The Night They Raided Minsky's (1968)

100 mins | Comedy | 18 December 1968

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HISTORY

Producer Norman Lear and his partner at Tandem Productions, Inc., Bud Yorkin, acquired screen rights to Rowland Barber’s 1960 novel, The Night They Raided Minsky’s, in summer 1965, with plans to begin shooting in Feb 1967, as stated in the 9 Aug 1965 DV. The film was set to be financed as part of a $20-million production slate at Tandem, which included an estimated “five pictures, two TV specials and one TV series,” according to a 6 Jan 1966 LAT brief. On 23 Mar 1966, Var reported that United Artists (UA) would release the picture, and director William Friedkin’s involvement was announced in the 22 May 1967 DV.
       Tony Curtis was initially cast as “Raymond Paine,” the 16 Jun 1967 NYT noted. However, the 28 Jul 1967 DV reported that Curtis had left the project, which was scheduled to begin shooting on 11 Sep 1967, due to “differences over his role.” Alan Alda was hired to replace Curtis, but a scheduling conflict with his role in the Broadway musical The Apple Tree (New York City, 18 Oct 1966) led to his departure. Jason Robards, Jr.’s casting as Alda’s replacement was announced in the 7 Sep 1967 NYT.
       Actress Britt Ekland recalled in a 25 Jul 1967 LAT interview that principal photography was initially set to take place in Los Angeles, CA, but was later moved to New York City, where the story is set. Filming began on 9 Oct 1967, according to an 8 Dec 1967 DV production chart. Locations included ...

