court.
       A 25 Jun 1965 DV production chart indicated that principal photography began 14 Jun 1965 under the new title, The Slender Thread. The 16 Jun 1965 Var explained that a 1960 NBC teleplay also titled Call Me Back had recently entered negotiations as a feature project, and Paramount agreed to relinquish rights ...

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On 6 Jan 1965, DV announced that Paramount Pictures had acquired Voice in the Wind, Stirling Silliphant’s screenplay based on “Decision to Die,” a 29 May 1964 Life magazine article about a real-life Seattle, WA, woman who attempted to commit suicide. Silliphant reportedly developed the story as a 100-page treatment for Metro-Goldwyn-Mayer (MGM), but the studio turned down the project amid creative differences. Paramount production president Howard W. Koch then purchased the treatment and signed Sidney Poitier to star.
       A few months later, the 21 Apr 1965 DV indicated that the title had since been changed to Call Me Back! The film marked the motion picture directing debut of Sydney Pollack, who previously had directed and starred in numerous television programs.
       According to the 3 Jun 1965 DV, Elizabeth Ashley was originally cast as “Inga Dyson” in Jan 1965, but was later informed by a third party that she had been replaced by Anne Bancroft without any written notice. Due to her commitment to the project, Ashley had allegedly turned down another opportunity worth $100,000, and consequently sued the studio for that amount (plus a single dollar in damages). The 3 Nov 1965 Var reported that the suit was settled out of court.
       A 25 Jun 1965 DV production chart indicated that principal photography began 14 Jun 1965 under the new title, The Slender Thread. The 16 Jun 1965 Var explained that a 1960 NBC teleplay also titled Call Me Back had recently entered negotiations as a feature project, and Paramount agreed to relinquish rights to the name.
       Filming took place at the Paramount studios in Hollywood, CA, and on locations in Seattle. According to a 24 Jul 1965 LAT article, Poitier’s scenes were filmed on a sound stage while Bancroft read her lines offstage or through a receiver in her dressing room, which was wired with a live telephone connection. The real woman who inspired Bancroft’s character reportedly visited the Seattle set with her family, and the 27 Jun 1965 LAT claimed that the production spent approximately $12,000 each day on location. Filming concluded there in late Jun or early Jul 1965, as indicated by items in the 29 Jun 1965 and 1 Jul 1965 DV reporting the cast and crew’s recent return to Los Angeles.
       According to the 9 Dec 1965 DV, The Slender Thread was scheduled to open 15 Dec 1965 for a special engagement at the Stanley Warner Theater in Beverly Hills, CA, to qualify for Academy Award consideration. The 17 Nov 1965 Var stated that a New York City opening was set to take place on 23 Dec 1965, with general release to follow in early 1966.
       The film received Academy Award nominations for Art Direction (Black-and-White) and Costume Design (Black-and-White).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
6 Jan 1965
p. 1, 4
Daily Variety
21 Apr 1965
p. 2
Daily Variety
3 Jun 1965
p. 7
Daily Variety
25 Jun 1965
p. 8
Daily Variety
29 Jun 1965
p. 1
Daily Variety
29 Jun 1965
p. 2
Daily Variety
1 Jul 1965
p. 2
Daily Variety
9 Dec 1965
p. 3
Los Angeles Times
27 Jun 1965
Section N, p. 11
Los Angeles Times
24 Jul 1965
Section B, p. 9
Los Angeles Times
16 Dec 1965
Section D, p. 25
New York Times
11 Jun 1965
p. 18
New York Times
24 Dec 1965
p. 24
Variety
16 Jun 1965
p. 7
Variety
3 Nov 1965
p. 3
Variety
17 Nov 1965
p. 13
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Donald Roberts
Asst dir
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
COSTUMES
Cost
MUSIC
MAKEUP
PRODUCTION MISC
Unit prod mgr
SOURCES
LITERARY
Based on the short story "Decision to Die" by Shana Alexander in Life (29 May 1964).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Call Me Back
Call Me Back!
Voice in the Wind
Release Date:
15 December 1965
Premiere Information:
Los Angeles opening: 15 Dec 1965; New York opening: 23 Dec 1965
Production Date:
began 14 Jun 1965
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures
15 December 1965
LP32171
Physical Properties:
Sound
Black and White
Duration(in mins):
96 or 98
Country:
United States
Language:
English
SYNOPSIS

Psychology student Alan Newell, a black volunteer worker at Seattle's Crisis Clinic, receives a phone call from Inga Dyson, a housewife and mother who has taken an overdose of sleeping pills but will not reveal where she can be reached. Through a series of flashbacks, Mrs. Dyson explains that she wants to kill herself to solve marital problems precipitated when her husband, Mark, a fishing captain, discovered that their son is the product of a premarital affair. Newell and Dr. Coburn, a psychologist, arrange for the police to put an emergency trace on the call while Mrs. Dyson continues to talk about her feelings. Under the guidance of Sgt. Harry Ward, Patrolmen Steve Peters and Bert Enyard search for the woman while Mrs. Dyson recounts to Newell the coldness of her husband and a previous suicide attempt that resulted in her hospitalization. The police notify Mark of his wife's circumstances, search her home, and call the Coast Guard to transport her husband from his fleet to Seattle. Sergeant Ward enters the motel room where he has traced Mrs. Dyson just as she drops into a coma. A doctor notifies Newell that Mrs. Dyson can be saved, and, accompanied by her husband, she is placed in an ...

More Less

Psychology student Alan Newell, a black volunteer worker at Seattle's Crisis Clinic, receives a phone call from Inga Dyson, a housewife and mother who has taken an overdose of sleeping pills but will not reveal where she can be reached. Through a series of flashbacks, Mrs. Dyson explains that she wants to kill herself to solve marital problems precipitated when her husband, Mark, a fishing captain, discovered that their son is the product of a premarital affair. Newell and Dr. Coburn, a psychologist, arrange for the police to put an emergency trace on the call while Mrs. Dyson continues to talk about her feelings. Under the guidance of Sgt. Harry Ward, Patrolmen Steve Peters and Bert Enyard search for the woman while Mrs. Dyson recounts to Newell the coldness of her husband and a previous suicide attempt that resulted in her hospitalization. The police notify Mark of his wife's circumstances, search her home, and call the Coast Guard to transport her husband from his fleet to Seattle. Sergeant Ward enters the motel room where he has traced Mrs. Dyson just as she drops into a coma. A doctor notifies Newell that Mrs. Dyson can be saved, and, accompanied by her husband, she is placed in an ambulance.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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