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Producer Norman Lear and his partner at Tandem Productions, Inc., Bud Yorkin, acquired screen rights to Rowland Barber’s 1960 novel, The Night They Raided Minsky’s, in summer 1965, with plans to begin shooting in Feb 1967, as stated in the 9 Aug 1965 DV. The film was set to be financed as part of a $20-million production slate at Tandem, which included an estimated “five pictures, two TV specials and one TV series,” according to a 6 Jan 1966 LAT brief. On 23 Mar 1966, Var reported that United Artists (UA) would release the picture, and director William Friedkin’s involvement was announced in the 22 May 1967 DV.
       Tony Curtis was initially cast as “Raymond Paine,” the 16 Jun 1967 NYT noted. However, the 28 Jul 1967 DV reported that Curtis had left the project, which was scheduled to begin shooting on 11 Sep 1967, due to “differences over his role.” Alan Alda was hired to replace Curtis, but a scheduling conflict with his role in the Broadway musical The Apple Tree (New York City, 18 Oct 1966) led to his departure. Jason Robards, Jr.’s casting as Alda’s replacement was announced in the 7 Sep 1967 NYT.
       Actress Britt Ekland recalled in a 25 Jul 1967 LAT interview that principal photography was initially set to take place in Los Angeles, CA, but was later moved to New York City, where the story is set. Filming began on 9 Oct 1967, according to an 8 Dec 1967 DV production chart. Locations included the Gaiety Theatre, described in the 13 Sep 1967 Var as a former burlesque club located on 2nd Avenue and 12th Street, which had had difficulties with the theatrical unions and had been “closed as a stage-show centre for some time.” An entire block of 26th Street, between First and Second Avenues, served as the filming site for two weeks, according to a 10 Oct 1967 NYT article. The 27 Sep 1967 Var noted the block had been scheduled for demolition shortly before production was set to begin, but Mayor John V. Lindsay granted a last-minute reprieve to allow filmmakers to shoot there.
       On 3 Dec 1967, with two weeks of filming still remaining, seventy-two-year-old actor Bert Lahr, who played “Professor Spats,” died. Although Lahr had been due to perform in more scenes, an item in the 6 Dec 1967 NYT quoted Lear as saying, “Through judicious editing we will be able to shoot the rest of the film so that his wonderful performance will remain virtually intact.” An 8 Dec 1967 LAT brief noted that Lahr’s absence would entail “a little tightening in the script.” According to the 4 Dec 1968 Var, the final edit required “every frame filmed” of the actor, “including some test footage, and doubles, with voice over imitation when needed.”
       Various contemporary sources, including the 27 Nov 1968 Var, pointed out that UA was placing heavy emphasis on first-time actor Dexter Maitland in its promotions for The Night They Raided Minsky’s, boasting that his promising debut had led to a long-term deal between Maitland and Tandem Productions. However, the picture marked Maitland’s only feature film appearance.
       The picture opened in Dec 1968 to mixed reviews, although the production design and art direction received consistent praise. It was released with an “M” rating (suggested for mature audiences) from the Motion Picture Association of America (MPAA). When the Pacific Drive-In Theatres chain ran a two-column advertisement warning parents not to take their children to see The Night They Raided Minsky’s or the British film Corruption, which carried a more severe “R” rating, Lear took objection and sent the company a wire message. The 11 Mar 1969 DV quoted Lear’s note, which argued, among other things, that the notice had unfairly conflated his M-rated film with the R-rated Corruption. This occurred shortly after a 15 Jan 1969 Var article had reported the film was doing well at the box office. By early 1970, it had grossed $3 million in film rentals, as cited in the 7 Jan 1970 Var.
       On 19 Mar 1969, a Var brief noted the Museum of Modern Art (MoMA) in New York City had requested a print of The Night They Raided Minsky’s for its permanent collection.
       Dick Shawn, Betty Rowland, and Elaine Dunn were named as cast members in the 23 Jul 1966, 8 Aug 1967, and 16 Sep 1967 LAT, and Charles Maguire was listed as associate producer in the 5 Jul 1967 Var. An item in the 10 Jul 1968 Var indicated that Henny Youngman had recorded voice-over narration, but the narration heard in the final film is credited to Rudy Vallee, who also performed the title song, according to the 15 Dec 1968 LAT review. A conflicting statement in the 4 Dec 1968 DV review claimed “the program lists [Vallee] as singing the title song, which doesn’t exist.”
       The Night They Raided Minsky’s marked Elliott Gould’s U.S. feature film debut, although he had previously appeared in the unreleased 1964 film The Confession, a.k.a. Quick, Let’s Get Married.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
9 Aug 1965
p. 1
Daily Variety
1 Sep 1965
p. 1, 4
Daily Variety
22 May 1967
p. 1
Daily Variety
28 Jul 1967
p. 3
Daily Variety
8 Dec 1967
p. 10
Daily Variety
4 Dec 1968
p. 3, 8
Daily Variety
11 Mar 1969
p. 1, 12
Los Angeles Times
6 Jan 1966
Section E, p. 12
Los Angeles Times
23 Jul 1966
p. 22
Los Angeles Times
12 Jun 1967
Section D, p. 24
Los Angeles Times
25 Jul 1967
Section D, p. 1, 6
Los Angeles Times
8 Aug 1967
Section D, p. 12
Los Angeles Times
24 Aug 1967
Section D, p. 14
Los Angeles Times
31 Aug 1967
Section C, p. 13
Los Angeles Times
10 Sep 1967
Section C, p. 1, 13
Los Angeles Times
16 Sep 1967
p. 19
Los Angeles Times
8 Dec 1967
Section D, p. 24
Los Angeles Times
14 Dec 1967
Section D, p. 20
Los Angeles Times
28 Nov 1968
Section G, p. 24
Los Angeles Times
15 Dec 1968
Section Q, p. 30
New York Times
5 Jun 1966
p. 11, 14
New York Times
16 Jun 1967
p. 35
New York Times
7 Sep 1967
p. 50
New York Times
10 Oct 1967
p. 49
New York Times
6 Dec 1967
p. 40
New York Times
15 Aug 1968
p. 39, 44
New York Times
15 Dec 1968
Section D, p. 25
New York Times
23 Dec 1968
p. 43
Variety
23 Mar 1966
p. 3
Variety
7 Sep 1966
p. 35
Variety
3 May 1967
p. 20
Variety
24 May 1967
p. 26
Variety
5 Jul 1967
p. 16
Variety
28 Jul 1967
p. 3
Variety
6 Sep 1967
p. 4
Variety
13 Sep 1967
p. 20
Variety
13 Sep 1967
p. 64
Variety
27 Sep 1967
p. 28
Variety
6 Dec 1967
p. 54
Variety
13 Mar 1968
p. 7
Variety
10 Jul 1968
p. 53
Variety
27 Nov 1968
p. 22
Variety
4 Dec 1968
p. 22
Variety
5 Dec 1968
p. 6
Variety
11 Dec 1968
p. 22
Variety
15 Jan 1969
p. 28
Variety
19 Mar 1969
p. 25
Variety
7 Jan 1970
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Bud Yorkin-Norman Lear Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2nd unit dir
Asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
Dir of photog
Visual consultant
ART DIRECTORS
Prod des
Prod des
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Orch & cond
DANCE
Dances, mus numbers & sketches staged by
MAKEUP
Hairstyles
PRODUCTION MISC
Prod mgr
Asst to the prod
Tech adv
SOURCES
LITERARY
Based on the novel The Night They Raided Minsky's by Rowland Barber (New York, 1960).
LITERARY SOURCE AUTHOR
SONGS
"The Night They Raided Minsky's," "Take 10 Terrific Girls, But Only 9 Costumes," "You Rat, You," "How I Love Her," "Perfect Gentleman" and "Penny Arcade," words by Lee Adams, music by Charles Strouse.
SONGWRITER/COMPOSER
DETAILS
Release Date:
18 December 1968
Premiere Information:
Los Angeles opening: 18 Dec 1968 at the Vogue Theatre; New York opening: 21 Dec 1968
Production Date:
9 Oct--late Dec 1967
Copyright Info
Claimant
Date
Copyright Number
Tandem Productions, Inc.
18 December 1968
LP36627
Physical Properties:
Sound
Color
De Luxe
Duration(in mins):
100
Country:
United States
Language:
English
PCA No:
21940
SYNOPSIS

In 1925, young Billy Minsky is in danger of losing the National Winter Garden theater which houses his famous burlesque show. Despite the fact that Billy's father, Louis, owns the theater, he is threatening not to renew his son's lease because of the harassment of Vance Fowler's Society for the Suppression of Vice. The outlook becomes even gloomier when racketeer Trim Houlihan refuses to buy the theater from the elder Minsky. Then Rachel Schpitendavel arrives on the scene. A young Pennsylvania Amish woman who has run away from her strict father in order to dance Bible scenes on the stage, she attracts the attention of the show's top banana, Raymond Paine, and fall guy, Chick Williams. Chick's interest is purely romantic, but the conniving Paine has an ulterior motive; he circulates the rumor that Rachel will do a special midnight show featuring the indecent dance of Mademoiselle Fifi, the French heroine of popular pornographic pamphlets. The plan is to provoke Fowler's society and the police into raiding the theater, whereupon they will discover Rachel doing an innocent Bible dance and be forced to make an embarrassed retreat. On the day of the performance, however, several complications arise: Rachel's father, Jacob, arrives to take his daughter home; Trim decides to make "Mademoiselle Fifi" his moll; and Chick's rivalry with the philandering Paine over Rachel leads to a series of brawls. When Rachel defies everyone by going on stage, her father tries to stop her and accidentally tears her dress. Encouraged by the enthusiastic response of the audience, Rachel abandons her Bible story dance and begins to peel off her clothes. Noticing Paine's disapproval, she reaches out to him, and the ...

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In 1925, young Billy Minsky is in danger of losing the National Winter Garden theater which houses his famous burlesque show. Despite the fact that Billy's father, Louis, owns the theater, he is threatening not to renew his son's lease because of the harassment of Vance Fowler's Society for the Suppression of Vice. The outlook becomes even gloomier when racketeer Trim Houlihan refuses to buy the theater from the elder Minsky. Then Rachel Schpitendavel arrives on the scene. A young Pennsylvania Amish woman who has run away from her strict father in order to dance Bible scenes on the stage, she attracts the attention of the show's top banana, Raymond Paine, and fall guy, Chick Williams. Chick's interest is purely romantic, but the conniving Paine has an ulterior motive; he circulates the rumor that Rachel will do a special midnight show featuring the indecent dance of Mademoiselle Fifi, the French heroine of popular pornographic pamphlets. The plan is to provoke Fowler's society and the police into raiding the theater, whereupon they will discover Rachel doing an innocent Bible dance and be forced to make an embarrassed retreat. On the day of the performance, however, several complications arise: Rachel's father, Jacob, arrives to take his daughter home; Trim decides to make "Mademoiselle Fifi" his moll; and Chick's rivalry with the philandering Paine over Rachel leads to a series of brawls. When Rachel defies everyone by going on stage, her father tries to stop her and accidentally tears her dress. Encouraged by the enthusiastic response of the audience, Rachel abandons her Bible story dance and begins to peel off her clothes. Noticing Paine's disapproval, she reaches out to him, and the top of her dress falls away. As the performers are herded out of the theater by the police, they are hailed as heroes by the cheering crowd. The striptease has been born.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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